Settings and Adjustments
73
GB
No priority given.
Priority given.
Settings for the Speakers
(SPEAKER SETUP)
See “Speaker Setup” on page 30.
Performs the Pro Logic II movie
mode decoding. This setting is
ideal for the movies encoded in
Dolby Surround. Besides, this
mode can reproduce the sound
in 5.1 channel when watching
the videos of old movies or in
the dubbed language.
Performs the Pro Logic II music
mode decoding. This setting is
ideal for the standard stereo
sources, such as CDs.
Performs the Pro Logic
decoding. A source recorded in
2 channel is decoded into 4
channels.
x
TRACK SELECTION (DVD only)
Gives the sound track having the highest
number of channels priority when you play
a DVD on which multiple audio formats
(PCM, MPEG audio, DTS, or Dolby Digital
format) are recorded.
OFF
AUTO
Notes
• When you set the item to “AUTO,” the language
may change. The “TRACK SELECTION” setting
has higher priority than the “AUDIO” settings in
“LANGUAGE SETUP” (page 70).
• If PCM, DTS, MPEG audio, and Dolby Digital
sound tracks have the same number of channels, the
system selects PCM, DTS, Dolby Digital, and
MPEG audio sound tracks in this order.
• Depending on the DVD, the audio channel with
priority may be predetermined. In this case, you
cannot give priority to the DTS, Dolby Digital, or
MPEG audio format by selecting “AUTO.”
x
2CH MODE
This system incorporates Dolby Pro Logic II
with movie mode and music mode, and can
reproduce in 5.1 channel (and 2channel)
surround sound through Dolby Pro Logic II.
When the Sound Field is set to “NORMAL
SURROUND,” you can select the type of
decoding for a 2 channel source.
PRO LOGIC
II
MOVIE
PRO LOGIC
II
MUSIC
PRO LOGIC
Note
Dolby Pro Logic II does not function for DTS or
MPEG format signals or Super Audio CD.
x
AUDIO DRC
Narrows the DYNAMIC range of the sound
track.
Useful for watching movies at low volume
late at night.
OFF
ON
Note
DYNAMIC range compression only works for Dolby
Digital sources.
No compression of DYNAMIC range.
Reproduces the sound track with the
kind of DYNAMIC range that the
recording engineer intended.
