Solidyne DX 816 Owner'S Manual Download Page 14

2.9.4.2 Audio options

Step 5

Go to 

Config → Audio

Input source

 

Default is 

“Stereo line”. 

Don’t change it.

Format

Audio settings for the streaming. Default values are:

Format: 

PCM 16 bits stereo         

Sample rate: 

48 KHz 

PCM16   @   48KHz   generates   a   streaming   of   1.6

Mbit/s.

2.9.5 Using a digital microwave link

An /AoIP console connected at the studio to a broad-

band Internet, can cover any distance from the stu-

dios to the transmitter plant. 
For short distances, a good solution is to use a point-

to-point RF data link to carry out uncompressed au-

dio (PCM 16 bit/48 KHz). For this, install a microwave

link for 5.8 GHz (or 2.4 GHz in some countries) under

the standard 802.11.x. This band is available in all

countries and does not require special authorization.

It can cover up to 27 miles if there are no obstacles

between the extremes. Encoded audio can be trans-

ported for special applications that requires a bidirec-

tional link.

For more details, please contact us at  [email protected].

 

2.9.6 Receive an incoming streaming

The firmware can be settled to decode an incoming

streaming; for example, a streaming generated from

other   Solidyne   device   (series   2600/IP;   DX816;

DX822; Unidex UX24 and ADA102 coder). The en-

coder   unit   and   the   console   must   have   the   same

firmware (STL).
From factory, DX816/822 is configured to work as

coder, to generate the streaming, To receive a in-

coming   streaming,   the   mode   of   work   must   be

changed to DECODER.

To set this mode, proceed:

1. Using any WEB browser, access to the IP mod-

ule (please refers to 2.8.1.1 Access to IP mod-

ule ).

2. At the top menu, click the option 

“Location”

.

3. By default, the mixer works as CODER, gener-

ating a streaming (mode “Studio Encoder”). 

Change the mode to ‘Transmitter decoder’. 

When the unit are configured as decoder, de-

fault values for reception are loaded. Usually 

the user don’t needs to change nothing, with 

the exception of PORTS and IP ADDRESS. 

4. Enter to the option 

“Settings → Streaming”

.

5. In the field 

“Port” 

enter the same port number 

used in the CODER side. Hit “Apply” to con-

firm.

6. In “URL” leave the default value 0.0.0.0. Press 

“Apply” to confirm.

At the decoder, pay attention to the buffer size, which

is the memory that holds the incoming streaming au-

dio to avoid drops. These interruptions occur when

the bandwidth is insufficient for the transmitted au-

dio quality and can be solved by increasing the buffer

size.   But   note   that   larger   buffer   size   will   cause

greater delay time. The appropriate value depends

on   the   bandwidth   of   the   network   and   streaming

codec. Buffer size is expressed in milliseconds. For un-

compressed PCM streaming times of 40/80 mS works

find. For  coded  formats larger times are needed due

to the times involved in the decoding process.

No other value must be changed. The console auto-

matically recognize the incoming streaming. The au-

dio quality is defined in the CODER side. 

2.9.6.1 Audio from incoming streaming

The console receives the streaming through the AoIP

module. The incoming streaming is decoded and sent

to a balanced  input  

using an external patch cord

supplied   from   factory  

(standard   Ethernet   RJ45   to

RJ45).

Page 14

DX816 & DX822  - Broadcast mixing consoles

SOLIDYNE

Summary of Contents for DX 816

Page 1: ......

Page 2: ...Page 2 DX816 DX822 Broadcast mixing consoles SOLIDYNE...

Page 3: ...th shoutcast ice cast servers 15 2 10 Interconnection diagram 16 2 11 Grounding connection diagram 16 3 Operation 17 3 1 Overview 17 3 1 1 Quick checking 17 3 2 Hybrid TELCO 17 3 2 1 Using the TELECOM...

Page 4: ...for PGM a REC Both models has professional feather touch con ductive ceramic faders of 100 mm with ETM VCA control with a life utility of 10 millions of operations This consoles are a great solution...

Page 5: ...oming streaming via Ethernet which are mixed to PGM and REC buses The available channels are DX816 5 microphone inputs over 3 faders Channels 2 3 manages dual mic inputs DX822 10 microphone inputs ove...

Page 6: ...e feather touch with the technique of control ETM VCA Electrometric Voltage Con trolled Amplifier The faders DO NOT manage audio signals The variation of the level is made by means of amplifiers of lo...

Page 7: ...E EXCEED 150 mA 2 4 Audio inputs Figure 3 Inputs at rear panel 2 4 1 LINE INPUTS The Solidyne DX816 DX822 has several inputs In puts BAL LINE are simetrycal balanced Inputs LINE are unbalanced Inputs...

Page 8: ...om power is not available on MIC 2b MIC 3b MIC 5b and MIC 6b 2 5 Audio outputs Figure 5 Rear panel outputs phone lines AoIP The main output is PROGRAM PGM Is the mix sig nal that will be emitted The P...

Page 9: ...hers software that are in use If the computer does not have in stalled another soundcards default playing and recording device will be windows device USB 1 ABOUT USB DETECTION We recommend do not chan...

Page 10: ...EFT 4 dBu Speakers RIGHT Chassis GND Figure 7 Connection of loudspeakers and headphones into the Studio using a standard headphone amplifier 2 7 Connecting standard lines The hybrid channel manages tw...

Page 11: ...sole The procedure to link the phone to the console is similar to that used for other Bluetooth devices When the cell phone pair to the console creates a link between the two devices and the phone sto...

Page 12: ...d hold BLUE TOOTH until the button CELL PHONE stop flashing 2 7 3 External Hybrid The DX816 822 series has send and return for ex ternal hybrid External Hybrid 8 uses a female TRS Jack that send signa...

Page 13: ...r DX816 822 with AoIP can also connect directly to a modem router since usually it will assign an IP via DHCP Once the IP is obtained a green LED at the rear panel RJ45 stays blinking Step 2 To know t...

Page 14: ...access to the IP mod ule please refers to 2 8 1 1 Access to IP mod ule 2 At the top menu click the option Location 3 By default the mixer works as CODER gener ating a streaming mode Studio Encoder Cha...

Page 15: ...mber to set the firewall to allow incoming streaming trough port 3030 or the port that you use At the console set the transmission to PCM16 44 1KHz or any MP3 mode see 2 7 1 3 Audio settings NOTE Some...

Page 16: ...2 10 Interconnection diagram 2 11 Grounding connection diagram Page 16 DX816 DX822 Broadcast mixing consoles SOLIDYNE...

Page 17: ...1 and REC channel USB 2 DX816 822 AoIP can have up to two Ethernet modules AoIP for send receive audio over IP PGM and REC Each AoIP module can receive a streaming which is routed to an input channel...

Page 18: ...swered the TELECOM fader 9 must be closed in the position CUE 10 In this condition the caller remains hearing the program mix the audio that is on air and the audio from the phone line sends to the CU...

Page 19: ...es at the studio The lows are those that produce greater deviation in VU ME TERS Nevertheless for the ear the loudness is defined by the mid rage frequencies So that if you note that VU Meter peaks lo...

Page 20: ...When a call incomes the ringing listen si multaneously on the cell phone and on the CUE channel of the console fader TELECOM closed To answer from DX822 make a short touch on the button BLUETOOTH or y...

Page 21: ...d a Assign the microphones to PGM and REC b In TELECOM Channel move the switch PGM REC to PGM Configure the VoIP software to use the audio de vices that correspond to the Channel USB 2 of DX816 822 ty...

Page 22: ...to a comfortable listening leaving the knob SPEAKERS of DX822 at the center position The switcher 2 allows to choose the signal that will be listen at the Control Room The options are PGM to listen t...

Page 23: ...ide the Studio by the left channel The right channel stays with the on air signal so that speakers and journalists do not lose the on air reference At the same time talk back mi crophone will be liste...

Page 24: ...hannels have gain adjustment that must be settled to obtain 0VU with the fader working above the OVL zone the gray zone between 10 20 dB to avoid excessive amplification on preamps NOTE please see 2 2...

Page 25: ...e the channel 5 assigned to PGM with a musical program Now start the recording on the PC To enable a MIC remember to press the button Master MIC ON The recording level is visualized on the REC VUmeter...

Page 26: ...Page 26 DX816 DX822 Broadcast mixing consoles SOLIDYNE...

Page 27: ...uxiliary input is as follows UNBALANCED INPUT AUX PIN RJ45 CABLE COLOURS 1 Left channel 2 NC 3 Right channel 4 GND 5 Reserved 6 NC 7 15 option 8 15 option Orange White Orange Green White Blue Blue Whi...

Page 28: ...ive Maintenance The DX816 822 console is manufactured using hi tech integrated circuits and heavy duty electronic components that guarantee an excellent reliability and allows eliminating the routines...

Page 29: ...10 ms Ratio 2 dB variation for a increase of 15dB of the mic signal 20 dB max compression NOISE MIC in EIN 120 dBu 150 ohms LINE in S N 75 dBA DYNAMIC RANGE From Linea to PGM 90 dBA CROSSTALK PGM REC...

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