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SOLIDYNE

 

AUDIMAX 362 

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2.2.2  Blocks Diagram 

 

 

1.2   Processing Stages 

Stage 1 – Peak Asymmetry Canceller 

It  is  known  that,  by  a  particularity  disposition  of 
the vocal cords, the sonorous emission that these 
generate  are  asymmetric  triangular  pulses.    The 
three cavities that filter and shape these formants, 
to  obtain  the  vocal  sounds,  do  not  modify  this 
intrinsic characteristic of the human voice. All the 
spoken word and still sung is strongly asymmetric. 

This creates an important reduction of the energy 
of  the  audio  signal,  particularly  when  it  pass 
through  a  compressor,  because  the  compressor 
sets  its  compression  level  for  the  greater  peak, 
does not concern its polarity.  In this way, when a 
polarity  is  fit  to  the  100%,  the  opposite  polarity 
hardly  surpasses  50%,  due  to  the  asymmetry.  
The  fact  that  the  music  sounds  louder  than  the 
human  voice,  after  pass  through  a  compressor  is 
a  phenomenon  well  known.    This  is  because  the 
musical  sounds  are  symmetrical,  whereas  the 
human voice is not. 

In  order  to  correct  this  problem,  WITHOUT 
INTRODUCING  ANY  ALTERATION  AT  THE 
SOUND  QUALITY,  peak  asymmetry  canceller  is 
used. 

This  technique,  based  in  a  discovery  of  the  Dr 
Leonard  Kahn,  acquires  international  validity  with 

the  work  of  Oscar  Bonello,  published  at  the 
Journal  of  AES,  Vol.24,5  in  which  it  is  described, 
for the first time, the theory of its operation. 

The  peak  asymmetry  canceller  is  in  essence  an 
all-pass  network,  a  class  of  not  minimum  phase 
network.    That  is:  a  network  whose  transference 
function  has  zeros  in  the  right  semi  plane.  This 
network has a full flat response to frequency; only 
its  phase  response  is  function  of  the  frequency. 
This  phase  rotation,  which  must  compliment  very 
particular  conditions,  is  responsible  of  the  peak 
symmetry  of  the  audio  signals.  Signals  that  by 
their  nature  are  symmetrical  (like  most  of  the 
musical  instruments),  are  not  modified  by  this 
processor.  

This  processor,  by  itself,  allows  to  increase 
between  3  and 5 dB the final power broadcast by 
your  transmitter  (it  is to say that it increases by a 
factor  of  TWO  the  average  power  transmitted). 
Numerous  tests  have  been  made  in  different 
countries,  to  verify,  in  real  conditions,  these 
results. 

 

Stage 2 – Input Expander 

The  expander,  previous  to  the  compression 
process,  is  an  excellent  resource  to  increase  the 
signal/noise  ratio  of  the  original  program.  This  is 
advisable,  since  the  compression  process,  when 

Summary of Contents for AUDIMAX 362

Page 1: ...3 bands audio processor for FM Users manual 3 de Febrero 3254 1429 Buenos Aires Argentina Tel 54 11 4702 0090 e mail info solidynepro com Fax 54 11 4702 2375 Web www SolidynePRO com Last revision 2001...

Page 2: ...P g 2 AUDIMAX 362 SOLIDYNE...

Page 3: ...Introduction 8 2 2 2 Blocks Diagram 9 1 2 Processing Stages 9 Stage 1 Peak Asymmetry Canceller 9 Stage 2 Input Expander 9 Stage 3 Level Input Control 10 Stage 4 Multiband Compressors 10 Stage 7 Stereo...

Page 4: ...P g 4 AUDIMAX 362 SOLIDYNE...

Page 5: ...ded twisted pair audio cables of good quality for audio connections microphone type Input and output connectors are XLR type as is standard female for the inputs and male for the outputs Connect as th...

Page 6: ...f electromagnetic type They handle line levels of the order of 10dBv 0 36 Volts The connectors typically used on this kind of units are RCA o male plugs TRS 2 7 3 Unbalanced output to balanced input I...

Page 7: ...duced internationally see mentioned article AES Today Orban Omnia Aphex etc use our ideas The concept of psychoacoustic processing is simple in essence although of complex accomplishment It consists o...

Page 8: ...x 362 has a great advantage it does not have critical adjustments This means that in any position of his controls always it sounds well The adjustment can be made then by inexpert people Simply taking...

Page 9: ...ry canceller is used This technique based in a discovery of the Dr Leonard Kahn acquires international validity with the work of Oscar Bonello published at the Journal of AES Vol 24 5 in which it is d...

Page 10: ...ble sensation produced by the level variations of an audio signal is related to the changes happened in the first 50 milliseconds and is little dependent of the reached final value This implies that a...

Page 11: ...ore a frequency band is emphasized grater is the action of the audio compressor previous to the transmitter for that band Equalize a band implies to unbalance the entire audio spectrum It doesn t happ...

Page 12: ...hat normally is wasted Audimax 362 processor uses a MPX Processing technology named Super Modulation This processing consists on a system that controls the peaks operating at 608 Khz eliminating the p...

Page 13: ...ll adjust automatically The automated input level control eliminates variations of level due to badly use of the air console on the part of the DJ s or inexperienced operators That is to say if the le...

Page 14: ...ing you will obtain a very hard sound on the air with high energy but too compressed smaller dynamic range and with less definition more clipping Normally an suitable level is obtained when the indica...

Page 15: ...WLEDGE OF THE MATRIX STEREO THEORY OR DON T HAVE THE APPROPRIATE MEASUREMENT SET DO NOT INTEND TO CALIBRATE THE STEREO CODER 4 1 Test points diagram components side 4 2 Verify Pilot Level a Connect to...

Page 16: ...th trigger level the center of the wave in order to have it centered at screen Adjust vertical sensitivity to 50 mV Div You must get a signal like FIG 2 If not you must do a slight change in the frequ...

Page 17: ...floor at 0 01 in order to measure the real distortion of 362 stereo coder is recommended to use a procedure not based on modulation monitors Proceed this way a Connect to ground Test Point TP1 in ord...

Page 18: ...SOLIDYNE AUDIMAX 362 P g 18...

Page 19: ...ompressors 3 bands 18 dB octave Linear Phase crossover Compressors 30 dB full range 5 1 slope Automatic attack time Release controlled by Energy panel controls IM Cancelled Clipper IM attenuation 30 d...

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