Roland TM-6 PRO Data List Download Page 23

23

TRIGGER SETUP

Parameter

Value

Explanation

ADVNCD tab

Input Type

This is the same parameter as Input Type (p. 21) in the BANK.

Trig Type*1

This is the same parameter as Trig Type (p. 21) in the BANK.

Scan Time

0–4.0ms

Trigger signal detection time
Since the rise time of the trigger signal waveform may differ slightly 

depending on the characteristics of each drum trigger or acoustic drum 

trigger (drum pickup), you may notice that identical hits (velocity) may 

produce sound at different volumes. If this occurs, you can adjust the “Scan 

Time” so that your way of playing can be detected more precisely.
While repeatedly hitting the drum trigger at a constant force, gradually 

raise the Scan Time value from 0 msec, until the resulting volume stabilizes 

at the loudest level. At this setting, try both soft and loud strikes, and make sure that the volume changes 

appropriately.
*  As the value is set higher, the time it takes for the sound to be played increases. Set this to the lowest value 

possible.

Retrig Cancel

1–16

Detecting trigger signal attenuation
Important if you are using acoustic drum triggers. Such triggers can 

produce altered waveforms, which may also cause inadvertent sounding 

at Point A in the following figure (Retrigger).
This occurs in particular at the decaying edge of the waveform. Retrigger 

Cancel detects such distortion in and prevents retriggering from 

occurring.
While repeatedly striking the drum trigger, raise the “Retrig Cancel” value 

until retriggering no longer occurs.
Although setting this to a high value prevents retriggering, it then becomes easy for sounds to be omitted 

when the drums played fast (roll etc.). Set this to the lowest value possible while still ensuring that there is no 

retriggering.

MEMO

You can also eliminate this problem of retriggering with the Mask Time setting. Mask Time does not detect 

trigger signals if they occur within the specified amount of time after the previous trigger signal was 

received. Retrigger Cancel detects the attenuation of the trigger signal level, and triggers the sound after 

internally determining which trigger signals were actually generated when the head was struck, while 

weeding out the other false trigger signals that need not trigger a sound.

Mask Time

0–64ms

Double triggering prevention
When playing a kick trigger the beater can bounce back and hit the 

head a second time immediately after the intended note—with 

acoustic drums sometimes the beater stays against the head—this 

causes a single hit to “double trigger” (two sounds instead of one). 

The Mask Time setting helps to prevent this. Once a drum trigger 

has been hit, any additional trigger signals occurring within the 

specified “Mask Time” will be ignored.
Adjust the “Mask Time” value while playing the drum trigger. When 

using a kick trigger, try to let the beater bounce back and hit the 

head very quickly, then raise the “Mask Time” value until there are no more sounds made by the beater 

rebound.

MEMO

If two or more sounds are being produced when you strike the head just once, then adjust Retrig Cancel.

Rim Gain*2, *3

0–3.2

Adjusts the balance between the force of striking the rim or edge and the loudness of the sound.
If you increase this value, even soft strikes on the rim are sounded at high volume. If you decrease this value, 

even strong strikes on the rim are sounded at low volume.

Head/Rim Adj*2, *3

0–80

If the rim sound is heard when you strike the head strongly, increase this value. If the head sound is heard 

when you play an open rim shot, decrease this value. If the head sound is heard when you softly play a rim 

shot, decrease this value.

MEMO

If the rim shot sound is heard when you play a head shot, or if a head shot sound is heard when you play 

a rim shot, make small changes to the Head/Rim Adj values while you continue trying out the results. 

Extreme changes to the values will cause the wrong sound to be heard when you strike the drum trigger, 

for example producing the rim shot sound when you play a head shot.

ExtNoiseCancl*3, *4

OFF, 1–5

This setting lets you prevent a drum from being triggered unwantedly by a strike on a drum to which no 

drum trigger is attached, or by sound or vibration from the surroundings (noise cancellation).
This noise cancel function can be used if you use a stereo cable to connect an “RT-30K” or “RT-30HR” drum 

trigger to the TRIGGER IN jacks and specify the Trig Type.

*1 If you connect a BT-1 to a trigger input whose Input Type is set to “PADx2,” set Trig Type to “BT-1 SENS.”
*2 For some Trig Type settings, this cannot be specified.
*3 This cannot be specified if Input Type is “PADx2.”
*4 Only when Trig Type is set to “RT30K” or “RT30HR.”

Scan Time

Time

Time

Mask Time

Time

Sound not produced

Summary of Contents for TM-6 PRO

Page 1: ...2018 Roland Corporation Data List...

Page 2: ...3 button 20 TRIGGER SETUP 21 Basic Procedure for Trigger Settings 21 BANK 21 PARAM 22 HI HAT 24 LOCK 24 Multi Effect Parameters 25 TAPE ECHO 26 TIME CTRL DELAY 26 DELAY 26 REVERSE DELAY 26 PAN DELAY 2...

Page 3: ...Kits Successively SET LIST in Reference Manual PDF F2 TOOLS button Allows you to copy settings or create set lists Reference For details refer to Convenient Functions in Reference Manual PDF F3 KIT VO...

Page 4: ...L30 CENTER R30 Stereo position of the click LED Reference OFF ON Specifies whether the CLICK button blinks in time with the click ON or does not blink OFF Tap Sw OFF ON You can specify the tempo by s...

Page 5: ...me 1 INF 6 0 dB Click track volume Reference You can prepare an audio file WAV file for the click separately from the song and play it back as the click i e as the click track For details refer to Pla...

Page 6: ...ent Parameter Value Explanation Instrument A instrument B 001 268 preset U001 U1000 user sample Instrument number Reference For more about instruments refer to Instrument List p 33 F2 B ON OFF button...

Page 7: ...sound the instrument B FadePoint 1 127 Specifies the force of the strike at which the instrument B begins to be sounded If this is 1 the instrument B is sounded by a strike of any force If this is 12...

Page 8: ...anation F3 button OFF TRANSIENT ON Turns the transient effect on off Sens U LOW LOW MID HIGH Adjusts the sensitivity of the transient effect If the sensitivity is raised the transient effect applies m...

Page 9: ...the threshold level until the compressor effect applies RELEASE 10 1000mSec Time from when the volume falls below the threshold level until the compressor effect no longer applies KNEE HARD SOFT1 3 At...

Page 10: ...ngs are made for each drum trigger It is not possible to make separate settings for different strike locations such as the head and the rim KIT FX REVERB This is a reverb that is provided for each kit...

Page 11: ...PLATE setting Split Freq SINGLE 10 16000Hz Bandwidth of the compressor If this is SINGLE the master compressor operates as a single band compressor that is used only on the high band DETAIL F2 button...

Page 12: ...r The gain reduction meter shows the change in level dB produced by the master comp This is shown individually for the low and high bands MASTER EQ This is a four band equalizer that is provided for e...

Page 13: ...en MUTE GROUP Parameter Value Explanation MUTE SEND OFF 1 8 Specify the mute group number When you strike the drum trigger of the number specified in MUTE SEND the sound of the drum trigger assigned t...

Page 14: ...e same note number is assigned to both the head and the rim the head instrument is sounded MEMO An asterisk appears at the right of the note number for trigger inputs that are not sounded Example Note...

Page 15: ...e a pad while choking it Sync Mode Specifies the synchronization signal according to which the TM 6 PRO operates INTERNAL Choose this setting if you re using the TM 6 PRO by itself without synchronizi...

Page 16: ...ed 5 Press the EXIT button several times to return to the KIT screen Output Assign Parameter Value Explanation PAD tab PAD OUTPUT ASSIGN MASTER OFF ENABLE Specifies whether each drum trigger is output...

Page 17: ...as OFF will also bypass the pad effects for the output from the MASTER OUT jacks LoCut Freq 1 20 200Hz Cuts the frequency region that is below the specified frequency low cut This setting is common t...

Page 18: ...TRL tab PAD TRIG 5 Head Func PAD TRIG 5 Rim Func Refer to Functions that you can assign to a footswitch or drum trigger p 18 These parameters let you assign functions to a drum trigger that is connect...

Page 19: ...hey remain unlit even when a trigger signal is received Trig Button Sound Preview OFF ON Specifies whether the instrument assigned to a trigger is sounded when you press the corresponding trigger butt...

Page 20: ...ot overlap mono ONESHOT POLY When you strike the drum trigger repeatedly the sounds of the notes are heard overlapping poly LOOP ALT The user sample plays repeatedly loop Each time you strike the drum...

Page 21: ...he settings of the menu that you selected 4 Press the EXIT button several times to return to the KIT screen BANK Parameter Value Explanation Bank No 1 8 Trigger bank number Input Type H R PADx2 Specif...

Page 22: ...ft strikes on the drum trigger are sounded at high volume Decreasing this value decreases the sensitivity so that even strong strikes on the drum trigger are sounded at low volume Curve Volume change...

Page 23: ...0 64ms Double triggering prevention When playing a kick trigger the beater can bounce back and hit the head a second time immediately after the intended note with acoustic drums sometimes the beater s...

Page 24: ...or soft strikes but this increases the possibility of unwanted triggering by vibration from the surroundings If you connect a BT 1 to a trigger input whose Input Type is set to PADx2 set Trig Type to...

Page 25: ...icated by About note values Some effect parameters such as Rate or Delay Time can be set by using note values Sixty fourth note triplet Sixty fourth note Thirty second note triplet Thirty second note...

Page 26: ...fies whether the delay time value of the left right delay sounds is specified as a note value ON or not OFF Dly L R Time 1 1300ms note Delay time from the original sound until the left right delay sou...

Page 27: ...5 15dB Gain of the high frequency range Balance D100 0W D0 100W Volume balance between the direct sound D and the delay sound W Level 0 127 Output level CHORUS This is a stereo chorus A filter is prov...

Page 28: ...same Select this when inputting a stereo source Resonance 0 127 Amount of feedback Parameter Value Explanation Cross Feedback 98 98 Adjusts the proportion of the phaser sound that is fed back into th...

Page 29: ...r Increasing this value will raise the cutoff frequency Filter Resonance 0 127 Filter resonance level Increasing this value will emphasize the region near the cutoff frequency Drive 0 127 Amount of di...

Page 30: ...ance D100 0W D0 100W Volume balance between the direct sound D and the effect sound W Level 0 127 Output level BIT CRUSHER This creates a lo fi sound Parameter Value Explanation Sample Rate 0 127 Adju...

Page 31: ...justs the frequency at which modulation is applied Sens 0 127 Adjusts the amount of frequency modulation applied Polarity UP DOWN Direction in which the frequency modulation will move UP Towards highe...

Page 32: ...808 HOUSE 42 HOUSE 1 43 HIP HOP 4 Kick Clap set 44 HIP HOP 5 Classic 45 Neo Soul 2 46 Minimal Techno 47 Industrial1 48 Industrial2 49 HighWireDnB 50 EnhancerKit 51 CHAOS 100 Hybrid FX 52 STEREO FYER...

Page 33: ...TICK 066 LiteBrassSR XS 067 7 0 Deep SR XS 068 Sustain SR XS 069 TightBuzzSR XS 070 Brush SR XS 071 808 XStick 072 909 XStick No Instrument name Instrument group Remarks 073 Short Clap CLAP 074 Minima...

Page 34: ...China 202 20 Heavy China 203 19 PiggyBack CRASH B 204 Piggy Cr 205 Mallet Cr 206 Brush Cr 207 BrushSizzle Cr 208 Processed Cr 209 Reverse Cr 210 808 Cr 1 211 808 Cr 2 212 808 Cr 3 213 909 Cr No Instr...

Page 35: ...oc S 07 130 Proc S 08 131 Proc S 09 132 Proc S 10 133 Proc S 11 134 Proc S 12 135 Fat Box S 1 136 Fat Box S 2 137 Synth S 1 138 Synth S 2 No User sample name 139 Synth S 3 140 Electro S 141 Gate Sweep...

Page 36: ...b 3 385 S Elem Amb 4 386 S Elem Amb 5 387 S Elem Amb 6 388 S Elem 389 S Elem Steel 390 S ElemStrainer 391 S Elem Buzz 1 392 S Elem Buzz 2 393 S Elem Buzz 3 394 S Elem Buzz 4 395 Ambience T 1 396 Ambie...

Page 37: ...es Gain Direct Kit Volume MASTER CLICK MASTER ENABLE OFF OTHER OUTPUT ASSIGN DIRECT PAD OUTPUT ASSIGN DIRECT OTHER OUTPUT ASSIGN DIRECT OTHER OUTPUT ASSIGN DIRECT HEAD RIM PAD EQ VOLUME PAN VOLUME PAN...

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