Tech 21 Trademark 60 Owner'S Manual Download Page 3

TOP PANEL

The Trademark 60 is designed with 

active

controls, which either boost, or cut and

boost, rather than traditional passive controls which can only cut. This effectively

doubles many of the control’s capabilities, giving you a much larger range of adjusta-

bility and, ultimately, more variety. It should be noted that you need not necessarily

set everything at max to achieve maximum results. 

As you experiment and become familiar with the controls’ interrelationships, you’ll

easily be able to customize your own sounds.

Input Jack

Faithful to the original designs of traditional tube amplifiers, this 1/4" Input is high

impedance 1M .  The typically additional low sensitivity input, however, is not needed

due to the trimmable Drive control in Channel 1.

Channel Selector Switch

Manually switches between channels when there’s no cable plugged into the rear

panel Footswitch jack. To remotely change channels, use the included Footswitch,

which will override the manual selector switch.

CHANNEL 1

Channel 1 offers a range of Fender

®

styles, from sparkling clean to semi-dirty to 

saturated Tweed

®

-style. 

Bite™

Changes the sound from jazzy and mellow to a more “biting,” overdriven style. Going

beyond a normal bright switch, it also tightens the low end to give more definition to

the low strings.

Drive

Like the volume control on a non-master-volume tube amp, Drive adjusts the amount

of “power amp” distortion. However, unlike such a control, you can 

cut or boost

from 

12 o’clock. In regular use, we recommend you start by setting Drive at unity gain. If

you have an extremely hot pickup and want a clean sound, trim towards the left. 

3

Punch

The Punch control sets the amount of mid-range break-up and overdrive. Cut or boost

from 12 o’clock. Decreasing from the center point produces a softer break-up.

Increasing its setting creates a harder, heavier, more nasal distortion, similar to a

wah pedal at mid position placed before a tube amp.

Level

Adjusts the volume level of Channel 1.

CHANNEL 2

Channel 2, always a little dirty, offers a range of Marshall

®

, Mesa/Boogie

®

and 

Vox AC30

®

styles. 

Weep™

Increases the amount of even harmonics and thickens the sound. It provides a

“singing” quality like that of a Class A tube amp and is particularly responsive to the

attack of individual notes. For the most pronounced effect, we recommend setting

Drive at least half-way (12 o’clock). 

Drive

Adjusts the amount of “power amp” distortion. Since Channel 2 is not designed for

clean sounds, this Drive has no unity gain position, and increases from the minimum

point (7 o’clock).

Growl™

This is a powerful and sophisticated mid-range control. It gives you that scooped-out,

heavy sound without making your guitar sound thin --and without any loss of volume.

Increase from the minimum point (7 o’clock). 

Level

Adjusts the volume level of Channel 2.

4

CH

 

1

CH

DRIVE

INPUT

PUNCH

LEVEL

DRIVE

GROWL

LEVEL

BITE

WEEP

CH

 

2

BOOST

REVERB

LOW

HIGH

LINK

BOOST

MASTER

POWER

ON

Summary of Contents for Trademark 60

Page 1: ...er will repair defective unit for a fee PROOF OF PURCHASE IS REQUIRED FOR ANY REPAIR For residents of the U S and Canada please call Tech 21 s main headquarters for shipping instructions and a Return...

Page 2: ...oad of big amp sounds in an affordable cost effective 36 lb package IMPORTANT SAFETY INSTRUCTIONS The Trademark 60 is powered by potentially hazardous voltage Therefore observe the following safety pr...

Page 3: ...djusts the amount of power amp distortion However unlike such a control you can cut or boost from 12 o clock In regular use we recommend you start by setting Drive at unity gain If you have an extreme...

Page 4: ...Reverb functions there s a 4th option Use an outboard reverb unit through the Effect Loop The Trademark 60 s Footswitch can then control each separately Effect Loop for Reverb Boost Reverb for Boost R...

Page 5: ...r stashed neatly in the back of the amp Connect the input of your effect to Send output of your effect to Return We recom mend that time based i e chorus or delay effects be inserted in the Effect Loo...

Page 6: ...ECTS PROCESSOR INPUT L R INPUT TRADEMARK 60 SANSAMP XLR DIRECT OUT XLR OUT INPUT TO CHAIN OR TO P A POWER ENGINE 60 XLR OUT INPUT TO CHAIN OR TO P A POWER ENGINE 60 Use a line matching transformer suc...

Page 7: ...en I Stevie Ray Metallica Mesa Boogie CH 1 DRIVE PUNCH LEVEL DRIVE GROWL LEVEL BOOST REVERB LOW HIGH BITE WEEP LINK CH 2 BOOST MASTER SAMPLE SETTINGS SAMPLE SETTINGS ON OFF CH 1 DRIVE PUNCH LEVEL DRIV...

Page 8: ...ox AC30 Queen Bohemian Rhapsody CH 1 DRIVE PUNCH LEVEL DRIVE GROWL LEVEL BOOST REVERB LOW HIGH BITE WEEP LINK CH 2 BOOST MASTER B B King Blues Clapton Bluesbreaker CH 1 DRIVE PUNCH LEVEL DRIVE GROWL L...

Page 9: ...OOST REVERB LOW HIGH BITE WEEP LINK CH 2 BOOST MASTER __________________ __________________ CH 1 DRIVE PUNCH LEVEL DRIVE GROWL LEVEL BOOST REVERB LOW HIGH BITE WEEP LINK CH 2 BOOST MASTER ____________...

Page 10: ...ith 60 watts of transparent power and Tech 21 special design 12 speaker 2x12TM matching 200 watt 8 closed back cabinet with two Tech 21 special design 12 speakers 4x12TM matching 400 watt 8 closed bac...

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