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The newest feature of the SH-201 is the EXT IN

(*1)

which is a major evolution from prior analog 

synthesizers. When devices such as portable digital 

music players are connected to the SH-201, various 

effects can be added to the music being played.

(*1) External In   (*2) Low Pass Filter

volume

time

S

S

et the portable digital 

music player to Play mode. 

Turn the

 [INPUT VOL]

 knob 

to adjust the volume level. 

You can delete centrally 

panned sounds, such as vocal 

or bass, by pressing 

the 

[CENTER CANCEL]

 

button.

N

ext, press the 

[FILTER ON]

 

button. Press the 

[TYPE]

 

button, and select LPF

(*1)

The LPF filters out 

the user-defined range 

of high frequencies that pass 

through. This has no effect 

on the low frequencies.

T

urn the 

[CUTOFF]

 and 

[RESONANCE]

 knobs gradually 

left or right, and hear how 

the sound changes. Afterward, 

turn the 

[CUTOFF]

 knob all 

the way left to (MIN). The sound 

now will be inaudible, as most 

of the frequency range is blocked.

T

o make the portable digital music player will sound 

only when the keyboard is played, press the 

[WAVE]

 

button on the OSC1 (oscillator 1) and select 

the waveform to EXT IN.

T

o cause silence when your hand is 

released from the keyboard, lower the 

[R]

 

slider of the AMP ENV all the way down.

E

xperiment with the 

[TYPE]

[CUTOFF]

and 

[RESONANCE]

 controls as you play 

the keyboard. Just as the sawtooth 

and square waves were processed 

with effects, your portable digital music 

player’s music is processed with effects now.

I

t doesn’t really matter which keys you play, the portable 

digital music player’s music will play in the original pitch 

unchanged. If you press too many keys simultaneously, 

however, it may cause the sound to distort, 

so select the 

[SOLO]

 button and play monophonically 

(a single note at a time).

Next, let’s create sounds and experience them!

Portable digital music player

How you use the EXT IN is completely up to you! You can play the keyboard along with the rhythm 

of the music, or play fast riffs on the keyboard to achieve the effect of the high-speed camera shots. 

Experiment and explore the many effects and usages!

Turn this knob 

to adjust the volume

Press this button to select the EXT IN

Use these controllers as you play

Press this 

button

Press this 

button

Press this 

button

Press this button 

to select the LPF

Turn these knobs as you play

Key-on

Key-off

S

How you use the EXT IN

The Function of Controls

5

4

Chapter

EXT IN 

(External In)

18

17

4

Chapter

The Function 

of Controls

Summary of Contents for SH-201

Page 1: ...WE DESIGN THE FUTURE Creating Sounds with Fun and Ease Synthesizer 101 Learning the SH 201 ...

Page 2: ...gically designed to teach the basics of synthesis External input for manipulating external audio from CD MP3 players etc Built in delay reverb and overdrive effects USB port for audio MIDI connection to computer VSTi Editor software included for computer integration 1 2 1 Chapter 2 Chapter Introduction The Basic Structure of a Synthesizer 3 Chapter 4 Chapter Let s Play The Function of Controls 5 C...

Page 3: ...s was Roland s first full digital synthesizer and one of the best selling models The D 50 was a worldwide sensation due to its operating ease and stunning sound Even though this is synthesis at its friendliest the SH 201 is no toy With two beefy analog modeling oscillators complete with Roland s famous Supersaw waveform and resonant filter this little synth can blow down doors Combining stunning d...

Page 4: ...rols the initiation and termination of sounds On analog synthesizers it is also called ENV 5 Every time you play the keyboard ENV affects the volume and timbre on OSC FILTER and AMP individually as it processes its time varied elements time Key on Key off cutoff frequency A D S DEPTH R Low Pass Filter High Pass Filter Band Pass Filter Key on Key off time A D S R volume A D time DEPTH Key on pitch ...

Page 5: ... B 4 B 5 B 6 B 7 B 8 A 1 A 2 A 3 A 4 A 5 A 6 A 7 A 8 NUMBER 1 8 BANK A D PRESET GROUP read only USER GROUP rewritable The SH 201 lets you create sound while listening to it in real time by moving knobs and sliders At this stage it is okay if you don t know how each control affects the sounds Don t worry because you will get a hang of it as you continue with this text A total of 64 patches can be s...

Page 6: ...sionless To hear how the sound changes with each step play the keyboard after each process F irst determine the waveform to use as the source of the sound Play the keyboard with your left hand while switching waveforms with the WAVE button Listen to the differences in the sound of each waveform as you play the keyboard N ext let s determine the pitch Playing the keyboard with one hand while turnin...

Page 7: ...act that most of the sound frequencies have been filtered out and rejected N ext turn the RESONANCE knob Turn it all the way left MIN then gradually rightward to MAX It will start to resonate yielding a colorful howling sound On a piano its initial sound would include most of the harmonics that generates bright sound Afterward the sound would fade gradually as a decrease in harmonics will result i...

Page 8: ...und analog lead sound set it up to play monophonically single note at a time by pressing the SOLO button I n this set up when you play a key while playing another key timbre will remain unchanged but the pitch will change SOLO LEGATO This effect is similar to the trill technique used in string instruments Moving right along let s set the portamento control The portamento is an effect where the tra...

Page 9: ...sing the SHAPE button Additionally turning the RATE knob will change the speed of vibrato Try out various settings for vibrato with different waveforms and speeds For example the human voice or a violin would typically have a vibrato rate of 2 to 7 cycles per second Press the DESTINATION button and select AMP for tremolo or FILTER for growl effects 1 Low Frequency Oscillator Press PRESET Press D P...

Page 10: ...when your hand is released from the keyboard lower the R slider of the AMP ENV all the way down E xperiment with the TYPE CUTOFF and RESONANCE controls as you play the keyboard Just as the sawtooth and square waves were processed with effects your portable digital music player s music is processed with effects now I t doesn t really matter which keys you play the portable digital music player s mu...

Page 11: ...DEPTH knob and fatten the bass timbre Lastly fine adjust the DEPTH slider of the FILTER ENV to determine the overall sound 1 2 3 4 5 6 7 8 9 10 11 12 Choose PRESET D 8 The sawtooth wave is selected Turn the CUTOFF knob in the FILTER section to the two o clock position Turn the RESONANCE knob in the FILTER section to the one o clock position Let s create the initial portion of the sound Raise the A...

Page 12: ...nob to enhance the resonance 4 1 2 3 4 5 6 7 8 9 10 11 12 Choose PRESET D 8 The sawtooth wave is selected Press the WAVE button in the OSC1 section and select NOISE Turn the CUTOFF knob in the FILTER section all the way left to MIN The sound becomes inaudible Turn the RESONANCE knob in the FILTER section all the way right to MAX Raise the D and R sliders of the FILTER ENV mid way up Lower the S sl...

Page 13: ...quencies will become lower as well For example when A4 center A equals 440 0 Hz an octave higher pitch would generate twice the amount of frequency at 880 0 Hz A5 An octave lower pitch would produce half the frequency at 220 0 Hz A3 Pitch Harmonics Volume The volume of the sound is determined by the size or the width of the waves As the waves become wider vertically on the graph the louder the vol...

Page 14: ...hat time most people thought of the synthesizer as a tool to replicate real life sound In contrast listing to the latest music trend numerous sound music producers have created sounds that only synthesizers can produce and listeners are demanding these sounds as well Most of the PCM synthesizers have set their goal on the pursuit of reality or replication I am glad to see that this particular synt...

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