Rane SM 82 Operator'S Manual Download Page 3

Manual-1

OPERATORS MANUAL

SM 82

STEREO MIXER

QUICK START

No one likes to read manuals. Everyone likes to just start pushing buttons and turning knobs until the desired results magically 

emerge. That’s usually OK, and with a very few exceptions, damage is unlikely to result from such procedures with the SM 82.

This product is quite obvious: Input 

LEVEL

 controls make Inputs louder or not, the stereo 

SEND

s make things happen at the 

LOOP SEND

 outputs, and so on. No real magic there. You should be aware, however, that if you want to connect a mono source to 

the SM 82, use only the 

LEFT

 Input of a channel so that the mono source will drive both the Left and the Right channels.

Set the levels of the mixer so that the red lights stay off. If they come on, you are overdoing it and distortion will result.

Never connect anything except an RS 1 or other approved Rane AC power supply to the thing that looks like a telephone 

jack on the rear of the SM 82.

 

This is an AC input and requires some special attention if you do not have an operational power sup-

ply 

exactly

 like the one that was originally packed with your unit. See the full explanation of the power supply requirements on page 

Manual-3..

SM 82 CONNECTION 

When connecting the SM 82 to other components in your 

system for the first time, 

leave the power supply for last

. This will 

give you a chance to make mistakes and correct them before any 

damage is done to your fragile speakers and ears.

INPUTS

The SM 82’s Inputs are unbalanced. This means that stan-

dard ¼" connectors on the ends of any good quality cable will 

work well between your signal sources, signal processing and 

amplification. For best rejection of nasty things like hum and 

RF, keep input cables under 10 feet (3 meters) in length.

Most sources give you the choice of stereo or mono output. 

The mixer gives you the same choice. You will note that nomen-

clature has been placed beneath the input jacks indicating which 

is RIGHT and which is LEFT (MONO). If a source is plugged 

only into the Left jack and not into the Right, both Right and 

Left channels will be fed with the Left Input. This allows the use 

of either stereo or mono sources.

OUTPUTS

The SM 82 offers balanced main outputs only. This means 

that you may use them as either balanced or unbalanced, the 

choice being made by the way the connectors are wired. It’s a 

good idea to always use a TRS or stereo connector in the outputs 

no matter which mode you are using. If a “mono” connector 

is used, inserting it into the output will short the ring (–) to 

ground and could conceivably cause a small amount of distortion 

to be placed on the tip (+). While this is not destructive, it may 

be significant enough to be audible. Balancing therefore requires 

that both tip (+) and ring (–) be wired to the following device. 

Unbalanced requires only tip and sleeve connected, leaving the 

unused ring open.

EFFECTS DEVICES

External devices which might be used could be either mono 

in and out, while some may be mono in and stereo out, while 

still others may be stereo on both ends. The SM 82 easily ac-

commodates all of these varieties. If your effect is mono on both 

ends, connect its input to the SM 82 LEFT LOOP SEND and 

the effect’s output to the SM 82 LEFT LOOP RETURN. This 

configuration will sum Right and Left Loop Outputs to the 

mono effect input and will sum the mono effect output to the 

Left and Right Input buses. A mono-in stereo-out device would 

connect to the loop outputs in the same way; however the stereo 

outputs connect to the respective LEFT and RIGHT LOOP 

RETURNS.

EXPANDING

Connecting two or more SM 82s together to achieve more 

than eight stereo Inputs requires that a stereo cable (tip, ring, 

sleeve) be connected between the MAIN EXPAND OUTPUT 

of the first mixer and the MAIN EXPAND INPUT of the 

second. All 32 inputs will then appear at the main OUTPUT of 

mixer number two. Only the first sixteen Inputs will be available 

at the main Outputs of mixer number one. Should you wish to 

have all Loop buses tied, connect the LOOP SENDS of mixer 

one to the LOOP EXPAND INPUT of mixer two. All sixteen 

stereo sends will then become active at the LOOP SENDS of the 

second mixer.

WEAR PARTS:

 This product contains no wear parts.

1

2

SM 82

SEND BAL

SEND BAL

3

SEND BAL

4

SEND BAL

5

SEND BAL

6

SEND BAL

7

SEND BAL

8

RETURN

OUTPUT

SEND BAL

BAL

BAL

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

LEVEL

LEVEL

POWER

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

0

2

4

8

6

10

10

10

10

10

10

10

10

10

10

0

5

10

STEREO

MIXER

R

C

L

0

5

10

R

C

L

0

5

10

R

C

L

0

5

10

R

C

L

0

5

10

R

C

L

0

5

10

R

C

L

0

5

10

R

C

L

0

5

10

R

C

L

R

C

L

R

C

L

Summary of Contents for SM 82

Page 1: ...OL OL OL OL OL OL OL OL LEVEL LEVEL POWER LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 0 2 4 8 6 10 10 10 10 10 10 10 10 10 10 0 5 10 STEREO MIXER R C L 0 5 10 R C L 0 5 10 R C L 0 5 10 R C L 0 5 10 R C L 0 5 10 R C L 0 5 10 R C L 0 5 10 R C L R C L R C L ...

Page 2: ...tilationopenings Ifrackmounting pleaseprovideadequate ventilation Equipment may be located directly above or below this unit but note that some equipment like large power amplifiers may cause an unacceptable amount of hum or may generate too much heat and degrade the performance of this equipment Protect the power cord and plug from damage caused by being walked on or pinched Protect the line cord...

Page 3: ...may use them as either balanced or unbalanced the choice being made by the way the connectors are wired It s a good idea to always use a TRS or stereo connector in the outputs no matter which mode you are using If a mono connector is used inserting it into the output will short the ring to ground and could conceivably cause a small amount of distortion to be placed on the tip While this is not des...

Page 4: ...determines the amount of Post Fade stereo input is fed to the auxiliary buses Each Input s stereo SEND is summed on this bus and is available at the respective LEFT and RIGHT LOOP SENDS on the rear of the mixer 6 RETURN LEVEL control is a rotary stereo attenuator that controls the amount of Return which is to be added to the Main Output The unity gain position of this control is located at 7 5 7 R...

Page 5: ... 82s similar to the MAIN EXPAND OUTPUT in 2 A stereo Tip Ring Sleeve cable must be used for this application Connect the LEFT and RIGHT LOOP SENDS 4 of the first unit to the LOOP EXPAND IN of the second unit Tip left Ring right 8 Remote POWER supply input Use only an RS 1 or other remote AC power supply approved by Rane The SM 82 is supplied from the factory with a remote power supply suitable for ...

Page 6: ...e as desired to the Left and Right Outputs If a mono input is present the BALance control becomes a PAN control After the BALance control has done its job a stereo SEND LEVEL control adjusts the amount of each Input routed to the Loop Output All eight stereo Inputs are simultaneously adjusted for stereo placement by the OUTPUT BALance control The resultant sig nal is added together and fed to the ...

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