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Low Mid Contour Frequency:

  A shelving filter can be set to the flat anechoic response or set to shelve at frequencies of 800Hz,

400Hz, or 200Hz  in combination with the low mid contour amplitude (below) to correct half space (pi/2), quarter space (pi/4)
and very difficult close field boundary conditions (pi/8 space).

Low Mid Contour:

  a shelving filter can be set to a flat anechoic response or to -2dB, -4dB, -6dB or -8dB in combination with

the low mid contour frequency (above) to correct mid, near and close field listening positions compared with free space, far
field conditions.

Figures 3, 4 and 5 below show the range of amplitude settings at 800Hz, 400Hz and 200Hz  and the DIP switch settings.  DIPs
5 to 8 (inclusive) control the amplitude responses and switches 9 and 10 control the frequency at which the shelving starts.  All
other DIPs are shown in the 'Flat' position.

Baffle Step Effect:

  Both low mid frequency and low mid contour are used together to correct for the baffle step effect. the baffle

step effect is a well known property of speakers and is caused by a change in air load on the moving diaphragm at a frequency
dependant on the effective size of the baffle or cabinet frontal area compared with the wavelength of the sound being reproduced.
 Most speakers are designed to have a  flat amplitude and phase response over the audio band in anechoic or 'free field'
conditions where there are no boundary walls close to the bass drive unit.  When the speaker is placed against a wall, in a
corner, on a mixing console or on a table adjacent to a PC editor the wall boundaries effectively increase the baffle size.  This
produces a boost in the frequency band around 100 to 800 Hz depending on the effective size and proximity of the boundary
surfaces, the size of the bass driver and the distance of the listener from the source.

More at

: Olson, H. F. "Direct Radiator Loudspeaker Enclosures" Journal of the Audio Engineering Society Vol. 17, No. 1, 1969

October, pp.22-29

There are many more references to these effects by searching the web for 'Baffle Step Effect'.

Fig. 3.

DIP switches 5 to 8 control amplitude, 9 & 10 control frequency - set here to 800Hz.  All other DIPs set to 'flat'.

10Hz

100Hz

1Khz

10kHz

-10dB

+10dB

0dB re 2.8v

 @ 1 metre

500Hz

5kHz

200Hz

2kHz

20kHz

20Hz

50Hz

LF EQ

Low Mids

Hz

Up Mid

Highs

1 1 1 0

0 0 0 1

0 0

0 0 0 0

0 0 0 0 0 0

1 1 1 0

1 1 1 0

0 0

0 0 0 0

0 0 0 0 0 0

1 1 1 0

0 1 1 0

0 0

0 0 0 0

0 0 0 0 0 0

1 1 1 0

0 0 0 0

0 0

0 0 0 0

0 0 0 0 0 0

1 1 1 0

0 0 1 0

0 0

0 0 0 0

0 0 0 0 0 0

Diagramatic View of EQ Dip Switches: Baffle Step Filters, Low Mids, 800Hz

20 way DIP Switch Bank (4+4+2+4+6)

Fig. 5.

DIP switches 5 to 8 control amplitude, 9 & 10 control frequency - set here to 200Hz.  All other DIPs set to 'flat'.

10Hz

100Hz

1Khz

10kHz

-10dB

+10dB

0dB re 2.8v

 @ 1 metre

500Hz

5kHz

200Hz

2kHz

20kHz

20Hz

50Hz

LF EQ

Low Mids

Hz

Up Mid

Highs

1 1 1 0

0 0 0 1

1 1

0 0 0 0

0 0 0 0 0 0

1 1 1 0

1 1 1 0

0 0

0 0 0 0

0 0 0 0 0 0

1 1 1 0

0 1 1 0

1 1

0 0 0 0

0 0 0 0 0 0

1 1 1 0

0 0 0 0

1 1

0 0 0 0

0 0 0 0 0 0

1 1 1 0

0 0 1 0

1 1

0 0 0 0

0 0 0 0 0 0

Diagramatic View of EQ Dip Switches: Baffle Step Filters, Low Mids, 200Hz

20 way DIP Switch Bank (4+4+2+4+6)

Fig. 4.

DIP switches 5 to 8 control amplitude, 9 & 10 control frequency - set here to 400Hz.  All other DIPs set to 'flat'.

10Hz

100Hz

1Khz

10kHz

-10dB

+10dB

0dB re 2.8v

 @ 1 metre

500Hz

5kHz

200Hz

2kHz

20kHz

20Hz

50Hz

LF EQ

Low Mids

Hz

Up Mid

Highs

1 1 1 0

0 0 0 1

1 0

0 0 0 0

0 0 0 0 0 0

1 1 1 0

1 1 1 0

0 0

0 0 0 0

0 0 0 0 0 0

1 1 1 0

0 1 1 0

1 0

0 0 0 0

0 0 0 0 0 0

1 1 1 0

0 0 0 0

1 0

0 0 0 0

0 0 0 0 0 0

1 1 1 0

0 0 1 0

1 0

0 0 0 0

0 0 0 0 0 0

Diagramatic View of EQ Dip Switches: Baffle Step Filters, Low Mids, 400Hz

20 way DIP Switch Bank (4+4+2+4+6)

Summary of Contents for 6D 66D & 8D

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Page 2: ...pply cord plug from the wall socket 16 The mains plug on the power supply cord shall remain readily accessible 17 SAFETY WARNING This product design uses amplifier output stages with substantial standing currents for optimal sound quality Fit and use the protective heat shield when adjusting the feature controls above the heatsink to prevent contact with uncomfortably hot surfaces when monitoring ...

Page 3: ...n the back of the loudspeaker which can only be removed with the power cord unplugged This must be replaced by a fuse of the same type and ratings see Specifications or refer to rear panel INSTALLATION Do not install this equipment in an enclosed space Do not limit free ventilation and movement of air around the back panel Do not install this equipment in a cupboard with a closed door Allow for a ...

Page 4: ... good quality shielded cable suitable for digital audio 3 3 CONNECTING YOUR SPEAKERS Having chosen an appropriate location for your monitors and arranged them accordingly connect the power cord to the mains socket and turn the power on The LED on the front panel will now glow red Push the Tannoy logo on the front panel to operate the switch to bring the amplifier out of standby mode and into opera...

Page 5: ...y surfaces the size of the bass driver and the distance of the listener from the source More at Olson H F Direct Radiator Loudspeaker Enclosures Journal of the Audio Engineering Society Vol 17 No 1 1969 October pp 22 29 There are many more references to these effects by searching the web for Baffle Step Effect Fig 3 DIP switches 5 to 8 control amplitude 9 10 control frequency set here to 800Hz All...

Page 6: ...ettings 20 way DIP Switch Bank 4 4 2 4 6 Fig 7 The range of upper HF EQ controlled by DIP switches 15 to 20 All other DIPs set to Flat 10dB 10dB 0dB re 2 8v 1 metre 5 0 A GUIDE TO SETTING THE EQUALISATION Assess the monitoring conditions and consider these 4 main factors 1 The environment free space 4pi half space 2pi quarter space pi and in the extreme a Difficult Space pi 2 2 The distance from t...

Page 7: ...20Hz 50Hz 10Hz 100Hz 1Khz 10kHz 500Hz 5kHz 200Hz 2kHz 20kHz 20Hz 50Hz 10dB 10dB 0dB re 2 8v 1 metre 1 1 1 0 0 0 0 0 1 1 0 0 0 0 0 0 0 0 0 0 0 Difficult Space pi 2 An example of a difficult space would be with speakers against a wall mounted on the same surface as the PC Mac machine tilted upwards towards the listener with one or other or both speakers in a corner This is also a close field situati...

Page 8: ...e the problems caused by these physical offsets The near field listening conditions magnify the effects of the driver offsets so we really need to optimise the speaker orientation When you are very close to a speaker system vertical head movements are significant because your movement represents a large change in angle of arc and therefore the number of degrees above and below the axis that s the ...

Page 9: ...roughout the room Mixed Live end Dead end environments should be avoided If the lateral speakers are positioned close to walls then the constitution of the wall surfaces should be identical As the main effects speaker for the front soundstage the Reveal 66D s placement is a critical factor in its performance In all cases the centre channel speaker should be placed as close to the TV screen as poss...

Page 10: ...18 19 7 0 PERFORMANCE DATA R6D ON AXIS ANECHOIC FREQUENCY RESPONSE 1m R8D ON AXIS ANECHOIC FREQUENCY RESPONSE 1m R66D ON AXIS ANECHOIC FREQUENCY RESPONSE 1m ...

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Page 12: ...tives 73 23 EEC 89 336 EEC Signed Position Technical Director Date 1 March 2005 For Tannoy Ltd 10 0 SERVICING 10 1 CABINET FINISH To remove marks and scuffs use a soft brush If necessary a little warm water and detergent can be used but under no circumstances use a solvent or abrasive cleaner 10 2 DRIVER REMOVAL Lay the cabinet on its back Remove the ten hexagonal screws and set aside Ease the dri...

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