background image

5KIT Microphone Characteristics

8

Polar Pick-up Pattern

Every microphone has a characteristic polar pattern that determines how well it

accepts or rejects signal coming from various areas around the microphone. For

example, omnidirectional mics accept all signals regardless of wherever those

signals originate (in front of the mic, behind it, to the side, etc.). In contrast, direc-

tional cardioid mics are specifically designed to accept mostly signal coming from

directly in front, and to reject signal coming from behind or from the side. The

super cardioid pattern is utilized by the QKICK, QSNARE and QTOM (as shown

in the illustrations on the following page). The supper cardioid is a slight variation

of the standard cardioid pattern with a slightly tighter pick-up pattern, which helps

increase the side-to-side rejection giving better isolation from drum to drum. For

this reason, the QKICK, QSNARE and QTOM excel in environments where there

is a good deal of unwanted ambient sound (like a live sound stage)—they deliver

those signals originating directly in front of the mic capsule itself while rejecting

those that originate from behind.

In addition, the polar pattern also determines how prone a particular mic is to

inducing feedback. Feedback is that characteristic nasty howling sound that

occurs when a mic is placed too close to a loudspeaker—the signal from the

loudspeaker is fed into the mic, then into the loudspeaker, then into the mic, over

and over again until an oscillating tone is generated. Because the cardioid pat-

tern utilized by the QKICK, QSNARE and QTOM is so good at rejecting signal

not coming from directly in front of the mic, you’ll find that using these mics will

greatly minimize feedback problems.

Frequency Response

Each of the QKICK, QSNARE and QTOM microphones have been designed with

a custom frequency response which is ideally tailored for the specific drum it is

going to be place on. The response is created by the careful consideration of the

microphone element and the design of rear porting. You can see the individual

frequency response of each mic included in the 5KIT on the following page.

Summary of Contents for 5Kit

Page 1: ...F I V E P I E C E P E R C U S S I O N M I C R O P H O N E K I T P E R C U S S I O N M I C R O P H O N E S 5KIT...

Page 2: ...75 Underhill Blvd P O Box 9031 Syosset NY 11791 9031 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 516 364 3888 www samsontech com Table Of Contents Introduction 3 Features 4 Mounting the QSNARE and QTOM 5...

Page 3: ...sounds are easy to get with this powerful complement of percussion mics In addition to the great sound the QSNARE and QTOM feature an integral mounting clip that easily installs on any standard drum r...

Page 4: ...rim therefore eliminating the need for an additional mic stand Tight super cardioid polar patterns minimizes feedback problems and effective ly rejects unwanted signals from other drums in the kit Ca...

Page 5: ...ighten the upper thumbscrew in place Once the DMC100 clip is fixed in place and the height is set you can adjust the angle Note While adjusting the angle you will want to place the mic in a position t...

Page 6: ...by positioning the mics close to your drums however there are some basic principles and fundamentals that should be followed If not at least understood The 5KIT drum microphones have cardioid pick up...

Page 7: ...ut otherwise some of the sound will actu ally cancel Bass Drum The QKICK is perfectly happy positioned outside the bass drum for more of an ambient sound which is sometimes desired for recording or in...

Page 8: ...d ambient sound like a live sound stage they deliver those signals originating directly in front of the mic capsule itself while rejecting those that originate from behind In addition the polar patter...

Page 9: ...5KIT Microphone Characteristics 9 QKICK Frequency Chart QKICK Polar Pattern QSNARE Frequency Chart QSNARE Polar Pattern QTOM Frequency Chart QTOM Polar Pattern...

Page 10: ...mic preamp using a standard microphone cable As shown in the wiring diagrams below con nect the female XLR end directly to the microphone s gold plated connector and the other end normally a male XLR...

Page 11: ...NARE Specifications Type Dynamic Microphone Polar Pattern Super Cardioid Frequency Response 50 16000 Hz Sensitivity 55 dBV pa 0 78mv pa Rated Impedance 200 Max SPL 133 dB THD 0 5 1000 Hz Weight 150g w...

Page 12: ...Samson Technologies Corp 575 Underhill Blvd P O Box 9031 Syosset NY 11791 9031 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 516 364 3888 www samsontech com...

Reviews: