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Contents

4   For the mono channels:

     For the stereo channels:

7   Level controls (faders) for the mono channels.

9   2-way tone controls for the stereo channels
     “HI” for the high frequencies (±15dB/12kHz)
     “LO” for the bass frequencies (±15dB/45Hz)

10 

Peak program meter

11 

Power LED

12 

Phantom power LED:

1  Operating Elements and Connections

      

         upper control: for adjusting the filter frequency
                                (250-6000Hz)
         lower control: for boosting or attenuating
                                (±15dB) the midrange frequencies
      “LO” for the bass frequencies (±15dB/60Hz)

2    3-way equalizers for the mono channels :
      “HI” for the high frequencies (±15dB/12kHz)
      “MID” for the midrange frequencies:

1.1 Front panel

1       Operating Elements and Connections ............ 1

2       Safety Notes ................................................... 3

3       Applications .................................................... 3

4       Modification of the Input Channels ................. 3

4.1    Switching off the phantom power
         for individual channels(mono channels) or
         switching it on (stereo channels) .................... 4

4.2    Modifying the signal take-off points
         for the send ways ‘AUX’ and ‘MON’ ................ 4

4.3    Modifying the signal take-off points
         for the direct outputs ....................................... 4

5       Connection of units ......................................... 4

5.1    Audio sources ................................................. 4

5.1.1 Microphones ................................................... 4

5.1.2 Units with line output level .............................. 5

5.2    Inserting units for sound processing ............... 5

5.3    Effect units ...................................................... 5

5.4    Headphones ................................................... 5

5.5    Recorders ....................................................... 5

5.6    Amplifier .......................................................... 5

6       Operation ........................................................ 6

6.1    Basic adjustment of the input channels .......... 6

6.2    Adjustments for the send ways ....................... 6

6.3    Mixing the audio sources ................................ 7

6.4    Monitoring via headphones ............................. 7

7       Specifications .................................................. 7

8       Glossary .......................................................... 8

1

1    Gain controls for adjusting the input amplification for
      the channels (for the stereo channels, the control is
      effective for the micro phone inputs only)

3    Controls for mixing the signals of  the channels 1-16
      respectively to the “AUX” send way (post-fader) and
      the “MON” send way (pre-fader)

Note:

 For both send ways, the signal take-off points

can be internally modified separately for each 
individual channel (to be performed by skilled
personnel only). See chapter 4.2.

Panorama controls “PAN” for placing the mono
signal on the stereo base.

Balance controls “BAL” for adjusting the level
ratio of  the right and left channels.

5   Indication LEDs “PK” serve either as overload
     indications or as PFL indications.

6   

PFL buttons for the channels:

For  pre-fader  listening  (PFL)  to  the  respective 
channel via headphones connected to the jack; with
the button pressed, the led “PK” of the channel will
light  permanently  and  the  peak  program  meter  will
show the pre-fader level of the channel.

8   Selector switches for adjusting the input amplification
     for line sources connected to the stereo channels.

     

Button not pressed:

Low amplification for professional units with an output 
level of +4dBu

     

Button pressed:

Higher amplification for semi-professional units with
an output level of -10dBu

Lights  up  if  the  48V  phantom  power  for  the 
microphone inputs of the mono channels has been 
switched  on  with  the  switch  “PHANTOM  POWER 
+48V”

     a) If  none of  the PFL buttons has been pressed, the
         level of  the master signal at the jacks “ MAIN MIX
         OUTPUT” will be indicated.

     b) If  one or more PFL buttons have been pressed,
         the level of  the selected input channels is
         indicated pre-fader.

     a) If  the PFL function has not been activated for the
         channel  (button PFL not pressed),  the  LED  will 
         light up shortly to indicate that the channel signal
         has reached its maximum level at which it is close
         to  overload;  the LED will permanently show red 
         to indicate overload of  the channel.

     b) With  the  PFL  function activated for the channel
         (button PFL pressed), the LED will light
         permanently.

Summary of Contents for PRO VI 16.6

Page 1: ...PRO VI SERIES Models PRO VI 16 6 PRO VI 24 6...

Page 2: ...espectively to the AUX send way post fader and the MON send way pre fader Note For both send ways the signal take off points can be internally modified separately for each individual channel to be per...

Page 3: ...dual mono channels or switched on for individual stereo channels to be perfor med by skilled personnel only See chapter 4 1 29 Mono inputs 6 3 mm jack bal for the channels for connecting mono units wi...

Page 4: ...and two send ways The input channels are provided with various adjusting facilities e g The wires in this mains lead are coloured in accorda nce with the following code in power supply EP7 Green yell...

Page 5: ...switch it on for a channel bridge the pins 2 and 3 of the contact CONN4 in the field 48V Plug contact CONN4 for phantom power supply of a stereo channel PRE FADER POST FADER POST FADER PRE FADER PRE E...

Page 6: ...processing and the mono plug for the return signal to its output 5 3 Effect units 5 4 Headphones b The send way AUX can be modified from post fader to pre fader and thus also be used as a monitor way...

Page 7: ...rs MAIN MIX and the master controls of the send ways AUX SEND and MON SEND to minimum to prevent switching noise Switch on the mixer switch POWER The LED POWER lights up Then switch on the units conne...

Page 8: ...shows values in the 0 dB range indication 0 dB 1 23 V with music passages of average volume However if the output level is too high or too low for the following unit the level of the master signal mus...

Page 9: ...V and 2 V and is designated as line level Inputs and outputs provided for these levels are mostly marked LINE Master signal total of the input signals The signals of the input channels are mixed to a...

Page 10: ...used by inappropriate use or disrespect of the warnings contained in this manual Studiomaster Professional cannot be held responsible for personal injuries caused by a disrespect of the safety recomme...

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