Snell Illusion A Owner'S Manual Download Page 12

12

S P E A K E R   P L A C E M E N T

Speaker placement is a key factor in any listening room 

setup. Finding the optimum locations for your I

LLUSION

 A7s 

is just as important as selecting power amplifi er or source 

components—indeed, potentially more so. However, every 

listening room and arrangement is different, so without 

being on the scene we at Snell Acoustics can only advise 

you as to general principles; there are few “rules.” Your 

Snell Acoustics installer/specialist will be happy to help you 

evaluate your room and setup options, and can bring con-

siderable practical experience to bear upon the challenge.

NOTE:

 The I

LLUSION

 A7s are large, very heavy loudspeak-

ers. We strongly urge you wait until at least one assistant 

is available to help you in moving and positioning your 

speakers. We know from experience that when working 

alone it is far too easy to injure yourself, your speakers, 

or both. A “two-wheeler” hand-cart, suitably padded with 

carpeting or similar material, is of incalculable value when 

positioning the A7s.

The I

LLUSION

 A7s’ cast-alloy feet are integral to the loud-

speakers. Their extremities are threaded to accept the sup-

plied carpet-spikes or glides, four to each speaker. In most 

cases, it is best practice to approach the fi nal placement of 

the A7s before installing the spikes, as the loudspeakers are 

diffi cult to move with spikes in place. The choice of spikes 

or glides is up to the individual. In most cases, for both 

physical stability and acoustic performance, spikes will be 

preferred on carpeted or other soft surfaces while the glides 

will better serve wood fl oors.

As a general rule, any loudspeaker with low-frequency 

capability will produce more audible bass output as its 

location approaches the junction of two room surfaces, i.e., 

fl oor and wall; as the location approaches the junction of 

three surfaces (a corner), bass output increases exponen-

tially.

Unfortunately, these increases are not smooth and linear. In 

fact, since they are ruled by the standing-wave “modes” of 

a particular room they are almost invariably just the oppo-

site, lumpy and severe. Consequently, the fi rst (and virtually 

the only) “rule” of placement: avoid corners.

Similarly, the A7s will almost always perform best when 

located well away from the wall behind them. Though this 

distance is impossible to specify, the optimum location will 

usually be found somewhere between one and three meters 

from wall to speaker-baffl e, occasionally even approach-

ing half the distance from wall to listening position. Try to 

place the A7s at least one meter or more away from any 

large items of furniture, room-dividers or screens, or other 

large refl ective surfaces.

Summary of Contents for Illusion A

Page 1: ...Owner s Manual ILLUSION LLUSION A7...

Page 2: ...N A7 4 ILLUSION A7 Features 6 Connecting the ILLUSION A7 8 Choosing Cable 8 Basic Connections 8 Bi wiring and Tri wiring 9 Biamplifying and Triamplifying 9 Speaker Placement 12 Stereo Image 13 Listeni...

Page 3: ...ous some less so That said like any loudspeaker the A7 is merely a lens through which to view aurally speaking the music It is however an exceedingly transparent and faithful lens one that will reveal...

Page 4: ...et in Hexadym configuration cast aluminum enclosure Midranges Two 5 25 135mm solid Magnesium Cones Neo Magnet in Hexadym configuration Woofers Two 10 250mm Magnesium Cones Wiring Bi wirable tri wirabl...

Page 5: ...med D Appolito status without any particular technical or legal legitimacy A true D Appolito array is a far more sophisticated entity whose transducer parameters and dimensions geometric relationships...

Page 6: ...5 The soft dome tweeter designed for the A7 develops smooth resonance free response to nearly 40 kHz as well as powerful and accurate output to unusually low frequencies This facilitates an atypicall...

Page 7: ...ructed on a discrete cir cuit board so that no induced or capacitive reflections can co influence circuit actions The best components are used throughout including custom fabricated air core inductors...

Page 8: ...al decision based on associated equipment system layout and personal preference but lowest possible resistance per meter and minimal inductance and capaci tance can be considered universally desirable...

Page 9: ...able resource in choosing a wiring plan and selecting appropriate cabling Bi and Triamplifying In an extension of bi or tri wiring you may wish to con sider multi amplifying the ILLUSION A7s Multi amp...

Page 10: ...e cable from the Woofer terminals to the low frequency amplifier i e the amplifier selected to drive the A7 woofers 3 Connect a cable from the Midrange or Tweeter termi nals to the midrange high frequ...

Page 11: ...r selected to drive the A7 tweeters woofer amplifier mid amplifier high amplifier NOTE You may consider deploying multi amp components horizontally or vertically That is to say in a horizontal setup a...

Page 12: ...approach the final placement of the A7s before installing the spikes as the loudspeakers are difficult to move with spikes in place The choice of spikes or glides is up to the individual In most cases...

Page 13: ...nward toward the lis tening position is a matter of room acoustics and individ ual preference Generally toe in adjustment is best left to the last stage of placement fine tuning In typical rooms as to...

Page 14: ...tion for your ILLUSION A7s that is adequate to the needs of your room your listening habits and your musical tastes with a generous margin of headroom Much as we would like to be more specific with tr...

Page 15: ...time A light diffusing window treatment is usually all that is required to mitigate this very slight risk Do not permit the loudspeakers to become wet Pro longed dampness or standing water will destr...

Page 16: ...3717 phone 978 538 6262 fax 978 538 6266 email info snellacoustics com web www snellacoustics com 2007 Snell Acoustics All Rights Reserved Specifications are subject to change without notice Covered...

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