Rane VP 12 Manual Download Page 8

Manual-

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GATE/EXPANDER and COMPRESSOR

A noise GATE (sometimes referred to as a downward ex-

pander) extends the dynamic range of the signal by effectively 

lowering the noise floor. All signals that are lower in level than 

the setting on the GATE/EXPANDER THRESHOLD control 

are attenutated at the selected ratio. When the RATIO switch is 

set for 1.5:1, a 1 dB reduction in input level results in a 1.5 dB re-

duction in output level. For a 2:1 setting, a the same 1 dB input 

level reduction results in a 2 dB reduction in output level.

A good place to start with the GATE/EXPANDER is to 

insure the BYPASS switch is 

out

. Set the THRESHOLD control 

to about -40 and the ratio to 1.5:1. Now apply the smallest signal 

that you want to be processed by subsequent stages. An example 

would be to talk softly into the MIC input. While talking, 

notice that the THRESHOLD LED goes off and the GAIN 

REDUCTION METER shows no gain reduction — this is 

good. If the threshold LED stays on when talking softly, then 

turn the THRESHOLD control CCW. The THRESHOLD 

control is properly set when the lowest level signal to process 

makes the THRESHOLD LED go 

off, 

and when that low 

signal is removed the THRESHOLD LED comes back 

on,

 and 

the GAIN REDUCTION meter shows gain reduction. Set the 

GATE RATIO switch for the lowest ratio that provides the 

amount of control desired. A setting of 1.5:1 allows for gentle 

gain reduction below the threshold while a setting of 3:1 is more 

detectable. For minimum effect set the GATE RATIO switch to 

1.5:1 and set the THRESHOLD for -50.

The Compressor is familiar to anyone who has used Rane’s 

darn cool DC 24 DYNAMIC CONTROLLER. While the 

GATE/EXPANDER controls those signals lower in level than 

your threshold setting, the COMPRESSOR controls those 

signals above your COMPRESSOR THRESHOLD setting. 

Once again, make sure that the BYPASS switch is 

out

. Set the 

COMPRESSOR THRESHOLD control to 20 and the COM-

PRESSOR RATIO to about 1.6:1. Now apply the largest signal 

to be unaffected by the COMPRESSOR. This establishes the 

highest signal level that will not be affected by the compressor 

circuit. Adjust the THRESHOLD control CCW while talking 

loudly or yelling. Stop adjusting the THRESHOLD control 

when the THRESHOLD LED comes 

on

. This is a good starting 

point. A setting of 20 on the COMPRESSOR THRESHOLD 

removes it’s effectiveness. The RATIO control sets the severity of 

compression. A setting of 1:1 means no compressing (even if the 

threshold LED is on), while a setting of 10:1 is very much like a 

limiter, and will result in only a 1 dB increase in output level for 

a 10 dB increase in input level.

EQUALIZER

If you have used Rane’s PE 17 equalizer, then the EQ in the 

VP 12 will look familiar. Adjust the FREQUENCY control 

to the desired frequency, adjust the BW control for a range of 

frequencies, and then adjust the LEVEL to either boost or cut. 

For simple tone contours all you need to do is adjust the BW 

control to a larger number like 2.0, and now you have affected a 

broad range of frequencies. BW is measured in octaves, and each 

doubling or halving of a frequency equals one octave. Adjust-

ing the FREQUENCY range switch selects multiples of the 

FREQUENCY control, allowing each band to cover the full 20 

Hz to 20 kHz range while maintaining resolution of the FRE-

QUENCY control.

The two bands are in series. This allows the two EQ sections 

to add together. For a serious notch, for instance, adjust both sets 

of controls to the same settings. Both LEVEL controls set at -15 

dB deliver one serious   -30 dB notch.

OUTPUT METER and LEVEL CONTROLS

The six segment output meter indicates the level coming 

out of the VP 12. It is calibrated in dBu and is referenced to a 

balanced output. If the output wiring is unbalanced, your actual 

output will be 6 dB lower than that shown on the meter.

The LEVEL controls utilize a concentric potentiometer to 

control two separate outputs or zones. The farthest out (inner) 

knob controls the MAIN OUTPUT and the farthest in (outer) 

knob controls the AUX OUTPUT.

Summary of Contents for VP 12

Page 1: ...VP 12 VOICE PROCESSOR...

Page 2: ...ilationopenings Ifrackmounting pleaseprovideadequate ventilation Equipment may be located directly above or below this unit but note that some equipment like large power amplifiers may cause an unacce...

Page 3: ...e MAIN OUTs to either a MIC or LINE level output depending on your driving requirements The AUX OUT of the VP 12 is only line level Plug the included power supply see italics below into the VP 12 The...

Page 4: ...the full CCW position the LOW CUT filter is essentially out of the signal path 6 HI CUT filter This control defines the high cut off frequency In the full CW position the HI CUT filter is essentially...

Page 5: ...f compression once the threshold has been exceeded Full CCW rotation effectively disables the compressor y GAIN REDUCTION METER This seven segment meter indicates the amount of signal reduction below...

Page 6: ...th screw terminals and XLR jacks can be used at the same time 5 MAIN and AUX screw terminal outputs Deliver the same outputs as the XLR connectors above 6 Screw terminal patch strip Configured from th...

Page 7: ...e OL LED We call this tickling the overload This may be illegal in your jurisdiction so please check your local authorities If only the LINE EXPAND input is to be used set the front panel switch to LI...

Page 8: ...switch is out Set the COMPRESSOR THRESHOLD control to 20 and the COM PRESSOR RATIO to about 1 6 1 Now apply the largest signal to be unaffected by the COMPRESSOR This establishes the highest signal le...

Page 9: ...s off at a rate of 12 dB per octave The frequency designator 10 Hz to 250 Hz is the corner frequency at which the low end starts to roll off Turned all the way counterclockwise the low cut filter is e...

Page 10: ...breathing Some exhibit 180 phase errors as well as uneven frequency responses as much as 3 dB at the de esser corner frequency Rane De Esser Response Other De Esser Response Deciding that there had t...

Page 11: ...d signal Gate Expander Compressor COMPRESSOR RATIO Determines by how much the gain is held in check Remember higher ratios mean the compres sor works harder essentially turning it into a limiter Ratio...

Page 12: ...ting provides the frequencies of 1000 Hz 1 kHz to 20 kHz BYPASS switch This switch allows parametric equalizers to be bypassed for easy comparison between equalized and non equalized signal BAND 2 The...

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