Based on the inter pulse distance “Lenght minus pulses”
this algorithm gives interesting non euclidean patterns while
keeping a certain symmetry.
What if the Fibonnacci suite is applied to rhythms and used
in a quantised timing context ? Musically speaking the algorithm
leads to quite assymetrical patterns concentrating the pulses at
the end of the sequence.
This algorithm simply fills the pattern steps after steps
starting from the beginning.
Same principle is applied, leading to patterns concentrating
the hits at the beginning of the sequence.
Length minus pulses
Accelerando
Deccelerando
Fill next
Out 2
[6]
generates patterns based on Out 1
[4]
but modified
by an algorithm determined by the selected Mode & Sub mode.
To navigate through Modes press the Mode
[F]
& +/- Shift
buttons
[H]
. The Mode LEDs
[C]
show the current mode.
Each mode contains several Sub modes, to navigate through
them, press the Mode button
[F]
. The Sub mode LEDs
[E]
show the current Sub mode.
Modes & Sub modes
