Sony SRW-5000 Brochure & Specs Download Page 9

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The HDCAM-SR format is based on cutting-edge technology.  It is not a rehashed and repackaged technology solution developed in
previous decades.  The HDCAM-SR format has been designed to maximize the data-transfer rate without sacrificing any operational
features.  It’s a design you’d expect from a Sony 1/2” tape format, with all the useful playback and editing features common to 
existing Sony tape formats.  And although the SRW-5000 features and capabilities have seen great improvements, the physical size
and power consumption of the VTR remain modest enough to achieve easy portability for field use.  And, in order to meet the 
format’s mission-critical requirements, every aspect of magnetic tape-recording engineering and digital-signal processing technology
has been carefully reassessed and integrated.  Even with these great technological improvements, the expected operating costs of this
system are reasonable. 

Creating Virtually Lossless Images:  
The MPEG-4 Studio Profile (SP)

Yet another industry first from Sony is an integrated video
encoding/decoding chipset that conforms to the MPEG-4 SP
(Studio Profile: ISO/IEC 14496-2:2001-1).  The Studio Profile
was created to specifically address the requirements of 
high-resolution image-production applications.  It is free from
GOP (Group Of Pictures) structures, and is scalable in its pixel
count (SDTV, HDTV, Film-resolution data), bit depth (10- or
12-bit), and color resolution (component or RGB).  In order to
achieve maximum compression efficiency, the HDCAM-SR
format resorts to intra-frame compression for progressive
images.  Intra-field compression is used for interlaced images.
Special attention has been paid to multi-generation dubbing
performance and, in common with industry-standard Digital
BETACAM VTRs, the SRW-5000 is capable of consistent 
dubbing without using a separate interface for a native stream.
This is only possible thanks to the high performance of the
MPEG-4 SP, which offers reproduction of virtually lossless
images.

More Data, Same Long Running Time:
The New Footprint

Each picture frame consists of 24 helical tracks (or 12 tracks
per segment/field), in which data is shuffled to protect the
recording from occasional burst errors.  Recordings are further
protected by highly robust error-correction and concealment
techniques perfected through years of Sony digital-VTR 
development.  Thanks to the finer track pitch and shorter 
minimum recording wavelength, the data-packing density of
the HDCAM-SR format is 3.5 times that of the HDCAM 
format.  Frame-accurate editing is guaranteed by the intelligent
allocation of pilot signals for precise head-to-tape tracking.

Technology – A Behind The Scenes Look

Summary of Contents for SRW-5000

Page 1: ...HD Digital Videocassette Recorder SRW 5000 ...

Page 2: ... for standards conversion They are also opening up entirely new possibilities for international co production Movie making has been liberated by the creative empowerment of the cinematographer It is facilitated by real time HD image evaluation on set instant replay of full color high resolution digital takes real time image optimization while shooting a 50 minute shooting load and most importantly...

Page 3: ...he very beginning as a format suitable for pristine quality digital field acquisition Sony has now expanded the CineAlta product line to include the SRW 5000 HD Digital Videocassette Recorder which employs the HDCAM SR format Like the flagship HDW F500 the SRW 5000 acquires each picture frame according to the industry standard Common Image Format CIF which specifies a sampling structure of 1920 x ...

Page 4: ...used for American DTV programming and transmission applications As with the 1080 format you still have up to 12 channels of independently editable 24 bit audio available when operating in 720P format In addition 720P 1080i and 720P 480i bi directional format conversion can be accomplished in this VTR Internal Format Conversion The SRW 5000 is equipped with an internal down converter that provides ...

Page 5: ...sembly has been designed with an auto adjustment function so that maintenance can be performed in minimal time The SRW 5000 is also supported by the BZNW 5000 series remote maintenance and monitoring software an SNMP compliant application that monitors the unit in real time and provides updated maintenance information via a TCP IP network Finally VTR maintenance logs can be stored locally on a Mem...

Page 6: ...tal audio can be reproduced with a responsiveness and sound quality reminiscent of analog audio This feature is essential to quickly and precisely establish an editing point while monitoring the digital audio signals which remain synchronized with the pictures Dynamic Motion Control DMC Playback The SRW 5000 also provides a DMC playback capability memorizing the tape speed trajectory over the dyna...

Page 7: ...ty The SRW 5000 has a built in Tele File read write capability Because this VTR accommodates a wide range of recording formats the Tele File feature which allows auxiliary information to be stored on a tape label containing an IC chip is utilized to verify the proper format Tele File labels come as a standard feature on all HDCAM SR tapes Metadata Handling The SRW 5000 VTR can generate and record ...

Page 8: ...t recorded to tape Requires optional HKSR 5001 Format Converter Board Requires optional HKSR 5002 Digital BETACAM Processor Board Requires optional HKSR 5003 RGB Processor Board Playback Tape Format VTR System Setup Playback Frame Rate With HKSR 5001 format Converter board HD SDI format conv OUT SDI OUT HDCAM SR 1080 P i 4 2 2 4 2 2 720 59 94P 625 50i 525 59 94i 1080 P i 4 2 2 HDCAM Digital BETACA...

Page 9: ... image production applications It is free from GOP Group Of Pictures structures and is scalable in its pixel count SDTV HDTV Film resolution data bit depth 10 or 12 bit and color resolution component or RGB In order to achieve maximum compression efficiency the HDCAM SR format resorts to intra frame compression for progressive images Intra field compression is used for interlaced images Special at...

Page 10: ... assemblies performs legacy playback of HDCAM and Digital BETACAM tapes Remarkably despite the complexity of this new recording drum durability and lifetime are expected to be equal to that of existing Sony 1 2 tape formats Retaining The Virtues Of Sony 1 2 Formats The New Drum Assembly Particle Size Video Output Level Comparison A newly developed ultra fine grain magnetic particle creates the ver...

Page 11: ...KSR 5001 required Digital audio input CH1 2 CH3 4 CH5 6 CH7 8 CH9 10 CH11 12 Time code input HD serial V A output Format converter output optional HKSR 5001 required Standard definition V A output Analog I O down converted output Analog I O reference output Digital audio output CH1 2 CH3 4 CH5 6 CH7 8 CH9 10 CH11 12 Analog audio output CH1 2 3 4 Cue Monitor output L R Time code output Phones Remot...

Page 12: ...used as generic names in this literature for the industry standard 23 98PsF 24PsF 25PsF 29 97PsF and 30PsF Progressive Segmented Frames respectively Sony is a registered trademark of Sony Corporation HDCAM SR HDCAM BETACAM CineAlta Dynamic Tracking and Memory Stick are trademarks of Sony Corporation All other trademarks are the property of their respective owners Printed in USA 8 04 BC 00915 Sony ...

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