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Super Sequencer

Multi FX

Profile

Paul Mirkovich is a musical director, keyboardist,
singer, programmer, arranger, composer, and 
songwriter whose career has spanned over 20 years.
In 2005, Paul became a familiar face to world-wide
television audiences as the music director for two
seasons of the popular CBS "Rock Star" series. 
He has toured the world extensively with major 
established artists and has played live for millions. 
His credits include Cher, Janet Jackson, INXS,
RockStar INXS, Anastasia, Whitesnake, Foreigner
and many others.

Profile

Shiny Toy Guns are an indie/rock/electronica band
from Los Angeles,California that was founded in
2003. Guitarist/vocalist Gregori Chad Petree and
synth/bass player Jeremy Dawson recruited vocalist
Carah Faye Charnow and drummer Mike Martin after
moving to Los Angeles. Popular songs include "Don't
Cry Out", "You Are the One", and "Le Disko". 
The group has appeared on David Letterman, Carson
Daly and Conan O' Brien. Their album, "We Are Pilots",
received a Grammy nomination for best electronic
album in 2007

The Fantom-G8 keys feel
like I'm playing a real piano,

and the key-action is has great "spring-back". No matter
how much as I dig into it, it comes right back. 
This keyboard feels good.

The screen is huge – and the different modes are clearly
laid out. The visual interface shows everything that's
going on – all right in your face – and that makes the job
easier. I know where things are mapped, I know what
sounds are there, I know what the levels are. Its pretty
much all there.

The new Live Mode is great, and now that each patch in
Live Mode has it's own COSM effects, patches used
sound exactly the same as they do in single mode. You
don't have to sacrifice effects when using a combination
of patches in Live Mode. It sounds amazing!

The seamless switching with this much DSP is 
incredible. I can hit a pad layer and sustain, go to my
next sound without any of the tails getting cut off, and
be immediately ready for the next song. 
I can be more seamless between songs, making things
more interesting and expressive during a show.

The Fantom-G does most
everything you want to do.

You don't need a laptop, you don't need a recording
interface, or plug-ins. This is a computer and recording
system inside a keyboard, but with less confusion. 
It's everything, and simple.

My system is starting to look like Paul Shaffer's, but
now with the Fantom-G, I won't need as much equipment
on the road – and less gear means less things can go
wrong. I can sample my other keyboards, and do more
effects routing inside the Fantom-G rather than using
racks of gear.

The Fantom-G is the first Roland instrument
to feature Roland’s newly designed power
sequencer. In conjunction with the large-
size LCD, this pro-level composition tool
provides 152 tracks (including 24 stereo
audio tracks and 128 MIDI tracks) in a fully
intergraded audio/MIDI graphical
environment. The sequencer can store up

to a million notes for seemingly endless
creative capacity. The display can be split
to provide simultaneous edit and mix
views. A mouse can be also incorporated
for computer-like speed and ease. During
playback, you can view the time count on
the display, with tempo-view down to the
sub-decimal level. Everything about this
next-generation sequencer is designed for
clean, fast workflow.

24 stereo audio tracks and 128 MIDI tracks onboard

In any mode, each sound in the Fantom-G
always has its own PFX (patch multieffects)
channel available. Altogether, 76 types of
PFX effects are built in, and simultaneously
you can apply up 22 effects to a sound. 
In STUDIO mode, to ensure the quality of
chorus, reverb, and other mastering
effects, two channels of assignable MFX
are provided. There are also inputs for
external effects. 

In the Fantom-G the reverb goes beyond
what was available before. Newly
designed from the ground up, this reverb
has a distinctively transparent character
that’s optimal for bringing out the best in
vocals and other dynamic sounds with its
natural and beautiful spatial presence.

Top-quality multi-effects engine: 22 simultaneous

6

 ARTISTS' 

IMPRESSIONS

 ARTISTS' 

IMPRESSIONS

5

 ARTISTS' 

IMPRESSIONS

 ARTISTS' 

IMPRESSIONS

Tempo resolution  
can be set to 
sub-decimal levels

Supports real-time display of frame units

Song Edit Screen

PFX Screen

Mastering Effect Screen

Effect Routing Screen

MIDI Track Output Assign 
Screen

Audio Track Mixer Screen

Paul 
Mirkovich 

Paul 
Mirkovich 

Shiny 
Toy Guns

Shiny 
Toy Guns

Summary of Contents for Fantom G6

Page 1: ...rience ARTISTS IMPRESSIONS ARTISTS IMPRESSIONS Howard Jones Rick Wakeman Jordan Rudess Valdez Brantley Paul Mirkovich Shiny Toy Guns Impressions of the Fantom G live workstations from world leading artists ...

Page 2: ... to switch between modes optimized for stage or studio means from sound source and effects through to operation control you are always instantly prepared in either environment The Fantom G is also the first electronic musical instrument to provide SuperNATURAL sounds via ARX series expansion boards Explore a new dimension of musical creativity with the Fantom G live workstation ...

Page 3: ...ive performance The luxurious wide format 8 5 inch color VGA TFT LCD monitor significantly eases workflow Three modes LIVE STUDIO and SINGLE optimize the instrument for specific playing environments The Favorite function lets you immediately recall settings for live performance New soundsets with dedicated programming and effects engines on each ARX series SuperNATURAL expansion board The jog dial...

Page 4: ...ou can be confident of on the road A colossal new sound engine has been developed for the Fantom G series with double the wave capacity of the predecessor The acclaimed stereo multi sampled 88 key piano sound of the Fantom X has been resampled and improved for the Fantom G Potent upgrading extends to synth drums bass strings and other fundamental sound sets Sound Engine For Live Performance Immens...

Page 5: ...ed or split patch to the next without any interruption in the sound This is the first keyboard instrument to make this dream of mine come true There are really some amazing effects inside this instrument One day while listening to John Petrucci fine tune his distorted guitar sound I was experimenting with the new Fantom and realized that with the modeled amplifier effects I could easily achieve in...

Page 6: ...story by far In a world s first for a hardware synthesizer the Fantom G sports an 800 x 480 pixel color display which puts the enormous creative potential of the instrument conveniently at your fingertips In addition the Fantom G allows a standard USB mouse to be plugged in for navigation and control Using a two button wheel mouse you can edit with amazing speed and Large LCD Mouse Operation For S...

Page 7: ...o You don t need a laptop you don t need a recording interface or plug ins This is a computer and recording system inside a keyboard but with less confusion It s everything and simple My system is starting to look like Paul Shaffer s but now with the Fantom G I won t need as much equipment on the road and less gear means less things can go wrong I can sample my other keyboards and do more effects ...

Page 8: ... Resolution 480 TPQN Tempo 5 00 to 300 00 Songs 50 per one project Phrases 2 000 per one project Notes Capacity approx 1 000 000 notes per one project Song Length 9 998 measures Arpeggiater 128 Arpeggio Sets 128 RPS Sets 32 Rhythm Pattern Sets 32 Chord Memory 128 Chord Memory Sets 128 Display Graphic Type 8 5 Wide VGA 800 x 480 dots backlit LCD Color Pads 16 pads velocity and polyphonic aftertouch...

Page 9: ...e details visit http www Roland com synth Fantom Visit us online at www Roland com Printed in Japan Apr 2008 RAM 4315 GR GEN NK I 3 All specifications and appearances are subject to change without notice All trademarks are the property of their respective companies ...

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