background image

SPHINX

    Project Eighteen

 3 

 

Congratulations with your purchase of the
Sphinx Project Eighteen!

You are now part of an ever increasing group of
quality conscious audiophiles using Sphinx
products.
We are very proud of the tradition connected to the
SPHINX name especially concerning audio quality
perfection.
This manual will help you to gain a maximum
amount of pleasure and quality from your new
Sphinx Project Eighteen.

The power amp handles the largest signal peaks
and transients with ease, and has no problem with
any size and sort of loudspeaker load: even the
most demanding.

These characteristics are the result of several new
technologies and components. Like for instance the
unique power supply which assures a stable and
noise free operation. The special toroid transformer
(one for each channel!) of 650 VA has the size of a
1000 VA model: safely overspecified. Thanks to the
generous energy reserve of 66,000 µF (formed by
30 capacitors in parallel) unlimited power is
available for the largest signal peaks. Furthermore
there are three completely separate power supplies
for the input section, driver section and the logic
and indicator section.
Much attention has also been paid to the physical
layout, the positioning of components and the
internal grounding. This results in a equivalent input
noise value of <1 µV (<-120 dBV!): remarkable for a
pre-amp, but really astounding for a big power amp
with two transformers.

To obtain the maximum quality from this power amp
it is necessary to use it with top quality audio
components. So preferably use it with other Sphinx
components.

Your local dealer will be able to answer any
questions concerning other Sphinx audio
components.

1. UNPACKING

Before leaving the factory every Project Eighteen is
subjected to stringent and extensive technical and
exterior quality inspections.
This ensures you will enjoy many years of high
quality audio from a perfect looking product.

Attention: The power amp weighs over 24 kg!
Never lift it out of the carton without someone
helping you.

After unpacking your Project Eighteen we therefore
recommend you carefully check it for any transport
damage.
In case of damage: please contact your Sphinx
dealer immediately and retain all packing materials
for possible proof of damage and possible claims.

Even if the component is in perfect condition you
still should keep the packing materials. If you need
to transport your Project Eighteen at a later time it
will be best protected by the original packing
materials.

2. SPHINX WARRANTY CARD

Please takes this opportunity to fill out the enclosed
warranty card now!
Follow the instructions on the card or consult your
dealer.
Please send the card as soon as possible to the
return address (within 14 days after purchase).

Please read this manual carefully before you
install or use the Project Eighteen. It is
important to familiarise yourself with the
special functions, operation and possibilities
of the Sphinx Project Eighteen.

Summary of Contents for PROJECT EIGHTEEN

Page 1: ...1 USER MANUAL PROJECT EIGHTEEN DUAL MONO STEREO POWER AMPLIFIER ...

Page 2: ...ALLATION AND CONNECTIONS 6 Installation 6 Connections in general 6 Connecting loudspeakers 6 Connecting the inputs 6 Balanced 6 Unbalanced 6 Connecting the optical cables 7 Connecting the mains power cable 7 5 OPERATION 8 Power On 8 Power off 8 Warnings 8 If you encounter problems 8 6 CARE AND MAINTENANCE 9 7 TECHNISCHE DATEN 9 ...

Page 3: ...ng for a big power amp with two transformers To obtain the maximum quality from this power amp it is necessary to use it with top quality audio components So preferably use it with other Sphinx components Your local dealer will be able to answer any questions concerning other Sphinx audio components 1 UNPACKING Before leaving the factory every Project Eighteen is subjected to stringent and extensi...

Page 4: ...SPHINX Project Eighteen 4 3 THE POWER AMP AT A GLANCE Front panel 1 STANDBY To switch the component on and off 2 LED Indicates the selected function stand by red on green 1 2 ...

Page 5: ...and 8 down balanced 5 and 9 8 CINCH LEFT To connect the cinch cable from the left output of the signal source 9 BALANCED LEFT To connect the XLR cable balanced cable from the left output of the signal source 10 CONTROL OUT To connect the optical cable going to another Sphinx component 11 LEFT OUTPUT To connect the cable from the left loudspeaker red white 12 ON OFF This is the mains power master s...

Page 6: ...least signal quality loss Connecting loudspeakers We recommend using a double pair of cables if this is possible with the loudspeakers used one pair for the highs and another for the lows In most cases you will hear a substantial improvement in the sound quality but be careful to prevent shorted connections Your dealer can recommend the best cables and connection methods Connect the red RIGHT OUTP...

Page 7: ...er Sphinx component which most likely will be another power amp this component will be selected to stand by by the Project Eighteen s stand by mode Ensure proper connection of the optical cables from CONTROL OUT to CONTROL IN otherwise the LED next to the STANDBY button 1 on the front panel may remain green although the stand by mode is activated If the Project Eighteen is placed in strong direct ...

Page 8: ...around the 70 W mark Warnings 1 Never put two amps on top of each other 2 The component should not be subjected to moisture of fluids 3 Do not touch the component and the loudspeaker outputs in particular with moist hands this powerful amp can output voltages in excess of 36 volt 4 Before removing the top panel you should disconnect the mains cable and wait at least 30 minutes because the power su...

Page 9: ...1 20 000 Hz 2x 160 W into 8 ohm 22 0 dBW THD 0 01 2x 280 W into 4 ohm 24 5 dBW THD 0 01 2x 420 W into 2 ohm 26 2 dBW THD 0 01 Output voltage current max 36 V 43 A THD N IHF A 0 01 1 W into 8 ohm 1 20 000 Hz IMD 0 01 100 W into 8 ohm S N ratio IHF A 120 dB 1 W into 8 ohm Common Mode Rejection Ratio 80 dB 100 Hz Slew rate 50 V µs Damping factor 2000 1 20 000 Hz Input cinch unbalanced XLR balanced le...

Reviews: