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6. REVERB Function
Reverb is a multitude of echoes spaced so close together that, to the human ears seem as a single
continuous sound. These echoes gradually decrease in intensity until they are ultimately absorbed by the
boundaries and obstacles within a room. As the sound waves from the sound source strike the boundar-
ies of a room, a portion of the energy is reflected away from the obstacle while another portion is ab-
sorbed into it - thereby causing both the continuance of sound as well as the decaying or "dying out' of
the sound.
The PARAMETER SELECT knob will allow you to access these REVERB parameters:
The REVERB INPUT parameter determines whether the input to the Reverb sec-
tion is ACTIVE (passing a signal) or MUTED (will not pass a signal).
The MIX DIRECT/DELAY parameter is used to define the ratio of direct signal
to delayed signal to be input to the reverb section.
The REVERB LEVEL parameter allows you to control the level of the reverb
signal at the output in relation to the direct signal and other effect signals. This
parameter is also accessible from the Mixer function.
The REVERB DECAY parameter determines the length of time that the reverb
signal will sound before it has completely died out.
The REVERB HIGH FREQUENCY DAMPING parameter is used to control the
decay rate of high frequency information in the reverb signal. Higher parameter
settings will result in a faster decay of high frequency information.
REV INPUT
MIX DIR/DLY
REVERB LVL
REV DECAY
REV HF DAMP
Summary of Contents for Utopia G200
Page 6: ...6 2 Quick Reference ...
Page 8: ...8 3 UTOPIA G200 Top and Back Panels ...
Page 12: ...12 4 Connections Standard Connection with a Guitar Amplifier ...
Page 13: ...13 Connection in Stereo to Two Guitar Amplifiers 4 Connections continued ...
Page 14: ...14 Connection to a PA System 4 Connections continued ...
Page 15: ...15 Connection to a Computer 4 Connections continued ...
Page 16: ...16 Connection to a Recording Workstation 4 Connections continued ...
Page 17: ...17 4 Connections continued Connection Using an Outboard Effect and MIDI ...
Page 18: ...18 4 Connections continued Connection for MIDI IN from a Computer with MIDI Utility Program ...
Page 19: ...19 4 Connections continued Connection for MIDI OUT to Computer with MIDI Utility Program ...
Page 41: ...41 WITH CHORUS FLANGER AND PITCH SHIFT MODULATION EFFECTS 7 UTOPIA G200 Block Diagrams ...
Page 42: ...42 WITH TREMOLO MODULATION EFFECT COMP WAH PRE EQ 7 UTOPIA G200 Blocks ...
Page 79: ...79 ...