Studiomaster 16x4x2 Owner'S Manual Download | Manualshive

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BASS FREQUENCY

BASS CUT BOOST

AUX1 (POST)

AUX 2 PREPOST

SWITCH

AUX3(PRE)

SOLO ASSIGN SWITCH

L&A ASS.G~

SWITCH

SUBGROUP

ASSIGN SWITCHES

CHANNEL

FADER

OVERLOAD

INDICATOR

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Summary of Contents for 16x4x2

Page 1: ......

Page 2: ...f f xib Jtty md expandlb l ty of the 1 4 2 allow the theat al user mo a haner oughoptionslordramaticandmusicalpresentaHons VIDEO POST PRODUCTION A superb unit for profes io al audio results in both th...

Page 3: ...Q transport making this board perfect in both home and stud o recording environments Read this manual carefully and familiarize yoo ellwlth hefeaturesandfurdions beforeoperatong Wesugges1 atwayskeepin...

Page 4: ...c BASS FREQUENCY BASS CUT BOOST AUX1 POST AUX 2 PREPOST SWITCH AUX3 PRE SOLO ASSIGN SWITCH L A ASS G SWITCH SUBGROUP ASSIGN SWITCHES CHANNEL FADER OVERLOAD INDICATOR...

Page 5: ...control provid ng16dBboostorcutonallfrequerICiO Sbelowthe chosencutollpoinl Thlsswilch ailowst Et us r to bypass thEtequalLzallon network input Th scontr ailowstorbuSSlngolapOstTatI r igoalto rhe Au...

Page 6: ...SOLO ASSIGN 1kHz SLATE SUBGROUP FADER c 2T TO MONITOR ASSIGN TB TO AUX 3 ASSIGN TALKBACK AUX 1 AuX 2 AUX 3 MASTER SENDS...

Page 7: ...mpared in e ther dry or et 5 atetorfinaloverdubbing PAN CONTROL The pan control determines tl1e lefl to right balanooot the SUbgfOUP signal bussed to the moniloroutpllt and tnemasteroutputs SOLO SWITC...

Page 8: ...c MrDRANGE AUX1 OR2 RETURN SOLO ASSIGN MASTER OUTPUT UR ASSIGN AUX SUBGROUP ASSIGNS AUX...

Page 9: ...lhleatures and functions Auxiliary return networks do r IOtneoossarily require their inputs to be derived from the correspOnd Ing auxiliary sends and thus can be driven with any unbalanc M line level...

Page 10: ...el ectsdeviQessuchasechoordigitaldelay Aux3isp Q vided primarilyfo sludiofoldback or live sound stage monilorfeeds Auxiliary2 whichisselectableaseilher a pre or post fader signal buss may be usedfm ei...

Page 11: ...spresent are idenl cal to the main left and right program outpUIS CHANNEL INPUTS 1 16 _ CHANNEL PATCHING JACKS DIRECT IN OUT LOOPS e ceptinoutpullevel PROGRAM OutPUTS LEFT AND RIGHT Thesign llsprese f...

Page 12: ...etat20withnopadande qllat EQ SE I ings may De iMlally pertormed by rou ngthe inpulto1haheadphonesvia l1esolobuss Properm x ong lech iques should lesult in the channel tader talhng betwee 5a d 20o thes...

Page 13: ...roying the balance Th s stili alLows lorindrvidualchannets within the grO Jp to be taised or lowere as necessary as that channel signal strength will change in the sub as well as the maS1er Another a...

Page 14: ...g ot ario s npulswrthinthesubgrocrpsprlOr otheflnalout pulconlrols The t IOWIf1g system diagfams illuslrate just a few 01 the many s lups feasible Wtth the 16 4x2 Thesedia grams use suggested chanN31...

Page 15: ...devk esasshownoninpulschannels3 9 10and11 Tllis allows tile engineer to iso ate spooflc etfectsto s nglecharlnelswhileallow ngbuss ng Vla8UX 1 and 2 ofa 1ych8 1r elstoadditi0 8Ie temalelfecfs8sillus a...

Page 16: ...ges are obv ous in the oulput area indical ng an enti ely different approach to tne input oulput matrix as weilasoutput unction SIDE FILL SYSTEM Prima and seconda prog am s 9 18 s are derived t omlhe...

Page 17: ...Au 1isdedicaledtoadigi aldelaywhiehmaybel Sed 0 instruments and of vocals while subgroup 4 con ai ingonlythevocals eedstoane temal evero hich ORUM MICS is bussed v a the retum networl direct y to the...

Page 18: ...l COrd ngbyuSlngthelkHzslatetone as an ahgnment reterel Ce Thi toJle can also be used to record a slate sfgJlal to ease feloca ion 01 va ious startingpoiJl sonlheaclualmu l trac mastertape 4 TAACK TO...

Page 19: ...ut line jacks 13 16 Althoughnotuseddurtngtherecordingofthemulti tfacl master atwo trackmasteringmach necanbebed to the 2 tracktine inputs and outputs in the same man The contr room mon torsystem is dr...

Page 20: ...quire theengineertoha ecom eteequali2atiOl1controlatall times The 16x4x2withitssemi p arametrice q on each inpu1channelsmeetSlhisrJiflicutlc iteria REMOTE DRESSING ROOM LOBBY LIGHTING ETC OM DELAV In...

Page 21: ...m shows both types 01 in gineer and other oftstage personnel stage manager puts Additional recorded material effects music e c_ ightir gdi ector elc_ canbesuppliedvia hetal back maybe patched into any...

Page 22: ...lowslorno segatingolseldom tve inputs and yet doesn t use val abie auxiliary bu singfOf pecialeHecls TECHNICAL DIRECTOR Thecompactdesignhelpstokeepthesizeoftheed Hng baY Oaminimuminthoseapplicat onswh...

Page 23: ...erscanbeaddedeitherthroughtheind vidualchannel pa chpo ntsorvia htlaux 1 and 2 networks Pr ma yrecordingofthemasleraudiolracksmaybede rived from either the programoutpu1s 8S shown while lhe backup can...

Page 24: ...Slems such as cl1urcl1es au butad ThesubgroupscanbeusedasiO epen6enlout d toriums medium s ze meet ng rooms and any other p ls The example shown illustrates a typical Church ap permanent insta ation s...

Page 25: ...foom lf1pul 1 is used in a seperale progfam lell and fig 1 and lurnish signats lalhe basilica meetif1g room and is assigned 10 subg oup 3 10 the Ol If1dsystem Irlj UIS2 5areass gnedtosubgroups feedbac...

Page 26: ...r...

Page 27: ...THD lessthanO 01S 1kHzreIOdBm lessthan0015 a1kHzref 5cl8m lesslr anO W i20 20kHzal any level prior loclipp 9 SN Betle rthan85dB CROSSTALK _6OdBbetweenadjace 1linp rltl ar lr lelSoroupulS EQUALIZATION...

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