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ROYER R-101

Ribbon-Velocity Studio Microphone

The R-101 is a new breed of modern ribbon microphone designed 

for  today's  studio  and  live  environments,  exhibiting  a  flat 

frequency response and a well balanced, panoramic soundfield. 

Its ability to withstand 135dB SPL @ 30Hz makes it ideal for appli-

cations that were previously off limits to ribbon microphones.

The R-101 incorporates many advancements pioneered by Royer 

Labs, including multi-layered wind screening for superior protec-

tion  from  air  blasts  and  plosives.  The  screening  also  provides 

reduced proximity effect, allowing for closer miking with less bass 

buildup.  The  ribbon  element's  smooth  frequency  response  and 

phase  linearity,  coupled  with  sensitivity  levels  surpassing  those  of 

"classic" ribbon microphones, make this microphone ideal for digital recording.  

A perfect choice for electric guitars, brass instruments and drums, the R-101's 

figure-8 pattern also conveys superb ambience and depth when used for room 

miking applications.

The R-101 incorporates Royer's patented offset-ribbon technology and a low 

mass, 2.5-micron aluminum (99.9% pure) ribbon element. The motor assem-

bly's flux-frame and rare earth Neodymium magnets create a powerful magnetic 

field which increases sensitivity while reducing stray magnetic radiation. 

The R-101’s offset-ribbon design positions the ribbon element towards the front 

of the microphone body, which allows for higher SPL handling on the front (logo) 

side and the option of a brighter response when recording lower SPL sound 

sources on the back side (3 feet and closer; phase reversed in this position).

R-101 FEATURES

• High SPL capabilities for electric guitar and percussion

• Multi-layered wind screen provides superior protection to ribbon element

• No internal electronics to overload or produce distortion up to 

  maximum SPL rating

• Extremely low residual noise

• Ribbon element not affected by heat or humidity

• Absence of high-frequency peaks, "ringing" and phase shifts

• Equal sensitivity from front or back of element

RECOMMENDED APPLICATIONS

• Close miking

• Electric & acoustic guitars

• Drum overheads, kick drum (see manual for position), 

  room miking

• Percussion instruments

• Brass, horn sections

• Strings-solo & sections

• Acoustic piano

• Vocals

• Live events-recording and sound reinforcement

Actual size

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