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STEREO INPUT CHANNEL

STEREO INPUTS

Each Stereo Input section comprises a pair of similar inputs.  The inputs are

electronically balanced and separate 3-pole ‘A’ gauge (TRS) jacks are pro-

vided for the Left and Right source signals.  A mono signal may be plugged

into the upper (left) socket only and will be fed equally to both paths.

GAIN

This knob allows you to match the input level to suit a wide variety of pro-

fessional, semi-professional and hi-fi sources.
Start with a low setting, especially for professional equipment, and increase

it if you cannot reach an adequate signal level with the fader at the nominal

`0’ mark.  See `Setting Up & Troubleshooting’ on page 10 to learn how to

set GAIN correctly.

EQUALISER

The Equaliser(EQ) comprises three sections.  

HF EQ

The upper control provides H.F. (treble) boost and cut of 15dB at 12kHz.

Turning to the right provides boost, adding crispness to drum machines,

synths and electronic instruments.  Turning to the left cuts the same fre-

quencies, reducing hiss or excessive brilliance.

MID EQ

The MID control provides cut and boost of 15dB, at a 1kHz.  

LF EQ

The lowest knob is an LF (bass) section providing boost and cut of 15dB at

80Hz.  Turning to the right provides boost, adding extra punch to synths,

guitars or drums.  Turning to the left can be helpful to reduce hum or

boominess or to improve a mushy sound.
Set the controls to the centre-detented position when not required.

AUXILIARY SENDS

These are used to set up separate mono mixes for FOLDBACK, EFFECTS

or recording, and the combination of each Aux Send is mixed to the respec-

tive Aux Output at the rear of the mixer.  For Effects it is useful for the sig-

nal to fade up and down with the fader (this is called POST-FADE), but for

Foldback or Monitor feeds it is important for the send to be independent of

the fader (this is called PRE-FADE).  
Aux 1 is always PRE-FADE, POST-EQ, for typical use as a monitor or fold-

back feed.  Aux 2 is normally POST-FADE, POST-EQ for use as an effects

send..  By pressing the AUX 2 PRE switch on the Master section the Aux 2

send is set PRE-FADE, POST-EQ.  Both knobs should be turned down

when not in use.

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LEX FX

This control routes the post-fade, post-EQ channel signal to the Lexicon FX

bus, which feeds the internal LEXICON Digital Effects Processor. The knob

should be turned down when not in use. The output of the LEXICON unit

feeds the Stereo Mix directly or may be mixed to the Aux 1output (see

Master section, no. 4).

BALANCE

The BAL (Balance) control determines the position of the signal within the

stereo mix image.  Rotation fully anticlockwise feeds the signal solely to the

Left mix bus, while rotation clockwise sweeps the image to the Right bus.

PFL

When the latching PFL switch is pressed, a mono sum of the pre-fade, post-

EQ signal is fed to the headphones and meters, where it replaces the Stereo

Mix as the normal monitor source.  The PFL ACTIVE LED on the Master

section illuminates to warn that the headphones and meters are now carry-

ing a PFL signal.  This is a useful way of listening to any required input signal

without interrupting the main mix, for making adjustments or tracing prob-

lems.  The monitors and meters revert to stereo Mix when the PFL switch

is released.

CHANNEL FADER

The 60mm FADER allows precise balancing of the various source signals

being mixed to the Master Section.  You get most control when the input

Sensitivity is set up correctly, giving full travel on the fader.  See the `Setting

Up & Troubleshooting’ section on page 10 for help in setting a suitable sig-

nal level.

Summary of Contents for POWERSTATION 1200

Page 1: ...Contents Introduction 2 Connecting Up 3 Using the Powerstation 4 Setting Up Troubleshooting 10 Applications 11 System Block Diagram 17 Connecting Leads 19 Dimensions 20 Typical Specifications 20...

Page 2: ...in the event of the plug being changed This unit is capable of operating over a range of mains voltages by means of a 4 position mains input fuse carrier It is important to ensure that the cor rect v...

Page 3: ...Page 3 Connecting Up...

Page 4: ...ent and will therefore need a higher gain setting to give the same output level See Setting Up Troubleshooting on page 10 to learn how to set GAIN correctly 100Hz HI PASS FILTER Pressing this switch a...

Page 5: ...the latching PFL switch is pressed the pre fade post EQ signal is fed to the headphones and meters where it replaces the Stereo Mix as the nor mal monitor source The PFL ACTIVE LED on the Master sect...

Page 6: ...up and down with the fader this is called POST FADE but for Foldback or Monitor feeds it is important for the send to be independent of the fader this is called PRE FADE Aux 1 is always PRE FADE POST...

Page 7: ...ttings the USER MODE LED illuminates Factory default settings may be restored by pressing and holding both PARAM switches until the USER MODE LED goes out MASTER SECTION LEXICON EFFECTS MASTER FADER T...

Page 8: ...to show that power is switched on and senses the power amplifier voltage rails THERMAL The THERMAL yellow indicates that power amplifier over temperature has been detected MUTE The MUTE red lights whe...

Page 9: ...rations STEREO RETURN FX BUS L R BUSSES 2 TRACK RETURN TO POWER AMP MIX L R EFFECTS MIX INSERT GRAPHIC EQUALISER MIX OUTPUT NORMALLING NORMALLING GRAPHIC EQ INPUT GRAPHIC EQ OUTPUT POWER AMP INPUT LEV...

Page 10: ...sk of feedback because small fader move ments will have a very significant effect on output level If the gain is set too low you will not find enough gain on the faders to bring the signal up to an ad...

Page 11: ...Page 11 Large Live Setup APPLICATIONS...

Page 12: ...Page 12 To Multitrack Insert Point From Multitrack CONNECTED VIA Y LEAD AS SHOWN BELOW Recording...

Page 13: ...Page 13 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN Live Setup with maximum foldback...

Page 14: ...Page 14 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN Mix L Mix R Note Mix Outputs will feed Powerstation External Amp Using Powerstation with an External Mixer and PA...

Page 15: ...Page 15 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN Splitting FOH and On Stage Monitor...

Page 16: ...Page 16 Powerstation as a Submixer Amplifier still used for on stage Monitors...

Page 17: ...T LEVEL POWER AMP OUTPUT LEFT POWER AMP OUTPUT RIGHT PFL PFL AUX 1 LEX FX AUX 1 LEX FX AUX 2 AUX 2 POST POST PRE PRE MIX INSERT LEFT MIX INSERT RIGHT FADER EFFECTS FADER LEXICON EFFECTS TO AUX 1 MIX L...

Page 18: ...Page 18 Powerstation Console Typical Starting Out Control Positions...

Page 19: ...Balanced Unbalanced Insert Leads Y Leads Unbalanced Speakon Leads Y Leads Balanced Headphone Splitter Page 19 Connecting Leads...

Page 20: ...22kHz bandwidth Aux Outputs 83dBu Main Outputs 80dBu E I N Microphone Input Maximum Gain terminated 150R 129dBu Max Gain to Main Outputs Mic Input 74dB Line Input 54dB Stereo Input 32dB Stereo Return...

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