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MIC CHANNEL

MIC Input Jack

XLR mic level female input.  

PHANTOM Switch

Activates 24V phantom power through the Mic input to power a condenser micro-

phone, or any other phantom powerable product of your choice (perhaps a SansAmp

Acoustic DI?). 

GAIN

Controls the amount of gain for optimal signal-to-noise ratio. While you should have

the best results at 12 o’clock, you can simply decrease as necessary should you

encounter any distortion.

LOW, MID, HIGH

A

ctive

EQ controls boost or cut ±12dB from the center point (12 o’clock).

REVERB MIX

Controls the balance of reverb between the Guitar and Mic channels. For instance, at

12 o’clock, the reverb is equally distributed through both channels. At 7 o’clock, the

reverb is heard only through the Guitar channel. Conversely, at 5 o’clock, the reverb

is heard only through the Mic channel.

LEVEL

Adjusts the volume level of the Mic channel.

MASTER SECTION:

REVERB

Controls the overall amount of reverb for both chan-

nels. (Refer to 

Mic Channel, Reverb Mix control,

above.) The top-of-the-line, full-length

Accutronics™ 3-spring reverb can be remotely acti-

vated via any alternating (a.k.a., latching, on/off)

footswitch. An optional factory footswitch is avail-

able:

Tech 21 Model #FSWA

. Inquire through

your local dealer 

or contact Tech 21 directly for more information.   

5

LEVEL

Adjusts the overall volume level of the Guitar and Mic channels. It also affects the

XLR direct output, allowing you to block the signal to the audience or recording con-

sole when you want to tune or unplug your guitar. 

REAR PANEL

Fuse

Replace with similar type and same value: 3A/110-120V; 1.6A/220-250V.

Headphone

The Headphone output overrides the speaker for undisturbed (and non-disturbing)

practicing, which is especially useful with solid body electric/acoustic guitars. The

Headphone output can also be used as a 1/4" direct out, should an XLR input not be

available on your recorder. You can then use headphones through your mixer.

Speaker

By incorporating Tech 21’s exclusive technology with our special design 12” speaker,

the Bronzewood 60 gives you true full range response. 

If an external speaker cabinet is preferred, simply plug in the speaker cable from the

external cabinet. This will defeat the internal speaker. For best results, the speaker

cabinet should be rated at 8 , 60W minimum, preferably with a horn for full frequency

response. We do not recommend using a speaker rated at less than 8 , as a 4

speaker could cause distortion and potentially overheat the amp. Using a 16  speak-

er may result in a loss of power. 

Note:

The Bronzewood 60’s speaker is specifically

designed to complement our specialized circuitry. Therefore, using a standard speak-

er cabinet may change the sound. For recommendations, please contact Tech 21’s

technical support department.

6

Summary of Contents for Bronzewood 60

Page 1: ...rer will repair defective unit for a fee PROOF OF PURCHASE IS REQUIRED FOR ANY REPAIR For residents of the U S and Canada please call Tech 21 s main headquarters for shipping instructions and a Return Authorization Number Tech 21 will not accept packages without prior authorization pre paid freight UPS preferred and proper insurance FOR PERSONAL ASSISTANCE INQUIRIES Contact Tech 21 Inc weekdays fr...

Page 2: ...n technology enables you to go straight into the mixer of a PA system or recording console via the XLR direct output With the Bronzewood 60 you get a lot of sound in an affordable cost effective 38 lb package IMPORTANT SAFETY INSTRUCTIONS The Bronzewood 60 is powered by potentially hazardous voltage Therefore observe the following safety precautions WARNING To avoid the risk of fire electric shock...

Page 3: ... gain of the preamp We recommend starting with this control at 12 o clock If you have a weak pickup try 2 3 o clock If you have a hot pickup 3 decrease to 10 11 o clock Of course rely on your ears to determine the most appropriate setting for your instrument NOTCH Switch Activates the notch filter NOTCH Notch filter is sweepable from 50Hz to 300Hz It is designed to diminish the sensitivi ty for fe...

Page 4: ...ormation 5 LEVEL Adjusts the overall volume level of the Guitar and Mic channels It also affects the XLR direct output allowing you to block the signal to the audience or recording con sole when you want to tune or unplug your guitar REAR PANEL Fuse Replace with similar type and same value 3A 110 120V 1 6A 220 250V Headphone The Headphone output overrides the speaker for undisturbed and non distur...

Page 5: ...monitors to supplement your stage volume 7 Ground Lift Connects or disconnects the ground circuits between the XLR output of the amp and the mixer We recommend starting with the ground lifted If necessary connect the ground by pushing the button in Effect Loop The Effect Loop allows you to connect external effects between the pre amp and power amp section of the Bronzewood 60 You can then keep the...

Page 6: ...Reverb setting Again higher settings can contribute to feedback 7 Acoustic guitars not unlike their owners are very demanding The controls of the Bronzewood 60 are designed to help you achieve the best possible sound in any circumstance For best results take the time to listen learn the function of each control and how they interact 8 Enjoy your new amp BRONZEWOOD 60 SPECIFICATIONS Note With on go...

Page 7: ...60T Tech 21 s Power Engine 60T is a matching 1x12 60 watt powered extension cabinet with horn You can chain one or more with the Bronzewood 60 to increase your output to 120 watts 180 watts etc You can position the Bronzewood 60 and the Power Engine 60T on either side of the stage for wider sound disbursement START UP SAMPLE SETTING ON OFF GUITAR CHANNEL MIC CHANNEL Sample setting is based upon us...

Page 8: ...____ ____________________________ GUITAR CHANNEL MIC CHANNEL NOTES ______________________ ____________________________ GUITAR CHANNEL MIC CHANNEL NOTES ______________________ ____________________________ GUITAR CHANNEL MIC CHANNEL NOTES ______________________ ____________________________ ...

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