Studiomaster PRO VI 16.6 Instruction Manual Download Page 8

   

    Master L/R, bal., stereo: ......... 1.23 V/75

Ω

    Record, unbal., stereo: ........... 600mV/600

Ω

    Insert-Send (channel), unbal.:  180mV/<22

Ω

    Insert-Send (master), unbal.:    300mV/<22

Ω

    Direct Out, unbal., mono: ........ 565mV/100

Ω

 (post-fader)

    Aux Send, unbal., mono: ......... 3 V/100

Ω

 (post-fader)

   

Outputs

    

    Mic, bal., mono: ...................... 0.3mV, gain min.: 65mV
    Line, bal., mono: ..................... 2.3mV, gain min.: 560mV
    Line, bal., stereo: .................... 70mV, +4dBu.: 240mV
    Aux-in. bal., stereo: ................. 140mV
    Playback, unbal., stereo: ........ 140mV
    Insert-Return, channel, Unbal.: 240mV
    Insert-Return, master, Unbal.:   400mV

Inputs

7  Specifications

1)  Advance  the  master  faders  until the mixing ratio of 
     the  audio  sources  connected can be adjusted to an
     optimum level.

2)  Use  the channel faders to adjust the desired volume
     ratio  of  the audio sources: Adjust the audio sources
     to be heard at the highest volume to an optimum lev-
     el ( see chapter 6.1 );  reduce  the levels of the other 
     audio sources accordingly.

        With an  additional  audio  source connected to the
     input  ‘AUX-IN’ or ‘PLAYBACK’, mix the signal of this
     audio  source to the master signal with the level con-
     trol ‘AUX-IN’ or ‘PLAYBACK LEVEL’.

3)  To  indicate  the  master  level  by means of the peak
     program  meter,  none  of  the  PFL  buttons  must be
     pressed.

4)  Use  the  master faders to adjust the final level of the
     stereo  master  signal  available at the master output
     ‘MAIN MIX OUTPUT’.  Adjust  the level for the signal
     at  the  recording  output  ‘RECORD’  with the control
     ‘RECORD LEVEL’  ( the signal for the output ‘record’
     is taken after the master faders ).

        Usually  an optimum level control is obtained when
     the  peak  program  meter  shows  values in the 0 dB
     range (indication 0 dB = 1.23 V) with music passages
     of average volume. However, if the output level is too
     high or  too  low for the following unit, the level of the
     master signal must be increased or decreased accor- 
     dingly.

6.4 Monitoring via headphones

Via stereo headphones connected to the jack, the mast-
er signal or one or several input channels can be monit-
ored (pfl=pre-fader listening). In this case, the peak pro- 
gram  meter  will  always  indicate the signal to be heard 
via the headphones.

1)  For post-fader monitoring of the master signal, unlock
     all PFL buttons.

2)  For simultaneous pre-fader monitoring of one or sev- 
     eral input channels, press the corresponding PFL bu- 
     tton(s). Due to technical reasons, the signal is mono-
     phonic only.

3)  Adjust  the  headphone  volume  with  the  control
     ‘PHONES’.

     Mon Send, unbal., mono: .. 985mV/100

Ω

 (pre-fader)

 

     Headphones, unbal., stereo: . 600mV/32

Ω

      
 Frequency range: .......................... 10Hz - 30Hz

 THD: .............................................. < 0.1 %

 S/N ratio: ....................................... 85 dB, weighted

 Crosstalk: ...................................... 80 dB

 Equivalent input nose
 in the range 20 Hz - 20 kHz (at Rs = 150)

      Mic ............................................ 128 dBu

      Mono-Line, Stereo-Line: ........... 100 dBu/-87 dBu

      Aux-In: ...................................... 96 dBu

 Peak program meter: ..................... 0 dB = 1.23V

 Equalizer, mono channels

      Low frequencies: ...................... ±15 dB/60Hz
      
      Midrange frequencies: .......... ±15 dB/250-6000Hz

      High frequencies: ...................... ±15 dB/12kHz

 Tone control, stereo channels

      Low frequencies: ...................... ±15 dB/45Hz

      High frequencies: ..................... ±15 dB/12kHz

 Phantom power: ............................ +48V

 EP7 Power supply: ........................ 240V~/50Hz

 Admissible ambient temp.: ............. 0 - 40°C

 Dimensions (

): ........... 618x540x100mm

PRO VI 16.6

 Weight: ........................................... 13.8kg

 Dimensions (PRO VI 24.6): ............ 863x540x100mm

 Weight: ........................................... 20.2kg

 Dimensions (EP7 power supply): ... 146x170x90mm

 Weight: ........................................... 3.2kg

 Accordingly to the manufacturer.
 Subject to technical modification.

7

6.3 Mixing the audio sources

 Power Consumption: ..................... 70W Max

Summary of Contents for PRO VI 16.6

Page 1: ...PRO VI SERIES Models PRO VI 16 6 PRO VI 24 6...

Page 2: ...espectively to the AUX send way post fader and the MON send way pre fader Note For both send ways the signal take off points can be internally modified separately for each individual channel to be per...

Page 3: ...dual mono channels or switched on for individual stereo channels to be perfor med by skilled personnel only See chapter 4 1 29 Mono inputs 6 3 mm jack bal for the channels for connecting mono units wi...

Page 4: ...and two send ways The input channels are provided with various adjusting facilities e g The wires in this mains lead are coloured in accorda nce with the following code in power supply EP7 Green yell...

Page 5: ...switch it on for a channel bridge the pins 2 and 3 of the contact CONN4 in the field 48V Plug contact CONN4 for phantom power supply of a stereo channel PRE FADER POST FADER POST FADER PRE FADER PRE E...

Page 6: ...processing and the mono plug for the return signal to its output 5 3 Effect units 5 4 Headphones b The send way AUX can be modified from post fader to pre fader and thus also be used as a monitor way...

Page 7: ...rs MAIN MIX and the master controls of the send ways AUX SEND and MON SEND to minimum to prevent switching noise Switch on the mixer switch POWER The LED POWER lights up Then switch on the units conne...

Page 8: ...shows values in the 0 dB range indication 0 dB 1 23 V with music passages of average volume However if the output level is too high or too low for the following unit the level of the master signal mus...

Page 9: ...V and 2 V and is designated as line level Inputs and outputs provided for these levels are mostly marked LINE Master signal total of the input signals The signals of the input channels are mixed to a...

Page 10: ...used by inappropriate use or disrespect of the warnings contained in this manual Studiomaster Professional cannot be held responsible for personal injuries caused by a disrespect of the safety recomme...

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