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Manual-2

Rear Panel Hook-up

Power

The TTM 56S features an internal 

universal switching power supply that 

operates on any AC mains 100 to 240 

VAC, 50 or 60 Hz (most places in 

the world). All that is required when 

traveling is the appropriate IEC line 

cord available in each country. The 

universal supply is a major plus for the 

traveling DJ. The 

POWER

 switch is 

just above the power connector. You 

know what to do with this, but leave it 

off until everything is connected. 

Inputs

PGM 1

 and 

PGM 2

 each have two 

inputs, each assignable PHONO or 

LINE. For a turntable input with 

RIAA compensation, push the cor-

responding switch up to 

PHONO.

 For 

all other sources such as CD or MP3 

players, push the corresponding switch 

down to 

LINE

.

PHONO GROUNDS

 provide 

independent ground connect points 

for turntables. It is very important 

that each turntable have a very good 

ground connection to one of these 

terminals. The thumbscrews will come 

off if they are over-rotated, so be care-

ful not to spin them off and lose them.

AUX IN

 may be used with a drum 

machine, groovebox, sampler, or 

another mixer’s output for session mix. 

This Input is mixed

 after

 the Cross-

fader and FlexFX loop.

MIC INPUT

 is a balanced input 

specifically designed for a dynamic mic 

(a condenser mic will not work).

1-CONDUCTOR SHIELDED CABLE

1-CONDUCTOR SHIELDED CABLE

SE

N

D

RE

TU

RN

SH

IE

LD

+

+

SEND

RETURN

+

+

SHIELD

SHIELD

SHIELD

Send/Return Cable Wiring

AUX

PHONO

GROUNDS

POWER

PGM 1

PGM 2

4

3

2

1

4

4

3

3

2

2

1

1

4 3 2 1

100-240V    

50/60 Hz

20 WATTS

ACN 001 345 482

MADE IN U.S.A.

RANE CORP.

U.S. PATENT 6,813,361

OUT

IN

OUT

IN

MIC

BALANCED

MASTER

OUTPUTS

R

L

R

L

R

L

R

L

R

L

R

L

LINE

PHONO

TTM 56S

COMMERCIAL AUDIO

EQUIPMENT 24TJ

R

EFFECTS

SEND

UNBALANCED

FlexFX

RETURN

TIP = SEND

RING = RTN

BALANCED

4

3

2

1

O

N

Effects Loops

MIC EFFECTS

 insert jack is un-

balanced. It is wired for ¼" TRS, 

meaning Tip=Send, Ring=Return 

and the Shield or Sleeve. This is an 

independent Effects Loop for the Mic. 

There is no engage switch, so the Mic 

signal is always processed when you 

have a plug inserted and an effects box 

connected. If you are connecting to an 

effects processor with a Send/Return 

jack, a single TRS cable will work. 

If your effects processor has separate 

Send and Receive jacks, you need a 

“Y” cable. You can buy a Send/Return 

cable from your local music store, or 

you can make one of your own, as 

shown below.

FlexFX EFFECTS

 jacks are unbal-

anced mono ¼" TS (Tip and Sleeve). 

This stereo loop is used for output 

to (send) and input from (return) an 

effects processor. The SEND jacks pro

-

vide the output 

to

 your effects proces-

sor. The RETURN jacks provide input 

for the signal returning 

from 

your 

effects processor. If you have an effects 

device with a single ¼" TRS, tip=send, 

ring=return jack, you need a “Y” cable, 

as shown below.

Outputs

AUX OUT

 may be used for recording, 

booth monitoring, a second playback 

zone, or connecting another mixer for 

session mix. 

AUX

 

OUT

 is the same 

signal as the Master Mix with its own 

Level control.

MASTER OUT

 includes two sets 

of stereo outputs: The ¼" TRS jacks 

provide balanced (Tip-Ring-Sleeve) 

output. Use this balanced output 

whenever driving equipment with a 

balanced input, or when running dis-

tances greater than 10 feet (3 meters). 

Never 

use a mono ¼" Tip/Sleeve (no 

ring) plug in this jack. Use the RCA 

unbalanced outputs for shorter runs 

connecting to unbalanced devices. See 

the RaneNote “Sound System Inter-

connection” if you need to convert 

between balanced and unbalanced or 

run long distances.

Summary of Contents for TTM 56S

Page 1: ...mixing ability WEAR PARTS This product contains no wear parts AUX Inputs may be used for a drum machine keyboard etc AUX Input comes in after the Crossfader and after the FlexFX loop AUX Outputs may b...

Page 2: ...INE PHONO TTM 56S COMMERCIAL AUDIO EQUIPMENT 24TJ R EFFECTS SEND UNBALANCED FlexFX RETURN TIP SEND RING RTN BALANCED 4 3 2 1 O N Effects Loops MIC EFFECTS insert jack is un balanced It is wired for TR...

Page 3: ...300 Hz The range is 6 dB to Off full kill The center detent position leaves the filter inactive These filters influence signals below the vocal range Use to adjust or eliminate bass beats PAN controls...

Page 4: ...ed down and then turn it up Because of the high current and low output impedance never short one side to ground or short left and right together as is possible with mono cup headphones Low power headp...

Page 5: ...Reverse and Contour controls FULL ON OFF FULL ON OFF FULL ON OFF FULL ON OFF SLOW FADER 1 CONTOUR FAST REVERSE SLOW FADER 2 CONTOUR FAST REVERSE SLOW FADER 1 CONTOUR FAST REVERSE SLOW FADER 2 CONTOUR...

Page 6: ...h to wipe off rails c Add a drop of silicone lubricant or quick spray from aerosol to the center of each rail d Move the carrier back and forth to distribute lubricant e Do not bend torsion spring or...

Page 7: ...ht before reinstalling 8 NOTE In order to achieve the highest possible accuracy each magnetic fader is factory calibrated for the location in which it was shipped If you remove all the faders for clea...

Page 8: ...R CONTOUR CONTOUR A B CH 1 LEFT CH 2 LEFT MIC INPUT CH 1 FLEXFX CH 2 FLEXFX FLEXFX LOOP MIC EFFECTS TIP SEND RING RETURN CH 1 VCA RIGHT VCA VCA PGM 1L PGM 2L PGM 1R PGM 2R MIX LEFT MIX RIGHT PGM 1L PG...

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