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LEXICON MUTE FOOT SWITCH

The Effects may be turned ON or

OFF remotely by connecting a stan-

dard latching or non-latching guitar

foot-switch, or similar unit providing

an isolated switch closure, to the rear

panel Lexicon Foot Switch jack socket

as shown.  The Effect is muted when

the switch is closed. 

GRAPHIC EQUALISER

GRAPHIC EQUALISER

The stereo GRAHIC EQUALISER is

normalled to the Mix L/R outputs.

Seven frequency bands, with cut or

boost of 6dB, allow very precise glob-

al control over subtle tonal changes to

the PA rig in a particular room.  (This

is in contrast to the much more dan-

/-12 or +/-15dB offered on some other units where a deceptive-

ly small movement of the faders can result in feedback or similar unwanted

effects.)
The built-in graphic equaliser is intended to trim the overall sound to suit

the room, and is not designed to null out frequencies to prevent feedback.

A full 31-band EQ is recommended for that purpose.

LEFT/RIGHT BYPASS

Each channel of the Graphic Equaliser may be bypassed by pressing the

LEFT BYPASS or RIGHT BYPASS switches.  This allows a direct compari-

son to made of the treated signal (with EQ) and untreated signal, to judge

the effect of the Graphic EQ settings.

+48V

Many professional condenser microphones need Phantom Power, and this

can be supplied to all of the Mic input connectors by pressing the +48V

switch.

ONLY connect condenser microphones with the +48V 

powering OFF (switch UP), and ONLY turn the +48V

powering on or off with all output faders DOWN, to

prevent damage to the mixer or external devices.

TAKE CARE when using unbalanced sources, which

may be damaged by the phantom power voltage on

pins 2 & 3 of the XLR connector.

8

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

Switch open

= Effect ON

Switch closed

= Effect OFF

DO NOT apply any
external voltage to

the jack socket

STATUS INDICATORS

Three LEDs provide visual indication of the status of the mixer.  

POWER

The POWER (green) lights to show that power is switched on, and senses

the power amplifier voltage rails.  

THERMAL

The THERMAL (yellow) indicates that power amplifier over-temperature

has been detected.

MUTE

The MUTE (red) lights when the power amplifier output relays are open.

This happens momentarily on power-up to isolate surges as the power rails

stabilise, or will happen if the protection circuits detect a d.c. fault situation

or overheating, in which case the relays will open as protection for the

loudspeakers.  
If a d.c. offeset or overheating is suspected, check that the air vents at the

front and rear of the mixer have not been inadvertently covered.

POWER AMPLIFIER

The Power Amplifier contains no user-serviceable

parts.  Refer all servicing to a qualified service 

engineer, through the appropriate Spirit dealer

The POWERSTATION contains an integral power amplifier, the inputs to

which are normalled to the Graphic Equaliser outputs, or may be accessed

directly via the Power Amp Input jacks.  The amplifier incorporates a

sophisticated protection system which guards against overheating, to pro-

tect the output transistors, and isolates the speaker outputs via relays if a

damaging fault condition is detected in the output stage.  The amplifier is

cooled by a variable speed “music-sensing” fan which senses the output sig-

nal level and delivers greater airflow as the signal level, and corresponding

heat dissipation in the output devices, increases.  When there is no signal or

a very low level signal, the fan will be running very slowly and quietly.
Air is drawn in along the front of the unit and expelled through vents at the

left-hand side at the rear.  It is important that sufficient clearance is allowed

at the front and rear of the mixer to ensure unrestricted airflow, especially

in rack-mounted or flight case installation.

WARNING

Do not obstruct air vents.  

POWER AMP OUTPUT LEVEL

The signals from the balanced Power Amp Inputs jacks (normally the out-

put from the Graphic Equaliser) are fed via the POWER AMP LEVEL con-

trol to the integral stereo power amplifier.   Use this control to set the level

to your speakers, as with any amplifier level control.

Summary of Contents for POWERSTATION 1200

Page 1: ...Contents Introduction 2 Connecting Up 3 Using the Powerstation 4 Setting Up Troubleshooting 10 Applications 11 System Block Diagram 17 Connecting Leads 19 Dimensions 20 Typical Specifications 20...

Page 2: ...in the event of the plug being changed This unit is capable of operating over a range of mains voltages by means of a 4 position mains input fuse carrier It is important to ensure that the cor rect v...

Page 3: ...Page 3 Connecting Up...

Page 4: ...ent and will therefore need a higher gain setting to give the same output level See Setting Up Troubleshooting on page 10 to learn how to set GAIN correctly 100Hz HI PASS FILTER Pressing this switch a...

Page 5: ...the latching PFL switch is pressed the pre fade post EQ signal is fed to the headphones and meters where it replaces the Stereo Mix as the nor mal monitor source The PFL ACTIVE LED on the Master sect...

Page 6: ...up and down with the fader this is called POST FADE but for Foldback or Monitor feeds it is important for the send to be independent of the fader this is called PRE FADE Aux 1 is always PRE FADE POST...

Page 7: ...ttings the USER MODE LED illuminates Factory default settings may be restored by pressing and holding both PARAM switches until the USER MODE LED goes out MASTER SECTION LEXICON EFFECTS MASTER FADER T...

Page 8: ...to show that power is switched on and senses the power amplifier voltage rails THERMAL The THERMAL yellow indicates that power amplifier over temperature has been detected MUTE The MUTE red lights whe...

Page 9: ...rations STEREO RETURN FX BUS L R BUSSES 2 TRACK RETURN TO POWER AMP MIX L R EFFECTS MIX INSERT GRAPHIC EQUALISER MIX OUTPUT NORMALLING NORMALLING GRAPHIC EQ INPUT GRAPHIC EQ OUTPUT POWER AMP INPUT LEV...

Page 10: ...sk of feedback because small fader move ments will have a very significant effect on output level If the gain is set too low you will not find enough gain on the faders to bring the signal up to an ad...

Page 11: ...Page 11 Large Live Setup APPLICATIONS...

Page 12: ...Page 12 To Multitrack Insert Point From Multitrack CONNECTED VIA Y LEAD AS SHOWN BELOW Recording...

Page 13: ...Page 13 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN Live Setup with maximum foldback...

Page 14: ...Page 14 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN Mix L Mix R Note Mix Outputs will feed Powerstation External Amp Using Powerstation with an External Mixer and PA...

Page 15: ...Page 15 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN Splitting FOH and On Stage Monitor...

Page 16: ...Page 16 Powerstation as a Submixer Amplifier still used for on stage Monitors...

Page 17: ...T LEVEL POWER AMP OUTPUT LEFT POWER AMP OUTPUT RIGHT PFL PFL AUX 1 LEX FX AUX 1 LEX FX AUX 2 AUX 2 POST POST PRE PRE MIX INSERT LEFT MIX INSERT RIGHT FADER EFFECTS FADER LEXICON EFFECTS TO AUX 1 MIX L...

Page 18: ...Page 18 Powerstation Console Typical Starting Out Control Positions...

Page 19: ...Balanced Unbalanced Insert Leads Y Leads Unbalanced Speakon Leads Y Leads Balanced Headphone Splitter Page 19 Connecting Leads...

Page 20: ...22kHz bandwidth Aux Outputs 83dBu Main Outputs 80dBu E I N Microphone Input Maximum Gain terminated 150R 129dBu Max Gain to Main Outputs Mic Input 74dB Line Input 54dB Stereo Input 32dB Stereo Return...

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