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10

Single Transmitter and Multiple Receivers

The following sync procedure should be used with a setup that consists of 

a single transmitter with multiple receivers, or if a specific group/channel 

setting has been assigned to the transmitter prior to a performance.

power

group

(A-Y)

channel

(0-9)

sync

PSM300 Transmitter P3T

Sync from transmitter to receivers:

1.  Sync the first receiver to the transmitter using the sync proce-

dure for a single receiver. Performing a scan and using the re-

sulting group and channel from the receiver is recommended. 

2.  Set additional receivers to the transmitter fre-

quency (one at a time) using IR sync: 

 - Align the IR windows on the receiver and transmitter and press 

SYNC

 - The receiver LED should not be flashing when pressing 

SYNC

.

Note: 

Receivers can also be manually tuned to the transmitter if an IR sync is not 

practical.

Multiple Transmitters and Multiple Receivers

1.  Set up the first transmitter and all associated receivers according to 

the appropriate sync procedure. Keep the transmitter and all receivers 

from this first system powered on when setting up additional systems.

2.  Set up each additional system using the appropriate sync process. 

Always leave each new system on before setting up an additional one.

Manual Selection

If frequencies have been planned ahead of time, the group and channel 

can be set manually without performing a scan. Refer to the frequency 

table at the end of this user guide to identify frequencies for each group/

channel setting. 
To select group/channel settings on the receiver and transmitter:
1.  Press 

GROUP

 to scroll through group settings.

2.  Press 

CHANNEL

 to scroll through channel set-

tings within the selected group.

Adjusting Gain and Listening Volume

For the best audio quality, start by adjusting the levels from the mixer or 

audio source, and then adjust levels through the PSM300 system. This 

approach corresponds to the way that the audio signal flows through the 

system, and maximizes the signal-to-noise ratio. 

Before you begin:

 verify all signal routing and gain settings at the mixer 

or source prior to adjusting any levels from the PSM300 system. If the 

sound is distorted or faint when it enters the P3T transmitter, there is likely 

an issue elsewhere in the signal chain that needs to be resolved.

① Adjust Transmitter Levels:

Input Sensitivity

Select the setting that matches the input source:

Line (+4 dBu)

Use with mixers or other professional audio de-

vices that send line-level signals.

Aux (-10 dBV)

Use when connecting consumer audio devices 

such as portable audio players or computers.

Note: 

When using consumer audio devices, the output volume of the device 

should typically be adjusted as close to the maximum setting as possible without 

distorting or clipping at the output of the device. This maximizes the signal-to-

noise ratio.

MONO/STEREO-MX

LINE/AUX

TRS IN

Input Level

Adjust the level so that average levels on the audio meter reach 

approximately 75% of the full range. The highest levels should 

occasionally hit the 

0dB

 indicator on the audio input meter, without 

reaching the 

OL

 (overload) indicator.

Tip:

 If a sound check before the performance is possible, everyone should 

play at the loudest anticipated volume so that attenuation is not required 

during the performance.

power

group

(A-Y)

channel

(0-9)

sync

PSM300 Transmitter P3T

L

R

OL
OL

sync

Tx Rx

stereo/mx mono aux line

0dB

group

channel

tv

② Adjust Receiver Volume:

After levels are established at the mixer and transmitter, use the head-

phone volume control on the bodypack receiver to adjust overall listening 

volume. For information on adjusting the left/right balance or customizing 

the mix blend, see "MixMode and Stereo Monitoring". 

Summary of Contents for PSM 300

Page 1: ...18 Rev 1 Printed in China STEREO WIRELESS PERSONAL MONITORING SYSTEM USER GUIDE Le Guide de l Utilisateur Guia del Usuario Manual do Usuário Guida dell Utente Bedienungsanleitung Руководство пользователя Gebruikershandleiding PSM 300 ...

Page 2: ......

Page 3: ...be connected to a MAINS socket outlet with a protective earthing connection 19 To reduce the risk of fire or electric shock do not ex pose this apparatus to rain or moisture 20 Do not attempt to modify this product Doing so could re sult in personal injury and or product failure 21 Operate this product within its specified operating temperature range WARNING This product contains a chemical known ...

Page 4: ...st simple volume and mix controls that focus on the performance All metal half rack transmitter Slim lightweight bodypack attaches easily to a belt or guitar strap Included Components power group channel sync PSM300 Transmitter P3T 1 F 1 9 input P3T Transmitter P3R or P3RA Bodypack Receiver Wave Antenna SE112 or SE215 Earphones Rackmount Hardware Kit Carrying Bag PS24 Power Supply 2 AA Batteries N...

Page 5: ...plied wave antenna directional antenna or a Shure P3AC antenna combiner Note For JB band models the antenna is permanently fixed to the trans mitter Removing the antenna on JB band models is prohibited by law in Japan and attempting to do so may cause damage to the transmitter P3T Transmitter Display L R OL OL sync Tx Rx stereo mx mono aux line 0dB group channel tv ௗ Audio Input Meter Indicates th...

Page 6: ...level RF LED Indicator blue Illuminates when tuned to an active transmitter group and channel Headphone Output Connects to earphones or headphones MixMode Control Knob When operating in MixMode this knob blends channels 1 and 2 into a single mix When operating in stereo mode this knob adjusts the left right balance Battery Compartment Holds 2 x AA batteries P3RA Receiver For more demanding applica...

Page 7: ...ply tune each bodypack to the same frequency as the transmitter and use the MixMode knob to adjust the mix MixMode or Stereo Operation Each performer has the option of setting their bodypack to MixMode or Stereo when the transmitter is set to Stereo MX When the bodypack is powered on it is set to stereo by default To operate in MixMode hold the GROUP button when turning the power on For informatio...

Page 8: ...amplifier Active amplified speakers can be connected directly to the P3T outputs Using the PSM300 Combined with Other Wireless Monitoring Systems In a scenario where two performers have their own wireless monitoring systems one Shure PSM300 system and one third party system for ex ample the PSM300 can pass the signal from the mixer on to the second monitoring system MONO STEREO MX LINE AUX LEFT CH...

Page 9: ...er group channel sync PSM300 Transmitter P3T 1 F 1 9 input Power Off Group Channel Scan Creating a Wireless Connection Between Receivers and Transmitters Sync To pass audio from the transmitter to the receiver both must be tuned to the same frequency The easiest way to configure the system is to use the automatic sync feature This transfers group and channel settings with a press of a button Based...

Page 10: ...st audio quality start by adjusting the levels from the mixer or audio source and then adjust levels through the PSM300 system This approach corresponds to the way that the audio signal flows through the system and maximizes the signal to noise ratio Before you begin verify all signal routing and gain settings at the mixer or source prior to adjusting any levels from the PSM300 system If the sound...

Page 11: ...n the bodypack adjusts the blend between the audio from channel 1 and channel 2 AUX MON 1 AUX MON 2 EQ GAIN PAN Aux Mon 1 Out Aux Mon 2 Out STEREO MX MONO AUX LINE LEFT CH 1 IN RIGHT CH 2 IN L LOOP OUT R ANTENNA DC INPUT MixMode and Stereo Monitoring The receiver can operate in stereo or MixMode when the transmitter is set to STEREO MX In applications that involve multiple bodypack receivers tuned...

Page 12: ...it into three separate sections tip ring sleeve An unbalanced cable only has a single plastic ring that divides the metal portion into two sections tip sleeve Check that all cables are plugged all the way into the mixer and the P3T inputs Sometimes if a cable is not fully insert ed the signal will be faint and distorted Make sure you are using the line level outputs from the mixer If you have a po...

Page 13: ...x 21 mm H x W x D Battery Life 5 7 hours continuous use AA batteries Frequency Range and Transmitter Output Power Band Range Output Power G20 488 to 512 MHz 30 mW H8E 518 to 542 MHz 10 mW H20 518 to 542 MHz 30 mW J10 584 to 608 MHz 30 mW J13 566 to 590 MHz 30 mW JB 806 to 810 MHz 10 mW K3E 606 to 630 MHz 30 mW K12 614 to 638 MHz 30 mW L18 630 to 654 MHz 10 mW L19 630 to 654 MHz 30 mW M16 686 to 71...

Page 14: ...nt Licensing of Shure wireless microphone equipment is the user s responsibility and licens ability depends on the user s classification and application and on the selected frequency Shure strongly urges the user to contact the appropri ate telecommunications authority concerning proper licensing and before choosing and ordering frequencies Information to the user This equipment has been tested an...

Page 15: ...ans fil HINWEIS Diese Funkausrüstung ist zum Gebrauch bei professionellen Musikveranstaltungen und ähnlichen Anwendungen vorgesehen Dieses Gerät kann mögli cherweise auf einigen Funkfrequenzen arbeiten die in Ihrem Gebiet nicht zugelassen sind Wenden Sie sich bitte an die zuständige Behörde um Informationen über zugelassene Frequenzen und erlaubte Sendeleistungen für drahtlose Mikrofonprodukte zu ...

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