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Summary of Contents for Il Cremonese Ex3me

Page 1: ...OWNER S MANUAL...

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Page 4: ...3 2 Montaggio 5 3 3 Posizionamento dei diffusori acustici 5 3 4 Collegamenti 5 3 4 1 Collegamento standard single wiring 6 3 4 2 Bi wiring 6 3 4 3 Bi amping 6 3 4 4 Tri wiring 6 3 4 5 Tri amping 6 3...

Page 5: ...sista un attrito sufficiente ad evitare spostamenti del diffusore acustico causati dalle vibrazioni prodotte in condizioni operative Evitare di appoggiare sul diffusore acustico oggetti contenenti liq...

Page 6: ...dio e cavi di alimentazione Utilizzare questi sistemi di altoparlanti per uso domestico Non devono essere utilizzati a volumi elevati o a distribuzione continua del suono come ad esempio per una disco...

Page 7: ...to consente di ottenere la migliore messa a fuoco dell immagine sonora ricostruita La profondit della stessa dipende poi dalla distanza tra i diffusori acustici e la parete posteriore Nella consapevol...

Page 8: ...iring per diffusori acustici con tre sezioni di ingresso separabili Il pilotaggio dei diffusori acustici di solito una coppia avviene con un singolo amplificatore stereofonico oppure con una coppia di...

Page 9: ...ntenuto alcalino Per la cura delle superfici metalliche e di vetro ove presenti utilizzare il panno e il liquido in dotazione Non utilizzare prodotti chimici aggressivi a basi forti quali acetone trie...

Page 10: ...speakers 11 3 4 Connections 11 3 4 1 Standard connection single wiring 12 3 4 2 Bi wiring stereo system 12 3 4 3 Bi amping stereo system 12 3 4 4 Tri wiring stereo system 12 3 4 5 Tri amping stereo sy...

Page 11: ...rated under normal operating conditions Do not place any objects containing flammable liquids substances or liquefiable substances upon the loudspeaker Use one of the connection diagrams contained in...

Page 12: ...bution as for example discotheque or sound reinforcement In this type of application the involved signal intensity is not compatible with correct operation of the loudspeaker system and can lead to ir...

Page 13: ...ng the loudspeakers in such a way as to literally point them towards the listener s ears allows significant improvement in the focus of the stereophonic image Given that the illustrated procedure whic...

Page 14: ...dspeakers with three separable input sections It consists in running the loudspeakers usually a pair with a single stereo amplifier or with a pair of monophonic amplifiers using separate bipolar power...

Page 15: ...t is recommended to use the supplied cloth and liquid to clean the metal and glass surfaces where present Do not use aggressive strong chemical products such as acetone trichloroethylene acids abrasiv...

Page 16: ...3 Aufstellung der Lautsprecher 17 3 4 Anschl sse 17 3 4 1 Standardanschluss Mono Wiring 18 3 4 2 Bi Wiring Stereosystem 18 3 4 3 Bi Amping Stereosystem 18 3 4 4 Tri Wiring Stereosystem 18 3 4 5 Tri A...

Page 17: ...e Lautsprecher durch die bei normalem Betrieb erzeugten Schwingungen nicht bewegen k nnen Keine Gegenst nde mit brennbaren Fl ssigkeiten Stoffen oder Stoffen die verfl ssigen k nnen auf dem Lautsprech...

Page 18: ...autst rke beispielsweise in der Diskothek oder als Klangverst rkung verwendet werden Bei derartigen Anwendungen sind die Leistungsanforderungen mit der korrekten Funktionsweise des Lautsprechersystems...

Page 19: ...auf die Ohren des H rers zeigend ausgerichtet was eine klarere Fokussierung des Stereobildes erm glicht Die erl uterte Vorgehensweise f r die Schaffung nahezu idealer H rbedingungen ist nicht f r all...

Page 20: ...die Erweiterung des Bi Wiring Plans f r Lautsprecher mit drei separaten Eingangsbereichen Zur Steuerung der Lautsprecher in der Regel ein Paar einen einzelnen Stereoverst rker oder zwei gleiche Mono L...

Page 21: ...ichem Neutralreiniger mit niedrigem Alkaligehalt angefeuchteten Lappen verwenden F r die Pflege der Metall und Glasfl chen sofern vorhanden wird die Verwendung des im Lieferumfang enthaltenen Tuches u...

Page 22: ...enceintes 23 3 4 Branchement 23 3 4 1 Raccordement standard c blage simple 24 3 4 2 Bi c blage syst me st r o 24 3 4 3 Bi amplification syst me st r o 24 3 4 4 Tri c blage syst me st r o 24 3 4 5 Tri...

Page 23: ...her les enceintes de bouger en raison des vibrations g n r es dans des conditions de fonctionnement normales Ne placez aucun objet contenant des liquides des substances ou produits liqu fiables inflam...

Page 24: ...ribution sonore continue comme par exemple en discoth que ou pour le renforcement sonore Dans ce type d application l intensit du signal impliqu n est pas compatible avec un fonctionnement correct du...

Page 25: ...ner les enceintes de mani re les diriger litt ralement vers les oreilles de l auditeur permet une nette am lioration de la mise au point de l image st r ophonique tant donn que la proc dure illustr e...

Page 26: ...rables Le pilotage des haut parleurs g n ralement une paire est effectu avec un seul amplificateur st r o ou avec une paire d amplificateurs monophoniques en utilisant des c bles d alimentation bipola...

Page 27: ...iser le chiffon et le liquide fournis pour nettoyer les surfaces en m tal et en verre le cas ch ant N utilisez pas de produits chimiques forts et agressifs tels que l ac tone le trichloro thyl ne les...

Page 28: ...26 RU 26 1 27 1 1 27 1 2 27 2 27 3 28 3 1 28 3 2 29 3 3 29 3 4 29 3 4 1 30 3 4 2 Bi wiring 30 3 4 3 Bi amping 30 3 4 4 Tri wiring 30 3 4 5 Tri amping 30 3 4 6 30 3 4 7 30 3 4 8 31 4 31 5 35 6 38...

Page 29: ...faber Sonus faber customerservice sonusfaber com www sonusfaber com Sonus faber 1 1 2 1 2 Sonus faber Sonus Faber https www sonusfaber com distributori store https www sonusfaber com en distributors s...

Page 30: ...28 RU 28 3 50 100 70 7 6 3 1...

Page 31: ...29 RU 29 6 o 6 6 A B 1 1 8 1 1 6 3 2 3 3 6 3 4...

Page 32: ...30 RU 30 3 4 6 3 4 7 3 4 1 3 4 2 3 4 3 3 4 4 3 4 5...

Page 33: ...31 RU 31 3 4 8 4 SPL 92 6 4 Pavg 2 40 0 8 2 5 63 1 3 3 90 1 8 3 5 125 2 3 82 SPL 20...

Page 34: ...s developed according to the most natural sound Ultra dynamic performance and high linearity Sonus faber design Crossover Optimized amplitude phase response for optimal space time performance Crossove...

Page 35: ...Special custom diaphragm made with a blend of traditional cellulose pulp and other natural fibers developed according to the most natural sound Ultra dynamic performance and high linearity Sonus fabe...

Page 36: ...ed according to the most natural sound Ultra dynamic performance and high linearity Sonus faber design Crossover Optimized amplitude phase response for optimal space time performance Crossover frequen...

Page 37: ...35 5 LUMINA I 2 29 DAD Sonus faber 120 Sonus faber Sonus faber 2000 65 24 000 84 SPL 2 83 1 4 30 100 IEC 268 5 15 5 rms x x 280 x 148 x 213 4 4 1 2 2 2...

Page 38: ...36 LUMINA III 3 29 DAD Sonus faber 150 Sonus faber Sonus faber 2x150 Sonus faber Sonus faber 350 3500 40 24 000 89 SPL 2 83 1 4 50 250 IEC 268 5 22 rms x x 989 x 228 x 277 7 15 9 1 2 2 2 4 4 4...

Page 39: ...37 LUMINA CENTER I 2 29 DAD Sonus faber 2x120 Sonus faber Sonus faber 2000 65 24 000 89 SPL 2 83 1 4 30 100 IEC 268 5 15 5 rms x x 168 6 x 523 6 x 212 7 7 6 1 2 1 1...

Page 40: ...38 6 ILLUSTRAZIONI ILLUSTRATIONS ABBILDUNGEN ILLUSTRATIONS A B E C D B E C D A B E C D 1...

Page 41: ...39 UP UP UP UP B F G C D UP UP UP UP UP A B 90 E F G C D UP UP UP UP UP A B 90 E F G C D UP UP UP UP UP A B 90 E F G C D 2...

Page 42: ...40 A B C E D A B C E D A B D A B C E D A B C E D 3...

Page 43: ...41 UP UP H I UP UP H I 4...

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Page 49: ...47 NOTE...

Page 50: ...nus faber S p A Via Meucci 10 36057 Arcugnano VI Italy Tel 0444 288788 fax 0444 288722 info sonusfaber com Sonus faber reserves the right to change any technical and or aesthetical feature of its prod...

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Page 52: ...sonusfaber com...

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