User's Guide
DIGI96/8 PST © RME
9
8.4 Recording Digital (Windows MME)
Unlike analog soundcards, which produce empty wave files (or noise) when no input signal is
present, digital I/O cards always need a valid input signal to start recording (this includes the
correct sample frequency as well).
To take this into account, RME has included three unique features in the DIGI96 series: an
error LED for the active digital input in use, a comprehensive I/O signal status display (showing
sample frequency, lock and format) in the Settings dialog, and the protective
Check Input
func-
tion.
The error LED indicates whether the card gets power and a valid digital input signal. Whenever
an error occurs (wrong input, invalid data, signal transmitting device delivers nothing), the LED
will light red. As soon as a valid input signal is present the LED will turn off. The display of the
sample frequency (see chapter 9, picture Settings) in the Status display offers a similar functi-
on. If no sample frequency can be recognized ‘Out Of Range’ will be shown, in case of an error
detection ‘No Lock’.
If a 48 kHz signal is fed to the input and the application is set to 44.1 kHz,
Check Input
stops
the system from recording. This prevents faulty takes, which often go unnoticed until later on in
the production. Such tracks appear to have the wrong playback rate - the audio quality as such
is not affected. 'Check Input' may be switched off for vari-speed purposes.
Therefore configuring the software to perform a digital recording is child´s play. After selecting
the required input
DIGI96/8 PST
displays the current sample frequency. This parameter
can then be changed in the application’s audio attributes (or similar) dialog.
The screenshot to the right shows a typical dia-
log used for changing basic parameters such as
sample frequency and resolution in an audio
application.
Any bit resolution can be selected, providing it is
supported by both the audio hardware and the
software. Even if the input signal is 24 bit, the
application can still be set to record at 16-bit
resolution. The lower 8 bits (and therefore any
signals about 96dB below maximum level) are
lost entirely. On the other hand, there is nothing
to gain from recording a 16-bit signal at 24-bit
resolution - this would only waste precious space
on the hard disk.
It often makes sense to monitor the input signal or send it directly to the output. The DIGI96
series includes a useful input monitor function, which can be set in the
RME DIGI Settings
(
Output/Automatic
). Activating Record or Pause in the application causes the input signal to be
passed directly to the digital and analog output. However, some applications block monitoring
by constantly activating playback, even if the played back track is empty. This is often required
by programs to ensure that timing and punch I/O will work correctly.
Currently two solutions exist which enable real-time monitoring even when playback is active.
Our ZLM (Zero Latency Monitoring) technology allows monitoring in Punch I/O mode - with this
the card behaves like a tape machine. This method has been implemented in all versions of
Samplitude (by SEK’D), and can be activated using the global track option 'Hardware monito-
ring during Punch'.
The other solution is to use our ASIO 2.0 drivers with a ASIO 2.0 compatible program. When
'ASIO Direct Monitoring' has been switched on, the input signal is routed in real-time to the
output whenever record is started.
