background image

INTRO

OEQ-11

DUCTION

The  Rockford Fosgate OEQ-1 is a quiet, flexible nine-band
equalizer designed to correct response errors in autosound

installations. As car stereo systems become more sophisti-

cated, the unpredictable colorations of typical speaker in-
stallations are becoming less acceptable. The OEQ-1 offers
a convenient method of solving response problems without
system re-designs.

 

Nine-Band 

High-Q

 

Filter System

(IS0 Center Frequencies)

±9dB  Control Range Each Frequency

±1/2  Octave Frequency Control Each Frequency

Over  90dB Signal-to-Noise Ratio (A-Weighted)

Fully-Floating High-Voltage Power Supply

l

Defeat Switch (Bypasses all circuitry)

Jeweler’s Screwdriver Control Adjustments

DESIGN

NINE-BANDS:

 

Eight Octave-wide bands and one two-Oc-

tave band of boost and cut are employed in the OEQ-1.  One-
Octave bands are the minimum required for effective control
over the bass and midrange; the two-Octave-wide 12kHz

band controls the very high “tingle” region where tonal
perception is less critical.

HIGH-Q FILTERS:

 

Filter “Q” or quality factor is a measure of

the “narrowness” of the filter response: a high-Q filter affects
a narrow band of frequencies and a low-Q filter affects a wide

band. Most octave equalizers use relatively low-Q filters in

order to avoid large response ripples when all controls are at

maximum or minimum. However, the wide band of low-Q

filters allows adjustments made on one control to strongly
affect the neighboring frequencies, especially at modest

boost or cut. In addition, relatively narrow response prob-
lems cannot be fully cancelled by a wide-band filter.

The rationale for reducing filter Q to avoid max-control ripple

is in error, since it is a situation which realistically never
should happen. By using relatively high Q (over  2.0), the
OEQ-1 avoids much of the adjacent-band overlap that is
time consuming to adjust out.

Summary of Contents for OEQ-1

Page 1: ...OEQ 1 OCTAVE EQUALIZER...

Page 2: ...nd original carton for possible future use For your musical enjoyment Rockford Fosgate offers everything from two channel Punch amplifiers the more powerful four channel Power Series amplifiers to thr...

Page 3: ...the minimum required for effective control over the bass and midrange the two Octave wide 12kHz band controls the very high tingle region where tonal perception is less critical HIGH Q FILTERS Filter...

Page 4: ...rces put out over one Volt RMS leading to less than 11dB or headroom The OEQ 1 employs a fully isolated 36 Volt plus and minus 18 Volt supply There is no DC path to chassis ground so ground loops are...

Page 5: ...roblem by ear move the microphone to a point that reveals the problem Mike placement can have a very large effect on response and some microphone positions will obscure problems instead of showing the...

Page 6: ...EQUALIZER FREQUENCY BANDS 20k 10k j lk 6k 1 3k 320 160 80 40 20 N 7 Y cu aY r 20k 10k 5 lk 2 6 k 1 3k 640 320 160 80...

Page 7: ...EQUALIZER FREQUENCY SHIFT 160 160 80 80...

Page 8: ...l give more impact on rock and roll while B would sound more natural for symphonic music Curve D illustrates reduced roll off in the mids and highs The OEQ 1 is deliberately restricted to 9dB of boost...

Page 9: ......

Page 10: ...0 Ohms Signal to Noise Ratio Over 90dB A Weighted Distortion Under 01 THD Noise Filter Q 2 typical Bands l 8 1 Band 9 Power Required Under 1 Amp at 12 Volt nominal Dimensions 4 75 wide x 8 65 long x 1...

Page 11: ...n is made that the product has failed due to materials or workmanship we will repair or replace it at no charge and return it in a reasonable length of time If a determination is made that the product...

Page 12: ...UND SYSTEMS MAY PRODUCE SOUND PRESSURE LEVELS WELL OVER 130dB USE COMMON SENSE AND PRACTICE SAFE SOUND Make your q e system complete with installation accesso ries from G whbrf o a division of Rockfor...

Reviews: