background image

12

OUTPUT CONNECTIONS

24. MAIN OUTPUTS 

These 1/4" TRS jacks represent the end of the mixer 

chain, where your fully mixed stereo signal enters the 

real world.

Connect these outputs to the inputs of your 

amplifi ers, powered speakers, or serial effects 

processor (graphic equalizer, for example).

25. CTRL ROOM OUTPUTS

These 1/4" TRS jacks can be used to provide 

another main mix output (with the CTRL ROOM (18) 

switch set to MAINS), or to monitor the CD/Tape Inputs 

(CTRL ROOM switch set to CD/TAPE).

Connect these outputs to the inputs of an amplifi er, 

powered speakers, or recording device.

26. AUX SEND 1 MON OUTPUT 

To create a stage monitor mix, connect this 1/4" TRS 

output into your monitor amplifi er’s input, or powered 

monitor’s input. This jack can also be used to feed the 

inputs of an effects device.

Each channel strip has an AUX 1 MON (8) send 

control knob that adjusts how much of that channel’s 

signal appears at this output. The output from this jack 

is the sum of all those active channels that have their 

AUX 1 knobs set to more than the minimum position.

This output 

is not

 affected by the channel LEVEL 

(11), or MAIN MIX (22) controls.

27. AUX 2 SEND EFX OUTPUT

This 1/4" TRS output can be used to connect to the 

input of an external effects device.

Each channel strip has an AUX 2 EFX (9) control that 

adjusts how much of that channel’s signal appears 

at this output. The output from this jack is the mix of all 

those active channels that have their AUX 2 knobs set 

more than minimum.

This output 

is

 affected by the channel LEVEL (11), 

but not the MAIN MIX (22) control.

Note:

 Since this output is post-channel EQ and 

LEVEL, it is not used as a traditional stage monitor cue. 

It is intended to patch into an effects device’s input, 

hence the name EFX.

28. TAPE OUTPUTS 

Use these jacks to capture the entire performance 

to tape. The signal at these jacks is a sample of the 

main mix, as it appears at the MAIN (24) output. (The 

output level is affected by the MAIN level control.)

29. PHONES OUTPUT 

The stereo signal at this output jack is the same as 

the CTRL ROOM (25) outputs, but it is not affected by 

the position of the CTRL ROOM (19) knob. You can 

listen to the main mix, or the CD/TAPE, depending 

upon the position of the CTRL ROOM (18) switch.

The PHONES (20) control allows you to set the levels 

in your headphones as desired, without disturbing the 

main mix or control room levels.

Note:

 Be very careful because 

the PHONES jack can drive any 

standard headphones to very 

loud levels. Please see page 2 for 

information on hearing protection. 

See Appendix B for information about 1/4" TRS 

stereo connectors.

REAR PANEL FEATURES 

30. POWER SWITCH

Push the side of the switch labeled “

ON

” to turn the 

mixer on; you should see the 

POWER 

LED (16) glow 

with happiness. To turn the mixer off, push the switch 

the other way.

As a general rule, turn the mixer on fi rst, before any 

amplifi ers or powered speakers. At the end of a show, 

turn it off last. This will prevent any turn-on or turn-off 

thumps from being heard in the speakers.

31. POWER IN

This connection is where you connect the supplied 

external AC power supply to provide AC power to the 

mixer. Connect the external power supply to the 6306 

fi rst, then plug the power supply into a suitable and 

properly rated AC outlet.

3/4

5/6

CD/TAPE

IN

TAPE

OUT

L

R

PHONES

BAL/UNBAL

L

LINE IN

BAL/UNBAL

L

R

R

L

R

L

R

1

2

R

LINE IN

(MONO)

L

(MONO)

(MONO)

AUX SEND 

IN

OUT

OUT

OUT

AUX RETURN

MAIN

CTRL ROOM

EFX

MON

24

24

25

25

26

27

28

28

29

       9 VAC

POWER IN

CONCEIVED AND DESIGNED BY MACKIE DESIGNS INC • WOODINVILLE • WA • USA • 
MADE IN CHINA • FABRIQUE AU CHINE • COPYRIGHT ©2002 • THE FOLLOWING ARE 

TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGNS INC.: "TAPCO", 

"MACKIE",  AND THE "RUNNING MAN" FIGURE •  PATENT PENDING

POWER

ON

6306

30

31

Summary of Contents for 6306

Page 1: ...owner s manual ...

Page 2: ...m digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications ATTENTION Le présent appareil numérique n émet pas de bruits radioélectriques dépassant las limites applicables aux appareils numériques de class A de class B selon le cas prescrites dans le règlement sur le brouillage radioélectrique édicté par les ministere des communications du Cana...

Page 3: ...d not a bad idea to write your product information here for future reference i e insurance claims tech support return authorization etc Contents Safety Instructions 2 Getting Started 4 Introduction 6 Hookup Diagrams 7 TAPCO 6306 Features 8 Channel Inputs 8 Channel Controls 9 Equalization 9 Auxiliaries 9 Master Section 11 Output Connections 12 Rear Panel Features 12 Block Diagram 13 Appendix A Serv...

Page 4: ... normal singing volume If it s a synthesizer play it at its normal output level 2 While making noise turn up that channel s GAIN until the adjacent LEVEL SET LED starts blinking 3 Raise that channel s LEVEL to unity gain U label You should be hearing your noise now 4 If necessary apply channel EQ changes You may need to compensate for level changes afterward with the channel LEVEL control 5 Repeat...

Page 5: ...handbag to accessorize your mixer NRM 2 EFX AUX 1 MON 2 EFX 1 MON 2 EFX 1 MON 2 EFX 1 MON AUX RETURN HI 12k LOW 80Hz EQ TAPE TO MIX OFF MAIN LEVEL SET LEVEL SET U 15 15 R L R L R L R L PAN LEVEL LEVEL LEVEL LEVEL MAIN MIX U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 GAIN U 22dB 25dB 3 50 MIC GAIN U 22dB 25dB 3 50 MIC 2 2 3 4 5 6 INPUT 1 INST IN HI Z INST IN HI Z INPUT OL LEFT RIGHT 16 1...

Page 6: ...y Space Drive control OK we made that last one up but we can pencil it in Introduction Thank you for choosing a TAPCO 6306 mixer by Mackie Designs The TAPCO family of mixers hails back to the days of TAPCO Corporation Greg Mackie s first company TAPCO revolutionized the audio industry back in 1969 with the very first 6 channel mixer specifically designed for keyboards and rock N roll PA The first ...

Page 7: ...EL SET LEVEL SET GAIN U 22dB 25dB 3 50 MIC GAIN U 22dB 25dB 3 50 MIC 2 3 4 5 6 INPUT 1 INST IN HI Z INST IN HI Z INPUT CD TAPE IN TAPE OUT L R PHONES BAL UNBAL L LINE IN BAL UNBAL L R R L R L R 1 2 R LINE IN MONO L MONO MONO AUX SEND IN OUT OUT OUT AUX RETURN MAIN CTRL ROOM EFX MON DAT Recorder Mono in Stereo out Reverb Microphones 1 and 2 Active Monitor Headphones Tape Player Drum Machine Keyboar...

Page 8: ...erating levels Through the mono channels MIC XLR inputs there is 50 dB of gain with the knob fully up Through a mono channels INST IN TRS inputs there is 22 dB of attenuation fully down and 25 dB of gain fully up with a U unity gain mark halfway up Having 22 dB of line level attenuation can be very handy when you are injecting a signal that is very hot or when you want to add a lot of EQ boost or ...

Page 9: ...nnel 3 4 and 5 6 AUX knobs control a mono sum of the channel s stereo signals For instance channel 3 L and 4 R mix together to feed that channel s AUX send knobs 8 AUX 1 MON AUX 1 MON is designed to send a separate mono mix to your stage monitors via the AUX 1 SEND 26 output jack The EQ AUX 1 and GAIN controls will affect the output to your monitors but PAN or BALANCE and LEVEL won t This signal i...

Page 10: ...e main mix when the TAPE TO MIX 21 button is pushed in The signals can also be routed to the CONTROL ROOM 25 outputs when the CTRL ROOM 18 switch is pushed in See Appendix B for more information about RCA connectors When connecting a mono device just one cord you ll need a Y splitter RCA adapter It turns a mono output cord into two cords so both the right and left tape input jacks can be used This...

Page 11: ...r Tape Deck connected to the CD TAPE inputs push down this switch to add the CD TAPE signal to the main mix This is useful if you want to play some entertainment while the band is taking a break Use the MAIN MIX control to adjust the volume level We do not mean to imply that your band isn t entertaining or that any other music could possibly fill in for them 22 MAIN MIX This rotary knob controls t...

Page 12: ...these jacks to capture the entire performance to tape The signal at these jacks is a sample of the main mix as it appears at the MAIN 24 output The output level is affected by the MAIN level control 29 PHONES OUTPUT The stereo signal at this output jack is the same as the CTRL ROOM 25 outputs but it is not affected by the position of the CTRL ROOM 19 knob You can listen to the main mix or the CD T...

Page 13: ...PCO 6306 BLOCK DIAGRAM SSE 11 03 03 L L R R BALANCE AUX 2 EFX SUM THING SUM THING ELSE AUX RETURN TO MAIN MIX AUX RETURN TO MONITOR AUX 1 MONITOR L R L R LEFT MAIN BUS RIGHT MAIN BUS AUX 1 MON BUS AUX 2 EFX BUS AUX 2 EFX SEND AUX 1 MON SEND HEADPHONE OUTPUT LEFT RIGHT METERS AND PATENTED HAMPSTER HYPNOTIZER CD TAPE TO CTRL ROOM CD TAPE TO MAIN MIX CONTROL ROOM PHONES LEFT MAIN OUT RIGHT MAIN OUT L...

Page 14: ...cking box and must have the RA number on the box Once it s repaired we ll ship it back the same way in which it was received This paragraph does not necessarily apply to non warranty repair Warranty Service Details concerning Warranty Service are spelled out in the Warranty section on page 19 If you think your TAPCO 6306 has a problem please do everything you can to confirm it before calling for s...

Page 15: ...phones 1 4 TRS Stereo Unbalanced Wiring Sleeve Shield Tip Left Ring Right 1 4 TS Phone Plugs and Jacks TS stands for Tip Sleeve the two connections available on a mono 1 4 phone jack or plug They are used for unbalanced signals 1 4 TS Unbalanced Wiring Sleeve Shield Tip Hot RCA Plugs and Jacks RCA type plugs also known as phono plugs and jacks are often used in home stereo and video equipment and ...

Page 16: ...nput 18 dBu Gain 3 dB Inst Input 18 dBu Gain 22 dB Stereo Line Input Tape Input and Aux Return 18 dBu Maximum Voltage Gain Mic Input to Main Output 74 dB Tape Output 74 dB Aux Sends 74 dB Control Room Output 84 dB Phones Output 84 dB Inst Input to Main Output 49 dB Tape Output 49 dB Aux Sends 49 dB Control Room Output 59 dB Phones Output 59 dB Stereo Line Input to Main Output 20 dB Tape Output 20 ...

Page 17: ...change these specifications at any time without notice During a recent Garden Fete put on by the Society for the Prevention of Misunderstandings SRSoF this mixer was accidentally awarded first prize in the Lemon Bunt Cake category Gain Structure Diagram This diagram shows the gain levels in dBu and the range of adjustment of the signal level as it wanders through the various circuitry inside the m...

Page 18: ... O O U MAX O O U MAX O O U MAIN CD TAPE 3 4 5 6 PHANTOM POWER 1 MAIN GAIN U 22dB 25dB 3 50 MIC GAIN U 22dB 25dB 3 50 MIC TAPCO 6306 NOTES NRM 2 EFX AUX 1 MON 2 EFX 1 MON 2 EFX 1 MON 2 EFX 1 MON AUX RETURN HI 12k LOW 80Hz EQ TAPE TO MIX OFF MAIN U 15 15 R L R L R L R L PAN LEVEL LEVEL LEVEL LEVEL MAIN MIX U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 2 OL LEFT RIGHT 16 12 8 4 0 4 12 24 0 ...

Page 19: ...aired under warranty at Mackie s factory will be returned freight prepaid by Mackie to any location within the boundaries of the USA F This warranty is extended to the original purchaser and to anyone who may subsequently purchase this product within the applicable warranty period G This is your sole warranty Mackie Designs Inc does not authorize any third party including any dealer or sales repre...

Page 20: ...tapcogear com ...

Reviews: