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 TASCAM DM-24 2.0 release notes 

11

 DM-24 version 2.0—Release notes—I/O setup changes

No assignment to a channel

When you are making assignments to the DM-24, as 
described in “Assigning inputs to channels” on 
page 40, a new “source” has been added to the list.

This is a null assignment, indicated by four dashes on 
screen 

----

; in other words, no input is assigned to the 

selected channel when this option is selected.
This null assignment applies to channel inputs, to 
return sources, and to return blocks.

Group switching

Also note that there is now an option that allows a 
whole group to be switched between input and return 
settings, rather than your having to make individual 
settings for each channel in the group, as described in 
“Assigning inputs to channels” on page 40.

Move the cursor to the on-screen “patch cable” of the 
center box to the left of the channel list (as high-
lighted here), and use the dial and 

ENTER

 key to 

change between 

INPUT

 and 

RETURN

, as for individual 

channels.

Mic/line routing to Aux 1-2

It is now possible to assign mic/line inputs to Aux 1 
and 2, which is a similar concept to the way in which 
aux 1 and 2 can be used for tape returns (1 through 
16) in a tracking environment.
Now, when mixing, you can have channels 1 through 
24 used as tape returns, 25 through 32 as effect 
returns, and the sixteen mic/line inputs assigned to 
aux 1 and 2. These two aux busses can then be stereo 
linked, and assigned using the 

ASSIGN BUSS

 page to 

the stereo buss outputs.

When this is done, you now effectively have 16 extra 
channels with pan and level controls, making a total 
of 48 mixdown channels (as in the 

48ch MIXING

 snap-

shot 000). These “new” channels are perfect for use 
as MIDI instrument channels. 

Summary of Contents for DM-24

Page 1: ...DM 24 Digital Mixing Console Version 2 0 RELEASE NOTES 9101446901...

Page 2: ...ds 12 Assignable inserts 13 Surround mode 13 LPF on the Boom channel 13 Center channel percentage 13 Circle and square patterns using the dial 14 Using the cursor keys 14 Jumping using the keypad 14 E...

Page 3: ...being lost dur ing an upgrade you will not suffer a permanent loss of your settings New snapshots The version 2 0 software replaces previous snapshots with the new snapshots described here Because of...

Page 4: ...hrough 8 input TDIF 3 assigned to channels 9 16 TDIF 1 and TDIF 2 assigned to channels 17 32 Assignable send returns 1 through 4 set as send return Channels 5 through 32 assigned only to ST and set to...

Page 5: ...oarse setting Fine value settings using the PODs on page 15 is selected using the OPTION SETUP screen This can be useful when you want to make very subtle changes to a mix Phase In previous versions o...

Page 6: ...now possible to set a new option CH SOLO Key Auto MODULE Select When this option is set soloing a channel will auto matically select that channel as well Muting pre fader sends The channel mute can n...

Page 7: ...h the appropriate slot interface card An example of an 8 balanced analog output micro phone pre system is the PreSonus M80 which can be used with the IF AN DM card The same maker also produces the Dig...

Page 8: ...he DA 78HR NOTE When a DTRS unit is connected to the DM 24 in this way it may sometimes happen that the DM 24 s display is illuminated even with the power turned off because of power being fed through...

Page 9: ...ting channels 1 through 24 moves the meter layer to CH 1 24 and selecting channels 25 through 32 moves the meter layer to CH 25 32 MU 24 operation If the optional MU 24 meter bridge is fitted channels...

Page 10: ...ve mix of this signal in the fol lowing way Press channel 1 s SEL key followed by the on screen DIRECT OUT button for channel 1 This sends the post ADC direct out signal to the multitrack recorder ass...

Page 11: ...ls on page 40 Move the cursor to the on screen patch cable of the center box to the left of the channel list as high lighted here and use the dial and ENTER key to change between INPUT and RETURN as f...

Page 12: ...ng on the ADD SOURCE setting for the channel At the bottom of this screen is a SETUP section which allows you to make a master assignment setting Use POD 1 to set the parameter to M L and POD 2 to set...

Page 13: ...er It also allows you to send a compressed stereo signal to digital outputs 1 and 2 Surround mode LPF on the Boom channel This allows you to send only those frequencies below those selected on the LPF...

Page 14: ...ial will act as a surround pan con trol moving the source around the pattern as selected in the SURROUND 2 screen Using the cursor keys If you check the CURSOR MOVE box in the SURROUND 2 screen you ca...

Page 15: ...s Deleting library entries While before it was only possible to recall entries and to overwrite unwanted entries the new DELETE button allows the data in the highlighted library entry to be deleted A...

Page 16: ...open MMC connection Track arming On the MIDI MC SETUP page there is a new parameter at the top right of the MACHINE CONTROL section RecFn Set this to either TRUE 40h or MASKED 41h Previ ously only th...

Page 17: ...s The ports provide switching either a high to low or a low to high transition or a momentary high or momentary low pulse The low level is 0V and the high voltage level is 5V The typical load presente...

Page 18: ...eing used to un mute a channel In this last case it is the key release that triggers the GPI event Faders The FADER types the 32 channel faders the aux and buss faders and the master fader may also be...

Page 19: ...n MIDI fader layer A new MIDI mixer layer has been added Previously the audio faders mutes and pan controls could be assigned to any MIDI channel and control ler number While this capability has been...

Page 20: ...r best efforts that an external unit that is controlled by a Mackie HUI will behave identically in every circumstance as the same unit controlled by the DM 24 s HUI emulation The HUI device is a close...

Page 21: ...els one at a time compared to the BANK buttons which move the view eight at a time Use the PODs to control the DAW track panning or the sends from A through E as selected by the on screen buttons at t...

Page 22: ...rotary encoders or switches to begin writing or overwriting at the con trol s current value While moving the con trol you can release the TOUCH key Write mode is still enabled for this control 3 Make...

Page 23: ...static mode using the AUTO CONFIG screen and running timecode This erases the mix move data for this control After an undo of this operation the mode remains static meaning that the data will be delet...

Page 24: ...ng screen appears Select the switch function from the following list Talkback to audio and slate TO STUDIO AND SLATE Talkback to studio only TO STUDIO Talkback to slate only TO SLATE Punch in and punc...

Page 25: ...3 MASTER E AUX 4 MASTER E AUX 5 MASTER E AUX 6 MASTER E BUSS 1 BUSS 2 BUSS 3 BUSS 4 BUSS 5 BUSS 6 BUSS 7 BUSS 8 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 CMP CMP CMP CMP CMP CMP CMP CMP CMP CMP CMP CMP CMP...

Page 26: ...R E BUSS 7 MASTER E BUSS 8 MASTER E AUX 1 MASTER E AUX 2 MASTER E AUX 3 MASTER E AUX 4 MASTER E BUSS 1 BUSS 2 BUSS 3 BUSS 4 BUSS 5 BUSS 6 BUSS 7 BUSS 8 AUX 1 AUX 2 AUX 3 AUX 4 CMP CMP CMP CMP CMP CMP...

Page 27: ...0 10 0 10 20 0 dBFS 16dBFS DAC dBV dBu 2 7dBu 13 3dBu 2dBu 1 4 Assinable SEND 20 10 0 10 20 20 10 0 10 20 0 dBFS 16dBFS DAC dBV dBu 2 7dBu 13 3dBu 4dBu C ROOM OUTPUT EQ 18dB 18dB 10dB INPUT FADER STER...

Page 28: ...gaacion Iztapalapa CP 09810 Mexico DF TEAC UK LIMITED Phone 01923 819699 5 Marlin House Croxley Business Park Watford Hertfordshire WD1 8TE U K TEAC DEUTSCHLAND GmbH Phone 0611 71580 Bahnstrasse 12 65...

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