12
OUTPUT CONNECTIONS
24. MAIN OUTPUTS
These 1/4" TRS jacks represent the end of the mixer
chain, where your fully mixed stereo signal enters the
real world.
Connect these outputs to the inputs of your
amplifi ers, powered speakers, or serial effects
processor (graphic equalizer, for example).
25. CTRL ROOM OUTPUTS
These 1/4" TRS jacks can be used to provide
another main mix output (with the CTRL ROOM (18)
switch set to MAINS), or to monitor the CD/Tape Inputs
(CTRL ROOM switch set to CD/TAPE).
Connect these outputs to the inputs of an amplifi er,
powered speakers, or recording device.
26. AUX SEND 1 MON OUTPUT
To create a stage monitor mix, connect this 1/4" TRS
output into your monitor amplifi er’s input, or powered
monitor’s input. This jack can also be used to feed the
inputs of an effects device.
Each channel strip has an AUX 1 MON (8) send
control knob that adjusts how much of that channel’s
signal appears at this output. The output from this jack
is the sum of all those active channels that have their
AUX 1 knobs set to more than the minimum position.
This output
is not
affected by the channel LEVEL
(11), or MAIN MIX (22) controls.
27. AUX 2 SEND EFX OUTPUT
This 1/4" TRS output can be used to connect to the
input of an external effects device.
Each channel strip has an AUX 2 EFX (9) control that
adjusts how much of that channel’s signal appears
at this output. The output from this jack is the mix of all
those active channels that have their AUX 2 knobs set
more than minimum.
This output
is
affected by the channel LEVEL (11),
but not the MAIN MIX (22) control.
Note:
Since this output is post-channel EQ and
LEVEL, it is not used as a traditional stage monitor cue.
It is intended to patch into an effects device’s input,
hence the name EFX.
28. TAPE OUTPUTS
Use these jacks to capture the entire performance
to tape. The signal at these jacks is a sample of the
main mix, as it appears at the MAIN (24) output. (The
output level is affected by the MAIN level control.)
29. PHONES OUTPUT
The stereo signal at this output jack is the same as
the CTRL ROOM (25) outputs, but it is not affected by
the position of the CTRL ROOM (19) knob. You can
listen to the main mix, or the CD/TAPE, depending
upon the position of the CTRL ROOM (18) switch.
The PHONES (20) control allows you to set the levels
in your headphones as desired, without disturbing the
main mix or control room levels.
Note:
Be very careful because
the PHONES jack can drive any
standard headphones to very
loud levels. Please see page 2 for
information on hearing protection.
See Appendix B for information about 1/4" TRS
stereo connectors.
REAR PANEL FEATURES
30. POWER SWITCH
Push the side of the switch labeled “
ON
” to turn the
mixer on; you should see the
POWER
LED (16) glow
with happiness. To turn the mixer off, push the switch
the other way.
As a general rule, turn the mixer on fi rst, before any
amplifi ers or powered speakers. At the end of a show,
turn it off last. This will prevent any turn-on or turn-off
thumps from being heard in the speakers.
31. POWER IN
This connection is where you connect the supplied
external AC power supply to provide AC power to the
mixer. Connect the external power supply to the 6306
fi rst, then plug the power supply into a suitable and
properly rated AC outlet.
3/4
5/6
CD/TAPE
IN
TAPE
OUT
L
R
PHONES
BAL/UNBAL
L
LINE IN
BAL/UNBAL
L
R
R
L
R
L
R
1
2
R
LINE IN
(MONO)
L
(MONO)
(MONO)
AUX SEND
IN
OUT
OUT
OUT
AUX RETURN
MAIN
CTRL ROOM
EFX
MON
24
24
25
25
26
27
28
28
29
9 VAC
POWER IN
CONCEIVED AND DESIGNED BY MACKIE DESIGNS INC • WOODINVILLE • WA • USA •
MADE IN CHINA • FABRIQUE AU CHINE • COPYRIGHT ©2002 • THE FOLLOWING ARE
TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGNS INC.: "TAPCO",
"MACKIE", AND THE "RUNNING MAN" FIGURE • PATENT PENDING
POWER
ON
6306
30
31
Summary of Contents for 6306
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