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presets and remembered when the pedal is off.
You can set the feedback left/right balance control to its minimum or maximum value to disable feed-
back for the right or left delays, respectively. With the series delay structure, for example, that allows
you to put a slapback delay in front of a longer delay with feedback.
Intermediate settings are useful for balancing the overall decay time with different delay times. A longer
delay will need less feedback for the same overall decay time, since there are fewer repeats.
Subtle settings will cause the signal to shift to one side as it fades out. That can be combined with small
left/right delay time differences to create a sense of movement.
Feedback Invert
Inverting the phase of the delay feedback changes the character of resonant flanging sounds. It will only
be noticeable with short delay times.
Use the editor or MIDI to set
feedback invert. The setting is stored in presets and remembered
when the pedal is turned off.
Shift Controls
Each delay line has an associated pitch/phase/frequency shifter. The dual pitch shifters can be placed
inside or outside of the feedback loop, for continuously shifted repeats or repeats that are shifted up or
down and stay there. With the series structure, both shifters are assigned to the second (right) delay.
See "Signal Flow" on page 6 for an illustration.
Shift indicator (left LED)
Off
Shift off
Orange
Shift on
The
SHIFT footswitch turns the shift effect on or off, at the amount set by the SHIFT control. Momentary
footswitch mode is useful for injecting pitch jumps. If the
SHIFT footswitch mode is set to TAP, the shift
indicator will turn on or off based on the
SHIFT control value.
Shift footswitch mode
M
Momentary
Shift is on while the footswitch is held down
L
Latching
Footswitch toggles shift between on and off
TAP
Tap tempo
Footswitch is used for tap tempo
The
SHIFT control adjusts the amount of pitch, phase, or frequency shifting. The function and scaling
depend on the shift mode toggle switch.
Shift mode switch
Transpose
Transpose ±12 semitones
Detune
Smooth detuning from a fourth down to a major third up
Frequency shift
Frequency shift ±500 Hz
