Rane SM 82 Operator'S Manual Download Page 4

Manual-2

FRONT PANEL DESCRIPTION

1

 POWER switch: 

Depress the upper portion of this switch to turn the unit on (with power supply plugged in); depress the lower 

portion to turn the unit off. Depressing the center portion of the switch causes acute indecision stress to the switch’s personality 

profile, which in turn depresses it. To alleviate this condition, the switch must be “turned on”, so to speak.

2

 Input LEVEL control:

 is a rotary stereo attenuator that adjusts the amount of both Left and Right signals applied to the Input. 

Its output is routed to the main summing amplifier for mixing with all other Inputs. The unity gain position of this control is 

located at “7.5.”

3

 Input OVERLOAD indicator:

 glows red whenever the Input’s output exceeds a level 4 dB below clipping, letting you know it’s a 

good idea to turn this Input down a bit.

4

 Input BALANCE control:

 In its center detent, Left and Right signals to each channel are allowed to pass at their original rela-

tive levels, therefore preserving the stereo image from instrument connected to the Inputs. When the control is moved vertically 

toward the “L” position, the Right channel level is 

decreased

 while the Left channel level is 

maintained

. The opposite occurs if the 

control is moved from the detent down toward the “R”. When a mono input is used (no plug in the RIGHT Input jack), the BAL 

control becomes a PAN control, panning the mono signal from the Left to Right channels.

5

 Input SEND Level control:

 determines the amount of 

Post-Fade

 stereo input is fed to the auxiliary buses. Each Input’s stereo 

SEND is summed on this bus and is available at the respective LEFT and RIGHT LOOP SENDS on the rear of the mixer.

6

  RETURN LEVEL control: 

is a rotary stereo attenuator that controls the amount of Return which is to be added to the Main 

Output. The unity gain position of this control is located at “7.5."

7

  RETURN OVERLOAD indicator:

 glows red whenever the return levels exceed a level of 4 dB below clipping.

8

 RETURN BALANCE control: 

is a vertical slider that controls the effect or source connected to the LOOP RETURN in the 

same way the Input BALANCE controls work (see 

4

 above).

9

 OUTPUT LEVEL control:

 is a rotary stereo attenuator that controls the final signal Level at the main OUTPUT jacks. The 

unity gain position of this control is located at “7.5".

0

 OUTPUT OVERLOAD indicator: 

glows red any time the output level exceeds 4 dB below clipping.

q

 OUTPUT BALANCE control: 

is

 

a vertical slider that operates in the same fashion as the BALANCE control described in item 

4

 above. It however, determines the relative levels of the LEFT and RIGHT main OUTPUTS only.

1

2

SM 82

SEND BAL

SEND BAL

3

SEND BAL

4

SEND BAL

5

SEND BAL

6

SEND BAL

7

SEND BAL

8

RETURN

OUTPUT

SEND BAL

BAL

BAL

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

LEVEL

LEVEL

POWER

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

10

10

10

10

10

10

10

10

10

10

0

5

10

STEREO

MIXER

R

C

L

0

5

10

R

C

L

0

5

10

R

C

L

0

5

10

R

C

L

0

5

10

R

C

L

0

5

10

R

C

L

0

5

10

R

C

L

0

5

10

R

C

L

R

C

L

R

C

L

5

2

1

4 3

9

6

11 10

8 7

Summary of Contents for SM 82

Page 1: ...OL OL OL OL OL OL OL OL LEVEL LEVEL POWER LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 10 10 10 10 10 10 10 10 10 10 0 5 10 STEREO MIXER R C L 0 5 10 R C L 0 5 10 R C L 0 5 10 R C L 0 5 10 R C L 0 5 10 R C L 0 5 10 R C L 0 5 10 R C L R C L R C L ...

Page 2: ...tilationopenings Ifrackmounting pleaseprovideadequate ventilation Equipment may be located directly above or below this unit but note that some equipment like large power amplifiers may cause an unacceptable amount of hum or may generate too much heat and degrade the performance of this equipment Protect the power cord and plug from damage caused by being walked on or pinched Protect the line cord...

Page 3: ...may use them as either balanced or unbalanced the choice being made by the way the connectors are wired It s a good idea to always use a TRS or stereo connector in the outputs no matter which mode you are using If a mono connector is used inserting it into the output will short the ring to ground and could conceivably cause a small amount of distortion to be placed on the tip While this is not des...

Page 4: ...determines the amount of Post Fade stereo input is fed to the auxiliary buses Each Input s stereo SEND is summed on this bus and is available at the respective LEFT and RIGHT LOOP SENDS on the rear of the mixer 6 RETURN LEVEL control is a rotary stereo attenuator that controls the amount of Return which is to be added to the Main Output The unity gain position of this control is located at 7 5 7 R...

Page 5: ... 82s similar to the MAIN EXPAND OUTPUT in 2 A stereo Tip Ring Sleeve cable must be used for this application Connect the LEFT and RIGHT LOOP SENDS 4 of the first unit to the LOOP EXPAND IN of the second unit Tip left Ring right 8 Remote POWER supply input Use only an RS 1 or other remote AC power supply approved by Rane The SM 82 is supplied from the factory with a remote power supply suitable for ...

Page 6: ...e as desired to the Left and Right Outputs If a mono input is present the BALance control becomes a PAN control After the BALance control has done its job a stereo SEND LEVEL control adjusts the amount of each Input routed to the Loop Output All eight stereo Inputs are simultaneously adjusted for stereo placement by the OUTPUT BALance control The resultant sig nal is added together and fed to the ...

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