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 TASCAM X-9 

Owner’s Manual

9 – EQ

Each program has three bands of sweepable EQ with 
adjustable Q available for changing the way that the 
signal sounds. 

Up to 100 settings can be stored, and recalled for 
later use. 

Even if the settings were stored for one program, 
they can be recalled and used again with another pro-
gram.

The controls for each program consist 
of three dual knobs.

The inner knob controls the amount 
(

GAIN

) that the signal is cut or boosted 

for the appropriate band. Turn clock-
wise to boost, counterclockwise to cut.

The amount that the signal is cut can 
be up to 40 dB of cut, and it can be 
boosted by up to 12 dB in each band.

The outer knob of each pair (

FREQ

) controls the fre-

quency on which the band works. Turn clockwise to 
affect a higher frequency, counter-clockwise to affect 
a lower frequency.

The 

HIGH

 (treble) band can be set to a value between 

6 kHz (6,000 Hz) and 20 kHz (20,000 Hz).

The 

MID

 (mid-range) band can be set to a value 

between 200 Hz and 6 kHz (6,000 Hz).

The 

LOW

 (bass) band can be set to a value between 

20 Hz and 200 Hz.

WARNING

If you turn the 

GAIN

 of all bands to a boost signal, you 

may overload the X-9 and your amplifier, resulting in 
distortion. “Back off” using the 

TRIM

 control if this 

occurs.

EQ Q setting

The ‘Q’ of EQ is how much of the signal is affected 
by the equalization.

The higher the Q value, the sharper the EQ curve 
(and the smaller part of the signal affected by the 
EQ).

There are three Q values, which may be set for each 
band using the menu system (see “Program EQ Q 
values” on page 19 (

11_E

)for details).

The three settings are 

A

 (low Q), 

Nor

 (normal set-

ting) and 

b

 (high Q).

Cutting the EQ bands

If you want to make an instant cut of 40 dB in one of 
the bands, use one of the sets of

 LO CUT

MID CUT

 

and 

HI CUT

 controls to cut the appropriate band 

(when the switch is down, the band is cut).

NOTE

These controls do not affect the input programs 
directly—they affect the signal assigned to the A and B 
cross-fade signals.

These controls do not affect the sampler outputs.

Viewing EQ settings

Because its EQ circuits are digital, the X-9 allows 
you to see the exact figures associated with an EQ 
setting (for instance, 12 dB of cut at 400 Hz, etc.).

The EQ settings can be viewed for any of the four 
programs (but not for the microphone, whose EQ set-
tings cannot be memorized and recalled).

High Q value
(

b

 setting)

(Low Q value

A

 setting)

Summary of Contents for X-9

Page 1: ...erature accompanying the appliance The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the pr...

Page 2: ...USER This equipment has been tested and found to comply with the limits for a Class A digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection ag...

Page 3: ...porting structure grounding of the lead in wire to an antenna discharge unit size of grounding conductors location of antenna discharge unit con nection to grounding electrodes and requirements for th...

Page 4: ...ing more About programs 14 Assigning sources to programs 14 Trim 14 Cross fading 14 Signal flow 15 Playing a song 16 Adjusting the output volume 16 Cue previewing sounds 16 5 Menus How the X 9 shows c...

Page 5: ...e sufficient space above and around the unit for ventilation If you are mounting the unit in a rack leave 1U of space above it Do not install this equipment in a confined space such as a bookcase or s...

Page 6: ...e connections between the X 9 and other equipment Program gain level EQ and assignment section This section provides the basic mixing facilities to control the sound received at the inputs and assigne...

Page 7: ...em See Samplers on page 26 for full details of how to operate these samplers Microphone control This section provides control over the microphone A talkover function as well as 2 band EQ is provided i...

Page 8: ...been equalized and before they are sent to either the cross fader or to the master fader The fader curve and fader direction can also be set and fader program start can be carried out See About progr...

Page 9: ...is possible to set the cross fader curve reversal and allow source starting with the cross fader See Cross fading on page 14 for details of how the cross fader fits into the signal chain See Faders on...

Page 10: ...pairs of connectors all have the left connector at the top and the right at the bottom Pairs of pin sig nal cables are typically red for the right channel and some other color for the left channel We...

Page 11: ...he output level to the amplification systems Again you may find it useful to consult the amplifi cation system documentation and or consult a profes sional sound engineer Booth outputs The booth outpu...

Page 12: ...ono Use the STEREO the indicator is unlit MONO SPLIT indicator is lit key to change between these two modes In the MONO SPLIT mode the cue signal is output from the left headphone and the master cue s...

Page 13: ...from the external input cannot be output from the digital output To use the external effects unit Turn the EFFECT IN knob to select the signal that will be processed by the effects unit a program 1 th...

Page 14: ...es to programs Use the switches on the top panel to change between the LINE and PHONO inputs In addition there is a key beside each of these switches allowing you to choose different sources for the p...

Page 15: ...and moving the cross fader to the side with the THRU setting has no effect on that side When THRU is selected use the appropriate program fader s and the master fader Move the fader from the left full...

Page 16: ...rs take to fall back as well as the time that they hold peak values using the 12Mr and 13Mp menus see Meter release time on page 19 and Meter peak hold time on page 19 TIP We suggest this way of worki...

Page 17: ...he DATA knob to set the next value 7 Press ENTER to confirm the setting and leave the menu system Typically most menus can be performed using either the right and left menu systems consisting of keys...

Page 18: ...and right menu systems Cross fader B start 7cFb Sets the cross fader to start signal B playback OFF Fader start disabled On Cross fader starts signal B playback Can be performed on both left and right...

Page 19: ...performed on both left and right menu systems Program fader curve 15Fc Sets the fader curve as described and shown in Program fader curve on page 21 After pressing ENTER to select the menu use the di...

Page 20: ...d on both left and right menu systems Program 4 balance 22b4 Balances the program 4 signal hard left L9 to L1 c0 cen ter r1 to r9 hard right Can be performed on both left and right menu systems Restor...

Page 21: ...work the way you prefer See Program fader reverse on page 19 16Fr for details Alternatively you can set fader reverse in the fol lowing way 1 Press and hold down a FUNCTION key and the matching ENTER...

Page 22: ...rce Alternatively press and hold down one of the FUNCTION keys and the corresponding ENTER key together While holding the ENTER and FUNCTION keys down press the EXT EFFECT key to toggle cross fader A...

Page 23: ...and is used to synchronize the effect to the received beat of the music or allows manual setting of the timing See below for details To set the LEVEL and TIME parameters 1 Press the appropriate EFFECT...

Page 24: ...icator now lights steadily and number of the next empty slot for storing effects is shown in the display If all the available slots have been filled the display alternately shows FULL FULL and 1 4 Use...

Page 25: ...second the X 9 returns to the recalled status in step 3 Alternatively If the EFFECT key is not lit 1 Press and hold the FUNCTION key for about two seconds The RECALL indica tor lights 2 Turn the DATA...

Page 26: ...ng key means that the key can now be pressed to set the point A lit key means that the point has been set TIP When you have recorded a sample you must change the sampler selection control to one of th...

Page 27: ...Use the right DATA knob to adjust the end point of the sampler of course you can only adjust the posi tion backward from the original OUT point Naturally the end point of the sample must come after t...

Page 28: ...of all bands to a boost signal you may overload the X 9 and your amplifier resulting in distortion Back off using the TRIM control if this occurs EQ Q setting The Q of EQ is how much of the signal is...

Page 29: ...g either the gain or the frequency control for the band changes the display to either the frequency or the gain for that band Remembering and recalling EQ settings The menu system is used to store the...

Page 30: ...nput impedance 22 k Analog outputs MASTER OUTPUT BALANCED XLR balanced male a Output level 4dBu Output impedance 75 MASTER OUTPUT UNALANCED RCA pin unbalanced Output level 10 dBV Output impedance 1 k...

Page 31: ...hting PHONO 77 dB IHF A weighting MIC 70 dB IHF A weighting Total harmonic distortion LINE 0 025 PHONO 0 035 MIC 0 040 Crosstalk 70 dB 1 kHz Samplers 1 and 2 8 seconds of record playback per sampler E...

Page 32: ...10 Specifications etc 32 TASCAM X 9 Owner s Manual Dimensional drawing 355 mm 14 4 in 87 mm 3 4 in 320 mm 12 6 in...

Page 33: ...it the right rack mount angle in the same way Case mounting WARNING It is most important that if you are mounting the X 9 in a rack or in a case that the supplied fan cover and ven tilation cover are...

Page 34: ...1 MIC FROM PGM 1 FROM PGM 3 FROM MIC FROM PGM 2 FROM PGM 4 FROM MASTER SAMPLER 1 SAMPLER 2 TO FROM EFFECT 1 MIC 1 S1 3 EFFECT POSITION TO FROM EFFECT 2 MST 2 S2 4 EFFECT POSITION DAC MASTER OUT BAL M...

Page 35: ......

Page 36: ...ss Park Watford Hertfordshire WD1 8TE U K TEAC DEUTSCHLAND GmbH Phone 0611 71580 Bahnstrasse 12 65205 Wiesbaden Erbenheim Germany TEAC FRANCE S A Phone 01 42 37 01 02 17 Rue Alexis de Tocqueville CE 0...

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