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SWITCHES

SMX 1008

page 6

1.  

MIC INPUT JACKS:

 These are balanced XLR-type microphone input jacks. (1: Ground; 2: Hot; 3:  

 Cold)

2.   LINE INPUT JACKS

 (mono channels): These are balanced TRS phone-jack line inputs. (T: Hot; R:  

 

Cold; S: Ground). You can connect either balanced or unbalanced phone plugs to these jacks

3.    TRIM CONTROL 

adjusts the input signal level. To get the best balance between the S/N ratio and  

 

the dynamic range adjust the gain, so that the PEAK indicator (9) lights only occasionally and briefly on  

 

the highest input transients. The -60 to +10 scale is the MIC input adjustment range. The 40 to +10  

 

scale is the LINE input adjustment range.

4.   EQUALISER

 (High, Mid and Low):  This three-band equalizer adjusts the high, mid and low   

 

frequency bands of the corresponding channel. Setting the knob to the "0" position produces a flat  

 

response in the corresponding band. Turning the knob to the right boosts the corresponding frequency  

 

band, while turning to the left attenuates the band

5.   FX CONTROL:

 The aux send marked FX offers a direct route to the built-in effects processor and  

 

is therefore post-fader and post-mute

6.   PAN CONTROL:

 The PAN control determines the position of the channel signal within the stereo  

 image

7.   ON/OFF SWITCH:

 Turn this switch on to send signal to the buses. The switch lights orange  

 

when on

8.   CLIP LED:

  This LED lights up when the input signal is driven too high. If this happens, back off the  

 

TRIM control and, if necessary, check the setting of the channel EQ

9.   SOLO SWITCH: 

The SOLO switch is used to route the channel signal to the solo bus (Solo In  

 

Place) or to the PFL bus (Pre Fader Listen). This enables you to listen to a channel signal without  

 

affecting the main output signal. The signal you hear is taken either before the pan control (PFL,  

 

mono) or after the pan and channel fader (Solo, stereo)  

Summary of Contents for SMX 1008

Page 1: ...SMX 1008 small format analogue mixer I owners manual www sonodyne com ...

Page 2: ...rvice personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to t...

Page 3: ...ut and 48V Phantom Power on all mic channels 12 and 16 channel Smooth premium quality faders Robust polymer lightweight construction for tour grade build quality and reliability Internal universal power supply DC 5V lamp connector 48V phantom power XLR balanced outputs INITIAL OPERATION Be sure that there is enough space around the unit for cooling purposes and to avoid over heating Do not place y...

Page 4: ...stained high frequencies Input channels feature combo jacks which can accept both XLR and TRS connectors In addition Trim control allows line level input to accommodate a wide variety of instruments BUILT IN UNIVERSAL SWITCHING POWER SUPPLY The SMX 1008 features a universal switching power supply This power supply supports input voltages of 100 V to 240 V for stable operation even in environments ...

Page 5: ...CONNECTION DIAGRAM SMX 1008 page 4 Live Instruments Keyboard Microphone Recorder CD player Amplifier Headphone ...

Page 6: ...SMX 1008 page 5 CONNECTION DIAGRAM 1 11 12 13 14 15 2 3 27 28 29 30 31 32 33 34 35 16 17 18 19 20 21 22 23 4 5 6 7 8 9 10 24 25 26 ...

Page 7: ...duces a flat response in the corresponding band Turning the knob to the right boosts the corresponding frequency band while turning to the left attenuates the band 5 FX CONTROL The aux send marked FX offers a direct route to the built in effects processor and is therefore post fader and post mute 6 PAN CONTROL The PAN control determines the position of the channel signal within the stereo image 7 ...

Page 8: ...en be brought from the Effects device back into the STEREO AUX RETURN jacks 14 STEREO AUX RETURN JACKS The STEREO AUX RETURN jacks generally serve as the return for the effects mix created using the post fader aux sends by connecting the output of an external effects device If only the left jack is connected the AUX RETURN is automatically switched to mono 15 MAIN OUT L R JACKS These jacks deliver...

Page 9: ...PE CONTROL adjusts the level of the CD IN jacks Computer Tape audio input and sound control 23 PHONES CTRL ROOM CONTROL Use this control to adjust the control room output level and the headphones volume 24 FX SEND FADER This is the master control for the Effects level 25 MP3 BT FADER adjusts the level of MP3 BT 26 MAIN MIX FADER This is the master level control for the MAIN OUTS 27 MP3 USB JACK Co...

Page 10: ... and off When the switch is on the mixer supplies 48V phantom power to all channels that have XLR mic input jacks 31 POWER INDICATOR This indicator lights when power to the mixer is switched on 32 48V INDICATOR The red 48V LED lights up when phantom power is switched on Phantom power is required to operate condenser microphones 33 LEVEL METER Shows the level of signal The 0 segment corresponds to ...

Page 11: ... cable with IEC mains connector An appropriate mains cable is supplied with the equipment 37 POWER SWITCH Use the POWER switch to turn on the mixing console The POWER switch should always be in the Off position when you are about to connect your unit to the mains To disconnect the unit from the mains pull out the main cord plug When installing the product ensure that the plug is easily accessible ...

Page 12: ...ade cables FOOT SWITCH CONNECTOR INPUT OUTPUT BALANCED USE WITH XLR CONNECTORS For unbalanced use PIN 1 PIN 3 have to be bridged 1 Ground Sleeve 2 Hot ve 3 Cold ve XLR CONNECTIONS 1 4 TS FOOT SWITCH CONNECTOR Strain Relief Clamp Tip Pole 2 Sleeve Pole 1 ground Sleeve Tip The foot switch connects both poles momentarily ...

Page 13: ...UG INSERT SEND RETURN 1 4 TRS CONNECTOR Strain Relief Clamp Strain Relief Clamp Sleeve ground shield Sleeve ground shield Ring return in Tip signal Tip send out Sleeve Sleeve Ring Tip Tip Unbalanced TRS connector Connect the insert send with the input and the insert return with the output of the effects device BALANCED 1 4 TRS CONNECTOR Strain Relief Clamp Sleeve ground shield Ring cold ve Tip hot...

Page 14: ...CA pin jack are there connections made at both jacks Use only one of these jacks Are the GAIN knobs for each channel channel faders STEREO master fader and GROUP faders adjusted to appropriate levels Are effect or compressor levels too high Use the FX knob FX RTN fader FX RTN LEVEL knob and COMP knob to lower their levels Effects cannot be applied Are the FX knobs for each channel adjusted to appr...

Page 15: ...S Individual channel Effects master MP3 master Main L R fader 60mm LEVEL METER 12 digit peak reading LED level meter PHANTOM POWER Global OTHER FEATURES PER CHANNEL Mute and solo switch for each channel MIC EIN 50Ω SOURCE RESISTANCE 20Hz 20kHz 133dB FREQUENCY RESPONSE 0 1dB 10Hz 90kHz THD 0 004 A weighted SNR 110dB A weighted 22dB gain MAX OUTPUT LEVEL 22dBu POWER REQUIREMENT 230V AC 50Hz POWER CO...

Page 16: ...product of the Mukherjee Innovation Centre Sonodyne Technologies Pvt Ltd 98 NB Block E New Alipore Kolkata 700053 INDIA Tel 1 800 123 37 36 E mail response sonodyne com Please visit us at www sonodyne com ...

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