Suzuki SS-100, Owner'S Manual, Page: 30 / 60

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AUTO ACCOMPANIMENT
AUTO BASS CHORD FINGERING continued
FINGERED MODE - The fingered mode is ideal if you already know
how to play chords on the keyboard. It allows you to play the
chords in the auto accompaniment section of the keyboard that
produce the selected auto accompaniment pattern.
Please note , if a chord played cannot be recognized (fingered
beyond the table), the previous chord will keep playing. An unrec-
ognized chord cannot start a bass chord in the straight start
mode, and cannot start the auto accompaniment in the synchro-
nized start mode. The “Fingering Guide” table below lists all of the
31 playable chords of this mode.
FINGERING GUIDE
Chord Mark Fingering
Major M 1-3-5
Major sixth M6 1-3-5-6
Major seventh M7 1-3-(5)-7
Major seventh sharp eleventh M7 #11 1-(2)-3-#4-(5)-7
Major add ninth M 9 1-2-3-5
Major seventh ninth M7 9 1-2-3-(5)-7
Major sixth add ninth M6 9 1-2-3-(5)-6
Augmented Aug 1-3-#5
Minor m 1-b3-5
Minor sixth m6 1-b3-5-6
Minor seventh m7 1-b3-(5)-b7
Minor seventh flatten fifth m7b5 1-b3-b5-b7
Minor add ninth m 9 1-2-b3-5
Minor seventh add ninth m7 9 1-2-b3-(5)-b7
Minor seventh add eleventh m7 11 1-(2)-b3-4-5-(b7)
Minor major seventh mM7 1-b3-(5)-7
Minor major seventh add ninth mM7 9 1-2-b3-(5)-7
Diminished Dim 1-b3-b5
Diminished seventh Dim7 1-b3-b5-6
Seventh 7 1-3-(5)-b7
Seventh suspend fourth 7sus4 1-4-5-b7
Seventh add ninth 7 9 1-2-3-(5)-b7
Seventh sharp eleventh 7 #11 1-(2)-3#4-(5)-b7
Seventh thirteenth 7 13 1-3-(5)-6-b7
Seventh flatted fifth 7 b5 1-3-b5-b7
Seventh flatted ninth 7 b9 1-b2-3-(5)-b7
Seventh flatted thirteenth 7 b13 1-3-5-b6-b7
Seventh sharp ninth 7 #9 1-#2-3-(5)-b7
Major seventh augmented M7aug 1-3-#5-7
Seventh augmented 7aug 1-3-#5-b7
Suspended fourth Sus4 1-4-5
Please note , the notes listed in parentheses can be omitted.
The listed chord fingerings are all in root note position, other inversions can be used with the exception of:
1. The M6 chords are only recognized in root note position. All other inversions are interpreted as m7.
2. The 6 9 chords are only recognized in root note position. All other inversions are interpreted as minor chords.
3. The m6 chords are only recognized in root note position. All other inversions are interpreted as m7b5.
4. With aug and dim7 chords the lowest note played is assumed to be the root.
5. With 7#11 chords the lowest note played is assumed to be the root or b7.
ACCOMP
SINGLE
FINGERED
PIANO