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DOUBLE CHECK your work to see that the solar cell leads
arrive at the proper terminals. A reversal of leads will cause
very strange results. You may hear the center channel infor-
mation through the surround speakers, the surround through
the stage, and the left channel out of phase with the right.
This is a common error, so verify correct wiring before pro-
ceeding.

AUTOMATION TERMINALS:
A momentary ground contact to one of the format terminals
on the automation inputs of the MOD V will switch the
processor to any desired format, including music. When the
MOD V is in music mode and any one of the film formats
are pulsed, the film sound will appear at the main outputs,
and the music will slowly fade out. While the processor is in
one of the film formats and the music terminal is pulsed, the
MOD V will fade from the film mode to music.

OUTPUTS:
The 8 channel outputs are labeled LEFT, LEFT EXTRA,
CENTER, RIGHT, RIGHT EXTRA LEFT SURROUND,
RIGHT SURROUND, SUB+ and SUB-. Shielded cable
should be run between these terminals and the next piece of
equipment in the sound system (equalizer, amplifier, etc.).
Convenient GROUND terminals are provided near the out-
puts. A balanced subwoofer output is available on the MOD
V. The balanced output provides an easy means to mono
bridge the sub amplifier.

CHANGEOVER WIRING OF DUAL PROJECTOR PRE-
AMPS:
Changeover between projectors is done electronically in the
MOD V. This necessitates that BOTH exciter lamps be lit at
the same time. No exciter light changeover is provided in
the unit. An exciter light changeover has at least 3 dB more
circuit noise than an electronic changeover and is NOT rec-
ommended in high quality systems. 

Projector changeover is accomplished by using only a single
pair of wires and either a manual switch or relay contacts in
the automation system. A relay closure in the automation
equipment will execute a changeover by grounding the
CHANGEOVER terminal. Run a pair of twisted unshielded
wires to the “dry” contacts of the automation projector
changeover relay. Connect one wire from the other end of
the pair to the CHANGEOVER terminal of the MOD V
only. Ground the other wire of the pair to the nearest ground
terminal on the MOD V. When the automation relay closes,

projector TWO of the MOD V will be “enabled,” and the
first pair of stereo preamplifiers (PROJ 1) will be “dis-
abled.” Releasing the relay will cause the reverse action to
occur. In other words, PROJ 1 is always ON until the
CHANGEOVER terminal is grounded. The
CHANGEOVER terminal must be held low to activate
PROJ 2. It is not a pulse input.

DIGITAL INPUTS:
The MOD V system has 8 inputs on the rear barrier strip
labeled for each channel of a digital decoder. There is also a
DB25 input connector that can be used for digital inputs
(see the REAR CHASSIS DB25 SECTION for specific
pinout designation). The Digital inputs accept any high
level multi-channel source and route the signals through the
MOD V, which includes the Master Fader and EQs.

Another application of the Digital Input terminals is for
external sync sources. Sound-Interlock from a 35mm repro-
ducer or a single 16mm projector may be fed into the
Digital inputs and selected with the front panel DIGITAL
program switch on the MOD V front panel.

MUSIC INPUT:
The non-sync music inputs for the MOD V feature a special
music matrix decoder that separates in-phase and out-of-
phase signals on a standard two channel recording (CD
player or tape) and creates four channels of auditorium
music. Connect your stereo music source to the LEFT and
RIGHT MUSIC inputs on the MOD V.

Occasionally, a theatre may use a monaural sound player
such as a background music cartridge player that does not
have stereo capabilities. A jumper on the OUTPUT CARD
in the MOD V is moved to the MONO position for this use.
The music source should then be connected to both LEFT
and RIGHT MUSIC inputs. Music will appear on all stage
channel and surround speakers when mono material is feed-
ing the sound system.

REAR CHASSIS DB25 CONNECTORS:
The computer type DB25 connectors on the back of the
processor are for special inputs and outputs. On the far left
(as you view the rear of the chassis) there is a DB25 con-
nector that provides monitor outputs of all channels for a
THX booth monitor/crossover package. Output pinout of
the DB25 connector is compatible with a THX monitor.
You may use a shielded SERIAL computer cable to make

Summary of Contents for MOD V

Page 1: ...resulting from accident misuse or abuse lack of responsible care or failures not attributable to manufacturing defects except as provided herein SMART Devices Inc makes no warranties express or implie...

Page 2: ...ls Left Center Right Left Surround and Right Surround UPDATING FOR THE FUTURE Since the MOD V processor is totally modular any new cir cuit developments or additional options may be added easi ly This...

Page 3: ...the C version or later of the circuit board is the MAGNETIC NR switch which is used to select Type A or Type SR noise reduction for MAG prints This switch is normally set to MAG A Test points 1 3 loc...

Page 4: ...evel from the stereo solar cells Electronic changeover circuitry between stereo pairs is built on the card to allow use in dual projector booths If the MOD V is installed in a single projector booth l...

Page 5: ...Right Surround Channels Circuitry and operation is similar to the stage channel EQs except that it uses one octave EQs and there is no gain adjustment pot The top eight trimpots are for Left Surround...

Page 6: ...ge synthesizer channels should be adjusted ONLY after the main stereo optical channels have been correctly adjusted The synthesizer levels should be set to be the same as other stereo channels so that...

Page 7: ...rear to the MOD V processor Dress the wires for appearance and craftsman ship The wiring harness has a connector that plugs into the back of the MOD V Make sure to observe polarity As you are looking...

Page 8: ...nal of the MOD V only Ground the other wire of the pair to the nearest ground terminal on the MOD V When the automation relay closes projector TWO of the MOD V will be enabled and the first pair of st...

Page 9: ...place The factory default set ting of Stereo A should be adequate for most theatres However if a Stereo SR default is desired then all plug in cards must be removed along with the internal tray in or...

Page 10: ...GI TAL inputs on the rear of the MOD V for the following checks Set the pink noise source level for 55 volts RMS You must use an analog meter to measure this voltage level Special Note The factory set...

Page 11: ...in phase and flip the Digital Time Delay Surround Generator Card switch to the TEST position Turn the surround amp off Now adjust the Left Center and Right generator levels on the Front Stereo Generat...

Page 12: ...while maintaining the best azimuth This is not easy but it is one of the most critical adjustments affecting the overall system performance and is often not done as well as it should be 5 Adjust the...

Page 13: ...en turning off the sys tem MUSIC SELECTION It is likely that the sound system will be turned on before the arrival of the first audience of the day The MOD V powers up in Music mode If the music playe...

Page 14: ...ur service meter and see a minimum DC offset If the opamp is showing a few volts at the output pin it is like ly that a bad capacitor or resistor is causing an input bias that forces the output of the...

Page 15: ...l This will prevent them from breaking loose from vibration in the future REPLACEMENT PARTS If you have difficulty finding parts for this or any other SMART product The SMART Technical Support Departm...

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