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 FILTERS & MODIFIERS 

pg. 2

!

 

  

KEY TRACK 2/3

 

Routes the Oscillator pitch CV to the Filter so the sound will 
brighten as you play up the keyboard 2/3 strength. 

ATTACK

 

Sets the 

FILTER

 Attack time. The 

ATTACK

 time determines the 

initial segment of the envelope. The frequency at which the 

CONTOUR

 begins is determined by the 

CUTOFF

 setting, while 

the peak, which it reaches, is determined by the 

CUTOFF

 and 

CONTOUR

 amount settings combined. Incrementing the 

ATTACK

 knob with a healthy 

CONTOUR

 amount from 1 m-sec 

to approximately 10 seconds will result in the brightness of the 
sound increasing sharply at 1st, and then more gradually as 
the 

ATTACK

 time lengthens. 

DECAY

 

Sets the Decay time. The 

DECAY

 time determines the duration 

of the second segment of the envelope, i.e., the fall from the 

ATTACK

 peak to the 

SUSTAIN

 level. When repeatedly triggering 

a note/noise and increasing the value (with a robust 

CONTOUR

 

amount ) from 1 m-sec to approximately 20 sec., you will at 1st 
hear the brightness drop sharply after the initial 

ATTACK

. This 

drop will become more gradual as the 

DECAY

 time lengthens. 

SUSTAIN

 

Sets the Sustain level. The 

SUSTAIN

 level determines the 

lter frequency at which the envelope holds after the initial rise and fall. 

The frequency of the 

SUSTAIN

 level can be as high as the initial peak, which would override the 

DECAY 

stage, or it can be as low as 

the frequency at which the envelope 

CONTOUR

 began. 

SUSTAIN

 is only active while a note is held. Also, the Mini's envelope has a 

peak slightly higher then the 

SUSTAIN

 can reach.  

REL 

(switch located in OUT) 

Switches on Release which is governed by the 

DECAY

 time. Release is the fourth and 

nal stage of the envelope contour: after the 

initial rise and fall of the 

ATTACK

 and 

DECAY

 times to the 

SUSTAIN

 level, the Release time takes e

ect after the 

SUSTAIN

 level 

segment, when the trigger/key/sequence step/CV command terminates. The frequency at which the 

SUSTAIN

 level is set then falls to 

the initial 

lter cuto

 frequency level, at the rate set by the 

DECAY

 time—

DECAY

 being the mind of the afterthought of 

REL

 (release). 

LEARN 

 

Under the hood hub for MIDI Channel, Aftertouch and Modwheel. MIDI: Hold 

LEARN

 and play a note to select channel. Aftertouch: 

Hold 

LEARN

 and move Modwheel to swap to between Aftertouch and Modwheel control of VCF Cuto

—its default setting.

Midimini V30 User Manual   

Rev. 1.29.20

22

© Analogia Inc. 2020

💡

Combine 1/3 & 2/3 for full tracking—nice filter as 

Western-tuned Oscillator hack. 2/3 TRACK for the bold.

Summary of Contents for midimini V30

Page 1: ...Midimini V30 User Manual Rev 1 29 20 1 Analogia Inc 2020 USER MANUAL...

Page 2: ...IA INC No portion of this manual may be produced or transmitted in any form or by any means whether electronic or mechanical or for any purpose other than purchaser s personal use without the explicit...

Page 3: ...PANEL SEC 9 15 CON SEC 9a 16 LFO SEC 9b 17 18 OSCILLATORS SEC 9c 19 COLOR SEC 9d 20 MIXER SEC 9e 21 24 FILTERS MODIFIERS SEC 9f 25 OUT SEC 9g 26 31 FACTORY PATCHES SEC 10 32 BLANK PATCH SHEET SEC 11 3...

Page 4: ...t highly recommended ANALOGIA INC STUDIO ELECTRONICS will repair or replace this product at its sole option and at no charge to you for parts and labor when deemed necessary and within the warranty pe...

Page 5: ...with its proper ventilation The product should be located away from heat sources such as radiators heat registers or other items that produce heat Avoid using the product where it may be a ected by du...

Page 6: ...jolts and vibration and never apply strong pressure to the front back or side panels or strike them in any manner GROUNDING INSTRUCTIONS This product must be grounded If it should malfunction or brea...

Page 7: ...power supply that operates with power sources ranging from 100 Volts to 240 Volts AC 50 60 Hz To avoid damaging your V30 and to insure safe and proper power connection see VOLTAGE Pg 26 NOTE Allow MI...

Page 8: ...and manufacturer insures access to Analogia Inc tech support warranty service product updates and if desired promotional o ers As always our Facebook Twitter and Instagram outlets are current and gene...

Page 9: ...Please forward purchase information to registration studioelectronics com 5 SIGNAL FLOW CHART Coming Soon Midimini V30 User Manual Rev 1 29 20 9 Analogia Inc 2020...

Page 10: ...llator LFO Gate Audio Mixer with Amp Drive Feedback Gain 1 Wave lter bypass External In Fuzzy and Furious Vintage External Input Feedback loop with gain control 14 3 5 mm Eurorack Outs to Outs compati...

Page 11: ...ini most de nitely not The functionality connectivity and sound palette have been massively improved and expanded The list is far too long to get into here please refer to the comparison chart on the...

Page 12: ...nd they still advise returning to this very basic patch to restart one s exploration of the Midimini V30 s sound and structure when overly puzzled or utterly lost So do we Fullsize Reset pdf Midimini...

Page 13: ...9 FRONT PANEL Midimini V30 User Manual Rev 1 29 20 13 Analogia Inc 2020...

Page 14: ...FRONT PANEL pg 2 Complete Front Panel pdf Midimini V30 User Manual Rev 1 29 20 14 Analogia Inc 2020...

Page 15: ...receive Range is 1 octave Not connected to the GLIDE circuit VCF DYN Play hard Hear hard Routes the MIDI velocity expression of your playing or sequencing to the lter CONTOUR parameter not to lter CUT...

Page 16: ...tive VCF Sets the Low Frequency Oscillator depth fed to Filter Cuto not dependent upon external Modwheel amount which can be additive WAVEFORM The shape of the V30 s LFO is determined by the waveform...

Page 17: ...monics of the fundamental frequency A very smooth tone is yours with a low pass lter on tap Oscillator 3 o ers a reversed version of the wave in place of the sneaky Sharktooth from OSC1 OSC2 Square In...

Page 18: ...he Modmix ampli er controlled by a MIDI modwheel OSC2 SYNC Locks the pitch of Oscillator 2 to follow the pitch of Oscillator 1 in hard synchronization so that OSC2 will tune only to the harmonic frequ...

Page 19: ...ful there we ve said it by itself or with a side of Resonance Synthesize the groove grease the frying bacon of a jazz drummer s somnolent snare brush work or a punishing thunderstorm White light is a...

Page 20: ...imported into V30 world the di erence being what was once switchable is now adjustable too and these go to 11 A Finder of Lost frequency Loves it is one of those pot switches combos likely to be stuck...

Page 21: ...scillation as the knob passes the 3 o clock position resulting in a pure sine wave and can be used as a separate tone source Resonance is in fact positive feedback a signature sound of subtractive syn...

Page 22: ...termines the lter frequency at which the envelope holds after the initial rise and fall The frequency of the SUSTAIN level can be as high as the initial peak which would override the DECAY stage or it...

Page 23: ...ter the initial ATTACK after which the slope down will become more gradual as the DECAY time is increased to the maximum duration SUSTAIN Sets the Sustain level The SUSTAIN level determines the amplit...

Page 24: ...ncy Oscillator to trigger the gate of ENV1 and ENV2 stat Amounts can be adjusted in LFO ENV2 MSTR Makes ENV2 modulate both the lter and the ampli er ENV1 s controls are still active in that they can s...

Page 25: ...FEEDBACK to be heard being its gain control however Feedback and external signal processing can be enjoyed simultaneously REL1 Envelope 1 lter Release stage is activated when switch is in its up posit...

Page 26: ...10 FACTORY PATCHES Midimini V30 User Manual Rev 1 29 20 26 Analogia Inc 2020 MMV30 Factory Patch 110919 5 2019 Analogia Inc MMV30 Factory Patch 110919 5 2019 Analogia Inc...

Page 27: ...C3 OSC2 Cross Mod plus RING MOD provide plenty of extra harmonic content Patch LFO OUT to OSC2 CV input for a small amount of vibrato for added complexity Adjust the Oscillator ranges and wave shapes...

Page 28: ...CO3 as a high octave square wave helps fill out the top end of the sonic spectrum with a hint of vibrato by patching LFO OUT to OSC3 CV OSC 2 SYNC is enabled to lock the pitch of the two triangle wave...

Page 29: ...IN and AMP DRIVE to taste 600ms of ATTACK for amp envelope a great starting point 2 10 4 0 0 0 The Impossible Drum Kit External automation of the Modulation wheel depth and LFO Sync are critical compo...

Page 30: ...ies a di erent CONTOUR amount for some a natural variation sound As you open the filter you can really hear that distortion taking over Simple yet wonderful 0 0 0 0 0 10 0 3 10 8 8 5 0 6 0 400 4 3 3 0...

Page 31: ...l arpeggio sound and manual control of the glide can really make it interesting 0 0 0 0 0 0 0 5 10 8 7 5 0 7 0 4 3 3 0 400 0 0 6 0 2 4 Dreamy Droney Chordial Tune all 3 VCO s into a chord Enable DRONE...

Page 32: ...Midimini V30 User Manual Rev 1 29 20 32 Analogia Inc 2020...

Page 33: ...h Bend Aftertouch Mod Wheel and Sustain Pedal Glide on o and Glide THRU Forwards the signal arriving at the MIDI IN jack passing it to additional connected MIDI equipment AUDIO Get discrete Analog sou...

Page 34: ...Frequency Oscillator LIN Linear LP Low Pass M SEC Millisecond MOD Modulation MODMIX Modulation MIX MSTR Master MULT Multiple OSC Oscillator OUT Output P BEND Pitch Bend PNK Pink PNL Panel REL Release...

Page 35: ...sequencer for expressive paraphonic control OSC2 CV OSC 2 Control Voltage input patch point additive OSC3 CV OSC 3 Control Voltage input patch point additive NOISE Noise Output patch point Patch into...

Page 36: ...1 5 7 64 65 X X X X X o o o o o Modulation Wheel Portamento Time Channel Volume Sustain Pedal Portamento On Off System Real Time Clock Start Continue Stop X X X X X o x x x x LFO MIDI Sync LFO Oscill...

Page 37: ...connections Turn up OUT Volume see VOLUME p 25 Turn up MIXER OSC levels see MIXER p 20 Unwanted Distorted Sound Set AMP DRIVE and FEEDBACK to 0 see pp 20 25 Unwanted Noise Don t be tasty with FEEDBAC...

Page 38: ...ed Cuto Frequency AMPLIFIER Loudness Contour with a Dynamic Range of 81 dB CONTOUR GENERATORS 2 ADSR Envelopes Filter and Ampli er MOST MODULATION SOURCES 2 Analog Modulation Oscillators 1 3 Triangle...

Page 39: ...enuation GATE OUT AUDIO INPUT 1 8 Front Panel TS Voltage 10 millivolts min 10 volt max Nominal Input Impedance 100K Ohms AUDIO OUTPUT 1 4 Back Panel TS Output Voltage typical 0 5 volts Maximum Voltage...

Page 40: ...control Only exponential NOISE OSC3 Noise Oscillator 3 Modmix selector switch Organized better on V30 CV OUT Main Control Voltage Output patch point N A no patch points on Midimini LFO VCF Voltage Con...

Page 41: ...enuator No independent control combination only switchable between ENV1 to OSC2 OSC3 to OSC2 OSC3 to OSC2 Cross modulation of OSC 2 by OSC 3 attenuator RING MOD Hardware Ringmod attenuator No Ringmod...

Page 42: ...oint with amount attenuator N A GATE IN Gate In patch point 0 10 volts N A GATE OUT Gate Out patch point 0 10 volts N A OUT FEEDBACK Synth Output to External Input Feedback loop control N A REL1 Envel...

Page 43: ...ce that your use of this product in a residential environment will not result in harmful interference with other electronic devices This equipment generates uses radio frequencies and if not installed...

Page 44: ...ectronics com support studioelectronics com facebook com StudioElectronics twitter com SE_BoomStar youtube com user StudioElectronics soundcloud com studio electronics instagram com studioelectronics...

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