5. ADSR style envelopes: use channel 2 in trigger mode and
channel 3 in gate mode, then send the same gate signal in both
inputs. Set channel 3 amplitude to a lower level than channel 2.
Channel 2 settings will define the attack and decay, set channel 3
symmetry in order to have a longer attack time than channel 2.
Channel 3 decay defines the release time of the envelope. Do not
insert anything on channel 2 output, channel 3 output will deliver
the maximum amplitude of both envelopes providing an ADSR like
envelope.
6. Ratcheting envelope: set channel 1 in trigger mode and channel
2 in gated loop mode with a shorter time parameter. Send a trigger
into the first input, with nothing inserted into the second input and
listen to the second output. While the first channel is decaying the
second one will repeat its envelope. Controlling channel 2 amplitude
with channel 1 envelope leads to interesting results too!
.
7. Triple peak envelope: set channel 1 symmetry fully counterclo-
ckwise and time to 11 o'clock, channel 2 symmetry at noon and
time at noon, and channel 3 symmetry at 2 o'clock and time at 2
o'clock. With every channel in trigger mode, send a trigger into the
first input while using the third output. Result is an original
modulation source shaped as a multi peak envelope. Setting
different levels on each channel will also give more dynamic and
original results.
8. Pseudo random LFOs: Set the two first channels in loop mode
and insert a patch cable into the channel 2 input to break the
normalization. Send channel 1 output into channel 2 time CV input
and channel 2 output into channel 1 time CV input while multing
the two outputs. Use both outputs as modulation sources.
Attenuating the signal sent to the time CV inputs will lead to more
subtle results.
