Snell Illusion A Owner'S Manual Download Page 6

6

I L L U S I O N   A 7   F E A T U R E S

1

The geometrically complex form of the A7 enclosure 

provides nearly ideal acoustical behavior, with non-

parallel plane surfaces, precisely calculable volume, 

and peerless strength, rigidity, and freedom from 

unwanted vibration and resonance. The overall cabinet 

is a vented system (woofers) via twin rear-facing ports.

2

The smoothly elliptical radius of the I

LLUSION

 A7 baffl e 

(front surface) reduces re-radiation or “edge-diffraction” 

for cleaner and smoother response at midrange and 

high frequencies, especially off-axis. Snell pioneered this 

technique in the original Type A system 30 years ago.

3

The A7’s true D’Appolito array is one of a very few 

such that is genuinely entitled to the name. This 

extensively computer-modeled, highly engineered 

construct yields a nearly perfectly coherent forward-

radiating wavefront, with a combination of precisely, 

moderately controlled vertical directivity and broad, 

smooth horizontal dispersion that approaches the ideal 

for a two-channel reproducer.

4

The A7 midrange is a proprietary driver developed 

specifi cally for the I

LLUSION

 design. A unique cast-

magnesium cone, machined to a thickness-contour 

designed to optimize stiffness and minimize mass, is 

surface-treated for strength. This singular diaphragm is 

combined with a natural-rubber surround to elimi-

nate edge resonance, and the proprietary Hexadym™ 

magnet that anchors an enormously powerful “motor” 

with vast dynamic linearity and power handling. (The 

unusually open Hexadym structure further provides 

free air movement behind the cone, eliminating cavity 

resonances and turbulence.) Its special injection-mold-

ed alloy basket is strong, rigid, and provides the un-

restricted airfl ow the A7’s transmission-line midrange 

sub-enclosures require.

5

The soft-dome tweeter designed for the A7 develops 

smooth, resonance-free response to nearly 40 kHz, as 

well as powerful and accurate output to unusually low 

frequencies. This facilitates an atypically low midrange/

high crossover point, critical to the A7 D’Appolito array’s 

ideal combination of amplitude and directional smooth-

ness. A scaled-down Hexadym magnet (similar to the 

midrange’s) is highly effi cient, with an acoustically open 

structure that frees the tweeter sub-enclosure to negate 

backwave and internal-resonance factors.

6

Each A7 midrange operates in an individual, vibration-

isolated, transmission-line-terminated sub-enclosure. 

This effectively absorbs the transducer’s rearward-radi-

ating energy or “backwave,” eliminating its unwanted 

cancellations and nonlinearities from infl uencing 

midrange motion, or from contributing to port output. 

7

The proprietary A7 woofer’s aluminum-magnesium 

alloy diaphragm is cast, machined, and surface-treated 

similarly to the midrange’s. Matchless stiffness-to-

mass, a two-inch, high-temperature voicecoil, an 

oversized T-shaped polepiece with heavy copper “sand-

wich” rings and phase-plug are but three of the many 

factors that underpin this driver’s enormous dynamic 

range, power handling, and linearity. Specialized 12

Ω

 

windings match the A7 woofer-pair ideally to the mid-

range/tweeter array, for absolute bass precision and 

perfect low-to-mid transitioning. The driver’s extraor-

dinarily stiff, injection-molded alloy basket combines 

superb structural stability with huge “windows” for 

air movement, making it acoustically invisible at low 

frequencies and so reducing refl ections, cavity reso-

nances, and turbulence-noise to insignifi cance.

8

Removable grille brackets accommodate the cloth 

covered grille. This frameless design reduces high-fre-

quency diffraction refl ections. The custom-perforated 

pattern is calculated for acoustic transparency. The 

grilles are iso-mounted to decouple induced vibrations 

from the A7. 

Summary of Contents for Illusion A

Page 1: ...Owner s Manual ILLUSION LLUSION A7...

Page 2: ...N A7 4 ILLUSION A7 Features 6 Connecting the ILLUSION A7 8 Choosing Cable 8 Basic Connections 8 Bi wiring and Tri wiring 9 Biamplifying and Triamplifying 9 Speaker Placement 12 Stereo Image 13 Listeni...

Page 3: ...ous some less so That said like any loudspeaker the A7 is merely a lens through which to view aurally speaking the music It is however an exceedingly transparent and faithful lens one that will reveal...

Page 4: ...et in Hexadym configuration cast aluminum enclosure Midranges Two 5 25 135mm solid Magnesium Cones Neo Magnet in Hexadym configuration Woofers Two 10 250mm Magnesium Cones Wiring Bi wirable tri wirabl...

Page 5: ...med D Appolito status without any particular technical or legal legitimacy A true D Appolito array is a far more sophisticated entity whose transducer parameters and dimensions geometric relationships...

Page 6: ...5 The soft dome tweeter designed for the A7 develops smooth resonance free response to nearly 40 kHz as well as powerful and accurate output to unusually low frequencies This facilitates an atypicall...

Page 7: ...ructed on a discrete cir cuit board so that no induced or capacitive reflections can co influence circuit actions The best components are used throughout including custom fabricated air core inductors...

Page 8: ...al decision based on associated equipment system layout and personal preference but lowest possible resistance per meter and minimal inductance and capaci tance can be considered universally desirable...

Page 9: ...able resource in choosing a wiring plan and selecting appropriate cabling Bi and Triamplifying In an extension of bi or tri wiring you may wish to con sider multi amplifying the ILLUSION A7s Multi amp...

Page 10: ...e cable from the Woofer terminals to the low frequency amplifier i e the amplifier selected to drive the A7 woofers 3 Connect a cable from the Midrange or Tweeter termi nals to the midrange high frequ...

Page 11: ...r selected to drive the A7 tweeters woofer amplifier mid amplifier high amplifier NOTE You may consider deploying multi amp components horizontally or vertically That is to say in a horizontal setup a...

Page 12: ...approach the final placement of the A7s before installing the spikes as the loudspeakers are difficult to move with spikes in place The choice of spikes or glides is up to the individual In most cases...

Page 13: ...nward toward the lis tening position is a matter of room acoustics and individ ual preference Generally toe in adjustment is best left to the last stage of placement fine tuning In typical rooms as to...

Page 14: ...tion for your ILLUSION A7s that is adequate to the needs of your room your listening habits and your musical tastes with a generous margin of headroom Much as we would like to be more specific with tr...

Page 15: ...time A light diffusing window treatment is usually all that is required to mitigate this very slight risk Do not permit the loudspeakers to become wet Pro longed dampness or standing water will destr...

Page 16: ...3717 phone 978 538 6262 fax 978 538 6266 email info snellacoustics com web www snellacoustics com 2007 Snell Acoustics All Rights Reserved Specifications are subject to change without notice Covered...

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