Manual-4
Because the amplifier is capable of high current drive, it is important
that the outputs are not shorted together or to ground. Do NOT use
single cup phones that short tip and ring.
MASTER LEVEL
adjusts the
MASTER OUTPUT
level for both the
balanced and unbalanced outputs.
POWER
connector. This is not a telephone jack! Connect only the
Rane RS 1
power supply included with your
TTM 52
. The ground
screw terminal may be used to solve potential grounding problems with
other equipment. See Chassis Grounding on page Manual-6.
MASTER OUT
includes two sets of stereo outputs:
• The ¼"
TRS
jacks provide high current
BAL
anced output, which
should be used whenever driving equipment with a balanced input or
running distances greater than about 10 feet. Due to the high drive
capability and low impedance, never use a mono ¼" Tip/Sleeve (no
ring) cable in this jack; this grounds one side of the
BAL
anced output.
• Use the
UNBAL
anced output for shorter runs, such as connecting to a recorder, looping to another mixer, or to other local
signal processing or amplifiers. See Sound System Interconnection on page Manual-7.
PGM 1
and
PGM 2
inputs include both
PHONO
and
LINE
input.
• PHONO 1
and
PHONO 2
inputs are RIAA compensated inputs with 18 dB per octave, 20 Hz rumble filters.
• LINE 1
and
LINE 2
inputs are unbalanced line level inputs with a nominal sensitivity of -10 dBV.
• PHONO/LINE
selection is made as described in section
.
• PGM 1
inputs are sent to the left side of the Crossfader. (HAMSTER switch out)
• PGM 2
inputs are sent to the right side of the Crossfader. (HAMSTER switch out)
PHONO GND
terminals provide an independent ground connect point for two turntables. It is very important that each
turntable have a very good ground connection to one of these terminals. The thumb screws are not captivated, so use care
not to spin them off and lose them.
The
MIC INPUT
is a balanced ¼" TRS input specifically designed for a dynamic microphone.
MIC EFFECTS
jacks are unbalanced mono ¼" Tip/Sleeve. This is an independent Effects Loop for the mic. There is no
engage switch, so the mic signal is always processed when you have an effects box connected.
• The
SEND
jack provides the output to your effects processor.
• The
RETURN
jack provides an input for the signal returning from your effects processor.
MIC LEVEL
sets the gain of the Mic Input. The range of operation is off to +60 dB. There is no engage switch, so set the
