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REAR PANEL DESCRIPTION

1. ¼" CHANNEL OUTPUT.

 This is a tip-ring-sleeve (TRS) balanced Output connector. Tip is (

+

), ring is (

), and sleeve is

ground. For unbalanced operation, use a TRS plug: connect your hot lead to the tip, ground to the sleeve and leave the ring
open. Although not recommended, a standard mono ¼" cable often works.

2. 3-Pin CHANNEL OUTPUT.

 Active balanced Output: Pin 2 is (

+

), pin 3 is (

), pin 1 is signal ground, and the shell is

chassis ground.

3. 3-Pin CHANNEL INPUT.

 Active balanced Input: Pin 2 is (

+

), pin 3 is (

), pin 1 is signal ground, and the shell is chassis

ground. For unbalanced use, connect pins 3 and 1 together and drive pin 2.

4. ¼" CHANNEL INPUT.

 This is a tip-ring-sleeve (TRS) balanced Input connector. Tip is (

+

), ring is (

), and sleeve is

ground. For unbalanced operation, use either a TS (mono) or TRS plug. If using a TRS plug, connect the ring & sleeve
together.

5. MIDI IN.

 This connector allows the MPE 14 to respond to external MIDI control.

6. MIDI OUT.

 This connector transmits MIDI Program Changes, etc., to the input of another MIDI device.

7. MIDI THRU.

 This output contains all the MIDI information exactly as it comes into the MIDI Input. None of the controls

on the MPE 14 have any effect on this Output. Normally used for daisychaining purposes.

8. Remote Power Supply Input. 

USE ONLY A RANE MODEL RS 1, RAP 10, FRS 8 OR OTHER REMOTE AC POWER

SUPPLY APPROVED BY RANE

. The MPE 14 is supplied with a remote power supply suitable for connection to this input

jack. Consult the factory for replacement or substitution.

9. GROUND LIFT Switch.

 This switch gives the user the option to tie signal ground to chassis ground. Typically, a system is

quieter in the 

lift

 position. See 

CHASSIS GROUNDING

 note on last page for details.

10. Chassis Ground Point.

 A 6-32 screw is used for chassis grounding purposes. See 

CHASSIS GROUNDING

 note on last

page for details.

OPERATING INSTRUCTIONS

THE BASICS.

 Don’t be intimidated by the fact that the

MPE 14 is a programmable equalizer with a lot of buttons on
the front and none of the familiar slide controls and rotary
pots and such. The product is very straightforward and
following the steps below should get you started.

EDITING CURVES.

 Changing the overall Level or

equalizer curve requires the use of the EQ Edit mode. To edit
any curve, first make a choice: Do you want both Channels
the same or do you want to edit them independently? Next
push the 

EQ

 button (repeated operation cycles between Ch. 1,

Ch. 2, both, and neither) to select theChannel(s) you wish to
modify. Now press 

LEVEL

 or any of the 14 frequency

buttons (the yellow LED lights to acknowledge selection).
Next scroll the 

UP/DOWN

 buttons until the desired Level

shows on the green 

EQUALIZER

 display. When finished

editing, push the 

STORE

 button once. The number in the

SYSTEM

 display starts blinking to remind you to select a

location, or to use the current one. Enter a new number if

needed, then push 

STORE

 again to place the new curve into

the Stored Memory location shown. The 

MPE Users Guide

should be consulted for further details.

STORING CURVES.

 Any curve may be stored in any or

all of the 128 memory locations. Once stored, this location is
referred to as the Stored Memory location. To begin the
process, press 

STORE

 once. This causes the 

SYSTEM

display to begin blinking the current Stored Memory location
number. If you want to store your Working Memory curve
into this location, press 

STORE

 again and your wish shall be

granted. If not, select another Stored Memory location using
the number keys or the 

UP/DOWN

 buttons. When the correct

location is displayed, press 

STORE

 again. The curve in the

selected location has now been replaced with the curve of the
current Working Memory.

COMPARING CURVES.

 A most useful feature is the

ability to compare the changes you have just made with what
is in the Stored Memory location. The MPE 14 makes this

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