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8

GB2R User Guide

Initial Wiring Considerations

For optimum performance, it is essential for the earthing system to be clean and noise free, as all signals are
referenced to this earth. A central point should be decided on for the main earth point system, and all earths
should be 'star fed' from this point. It is common electrical practice to `daisy chain' the earths to all
electrical outlets but this method is unsuitable for audio installations. The preferred method is to run an
individual earth wire from each outlet, back to the system star point to provide a safety earth screen refer-
ence for each piece of equipment.A separate earth wire should also be run from each equipment rack and
area, to the star point. This may or may not be used depending on circumstances, but it is easier to install in
the first place, than later when problems arise.The location of the star point should be a convenient, easily
accessible place, preferably at the rear of the console or in the main equipment rack.
Install separate 'clean' and 'dirty' mains outlets, wired individually back to the incoming mains distribution
box. Use the 'clean' supply for all audio equipment and the `dirty' supply for all lighting, etc. Never mix the
two systems.
If necessary, to provide sufficient isolation from mains borne interference, install an isolating transformer.
This should be provided with a Faraday Shield which must be connected with earth.
Never locate the incoming mains distribution box near audio equipment, especially tape recorders, which
are very sensitive to electro-magnetic fields.
Ensure that all equipment racks are connected to earth, via a separate wire back to the star point.
Equipment which has unbalanced inputs and outputs may need to be isolated from the rack to prevent
earth loops.

Audio Wiring

Having provided all equipment with power and earthing connections, consideration must be given to the
method of providing audio interconnection and adequate screening of those interconnections. This must be
done in a logical sequence to avoid problems and assist in the localisation of problem equipment.
Connect the FOH or Monitor system to the console and check for any hum, buzz, or RFI. Only when you are
satisfied with the quietness of the console and the PA system should you proceed with the next step.
Connect stereo or multitracktape recorders, FX and foldback sends one at a time, checking and isolating any
connection which degrades performance.
Connect all other peripheral devices.
Connect all microphone lines.
By following this sequence much time and future trouble will be saved, and the result will be a quiet, stable
system.

Shielding

Audio equipment is supplied with a variety of input and output configurations, which must be taken into
consideration when deciding where the screen connections should be made. There are three sources of
unwanted signal being impressed on the screen, which are as follows:
Extraneous electrostatic or electromagnetic fields.
Noise and interference on the earth line.
Capacitive coupling between the screen and signal wires.
To minimise the adverse affects of the unwanted coupling to the signal wires, it is important that the screen
is connected at one end only, i.e. the screen must not carry any signal) current. Any signal) on the wires
within the screen will be capacitively coupled to the screen. This current will ultimately be returned to the
source of the signal, either directly, if the screen is connected at the signal source end, or indirectly via the
earthing system, if the signal is connected at the signal destination end. The indirect connection will cause
an increase in high frequency cross-talk, and should be avoided wherever possible.
Therefore, in general, always connect the shield only at the signal source end. In high RF areas, the screen
can also be connected to earth via a 0.01 mF capacitor. This will present a short circuit at RF frequencies,
thus lowering the effective shield impedance to ground. However, at low audio frequencies the reactance of
the capacitor will be sufficiently high not to cause an earth loop problem.

Summary of Contents for GB2R

Page 1: ...1 GB2R User Guide GB2R User Guide...

Page 2: ...damage whatsoever arising from the use of information or any error contained in this manual No part of this manual may be reproduced stored in a retrieval system or transmitted in any form or by any m...

Page 3: ...Pinouts 12 Introduction 13 Key Features 14 Warranty 15 Block Diagrams 16 Input Channels 16 Master Section Outputs 17 Using The Console 18 Mono Input 19 Stereo Input GB2R 12 2 only 20 Master Section 2...

Page 4: ...ked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus Only use attachments accessories specified by the manufacturer Use only with the cart s...

Page 5: ...d on the apparatus Warning Do not use this apparatus in very dusty atmospheres or in atmospheres containing flammable gases or chemicals THIS APPARATUS MUST BE EARTHED Under no circumstances should th...

Page 6: ...sulated dangerous voltage within the product s enclosure that may be of suffi cient magnitude to constitute a risk of electric shock to persons CAUTIONS The exclamation point within an equilateral tri...

Page 7: ...e mixer and unplug from the mains Signal Levels It is important to supply the correct input levels to the console otherwise signal to noise ratio or distortion performance may be degraded and in extre...

Page 8: ...dequate screening of those interconnections This must be done in a logical sequence to avoid problems and assist in the localisation of problem equipment Connect the FOH or Monitor system to the conso...

Page 9: ...earth However always consult your local electricity supply authority to ensure that safety regulations are not being infringed WORKING SAFELY WITH SOUND Although your new console will not make any noi...

Page 10: ...you cannot achieve satisfactory input level setting without feedback check microphone and speaker placement and repeat the exercise If feedback persists it may be necessary to use a Graphic Equaliser...

Page 11: ...e input faders set high enough and is the channel routed to the output being monitored Is the MUTE switch released on the relevant channels Is the appropriate monitor select switch pressed Is there a...

Page 12: ...12 GB2R User Guide Audio Connector Pinouts...

Page 13: ...13 GB2R User Guide Intr Intr Intr Intr Introduction oduction oduction oduction oduction...

Page 14: ...the main features are Individually switched 48V phantom power on every mono input module 6 Aux sends 2 Sub group sends paired GB2R 12 2 only GB30 mic pre amp 4 band GB30 EQ Integral power supply All...

Page 15: ...t both to and from the Dealer or Soundcraft and postage must be prepaid 4 This warranty shall only be available if a the Equipment has been properly installed in accordance with instructions contained...

Page 16: ...16 GB2R User Guide Input Channels Bloc Bloc Bloc Bloc Block Dia k Dia k Dia k Dia k Diag g g g gr r r r rams ams ams ams ams...

Page 17: ...17 GB2R User Guide Master Section Outputs...

Page 18: ...e mod ule are muted except for the Direct Output if its Pre button is depressed The PFL will still work whilst the module is muted Signal is sent to the AUX 1 6 busses via individual level pots 9 Aux...

Page 19: ...INPUT 1 4 TRS Jack Tip Signal Hot Ring Signal Cold Sleeve Ground MIC INPUT 3 pin female XLR Pin 1 Ground Pin 2 Signal Hot Pin 3 Signal Cold DIRECT OUTPUT 1 4 TRS Jack Tip Signal Hot Ring Signal Cold S...

Page 20: ...peak ing high mid and low mid bands The HF control gives 15dB cut boost at 13KHz The LF control gives 15dB cut boost at 60Hz The HM control gives 15dB cut boost at a centre frequency of 2 5kHz and th...

Page 21: ...2R User Guide Rear Connectors MIC INPUT LEFT and RIGHT 3 pin female XLR Pin 1 Ground Pin 2 Signal Hot Pin 3 Signal Cold LINE INPUT LEFT and RIGHT 1 4 TRS Jacks Tip Signal Hot Ring Signal Cold Sleeve G...

Page 22: ...22 GB2R User Guide...

Page 23: ...ignal for each bus is then routed to the following places its main output XLR on the rear connector panel the REC output sockets on the rear connector panel the MONITOR SOURCE select switch MIX 7 A mo...

Page 24: ...e Main Mix or the Sub groups via the MIX SUB switch 19 GB2R 12 2 only the GB2R 16 routes the signal to the main mix busses A pre level control mono sum of the input pair is routed via the Aux 1 or Aux...

Page 25: ...1 4 TRS Jacks Tip Signal Hot Ring Signal Cold Sleeve Ground SUB L R OUTPUTS 3 pin male XLRs GB12R 12 2 ONLY Pin 1 Ground Pin 2 Signal Hot Pin 3 Signal Cold SUB L R INSERT POINTS 1 4 TRS Jacks GB12R 1...

Page 26: ...GB2R User Guide REC OUTPUTS RCA Phonos Centre Signal Screen Ground 2 TRACK INPUTS RCA Phono Centre Signal Screen Ground STEREO RETURNS INPUTS 1 4 TRS Jacks Tip Signal Hot Ring Signal Cold Sleeve Grou...

Page 27: ...u Any output 20dBu Nominal Operating Level 0dBu Headphone Power 2 x 250mW into 200Ohms Input Output Impedances Mic Inputs 2kOhms Line Inputs and Stereo Returns 10kOhms Input channels Insert Return 5kO...

Page 28: ...28 GB2R User Guide...

Page 29: ...B2R User Guide GB2R 12 2 Mar GB2R 12 2 Mar GB2R 12 2 Mar GB2R 12 2 Mar GB2R 12 2 Mark up Sheet k up Sheet k up Sheet k up Sheet k up Sheet You may wish to photocopy these pages to record settings for...

Page 30: ...30 GB2R User Guide...

Page 31: ...31 GB2R User Guide GB2R 16 Mar GB2R 16 Mar GB2R 16 Mar GB2R 16 Mar GB2R 16 Mark up Sheet k up Sheet k up Sheet k up Sheet k up Sheet You may wish to photocopy these pages to record settings for gigs...

Page 32: ...32 GB2R User Guide Dimensions Dimensions Dimensions Dimensions Dimensions Free Standing Rack Mounted...

Page 33: ...agrams A E Follow the instructions in numerical order 1 8 on diagram B 9 11 on diagram C etc Note that all the screws are re used There should be no screws left over at the end of the procedure The pa...

Page 34: ...34 GB2R User Guide...

Page 35: ...35 GB2R User Guide Caution Do not trap any cables during this operation...

Page 36: ...36 GB2R User Guide...

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