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Manual-

REAR PANEL DESCRIPTION

1

 BALANCED MAIN OUTPUT connectors:

 Provide a fully balanced Main Output signal—pin 2 is (

+

), pin 3 is (

) and pin 1 is 

signal ground. Pin 3 must never be grounded for unbalanced operation. Use only pin 2 as hot and pin 1 as return for any unbalanced 

operation

.

2

 UNBALANCED MAIN OUTPUT connectors:

 Provide Main Output signals on ¼" TS (tip-sleeve) unbalanced connections.

3

 BOOTH OUTPUT connectors:

 The Left Output only supplies a mono Booth Monitor Output; connecting to both Left and 

Right provides a stereo Output.

4

 ZONE OUTPUT connectors:

 The Left Output only supplies a mono Zone Output, connecting to both Left and Right provides 

a stereo Output. The Zone Outputs are located Post-EQ, which includes the Microphone Output. An internal jumper block pro-

grams the Zone to Pre-EQ (and no mic) if required. (See Service Information on page Manual-9.)

5

 MAXIMUM OUTPUT GAIN REDUCTION control:

 Decreases the maximum Level of the balanced and unbalanced MAIN 

OUTPUTS of the MP 24z as it is rotated counter-clockwise.

6

 METER SENSITIVITY ADJUST:

 Clockwise rotation decreases the full-scale sensitivity of the PEAK PROGRAM METER, as 

indicated by the full-scale voltage calibrations around the control.

7

 SYSTEM MONO/STEREO switch:

 Engaging this pushbutton converts all Outputs (except tapes and loops) to MONO, regard-

less of the nature of the Input signals.

8

 EQ RANGE switch:

 In the out position, the maximum boost/cut available from the Program Equalizer is ±8 dB. In the switch’s 

in position, this range is reduced to ±4 dB.

9

 LIGHT CONTROL OUTPUT jack:

 Provides a transformer-coupled mono program signal for use by a lighting controller’s trig-

ger input. This is a balanced ¼" output—the tip is positive, the ring is negative and the sleeve is floating.

0

 

LIGHT OUTPUT LEVEL attenuator:

 Counter-clockwise rotation reduces the Output Level at the LIGHT CONTROL OUT-

PUT jack.

METER SENSITIVITY ADJUST

OFF

5V

TO ALL OUTPUTS. INSTALL IN

UNUSED INPUTS ONLY.

CHASSIS

CLASS 2 EQUIPMENT

GND

SIG GND

LIFT

10V

6V

GAIN REDUCTION

MAX OUTPUT

-22

0

dB

-6

UNBALANCED

POST LOOP

"STORE" PHONO SHORTING PLUGS

IN TAPE OUT JACKS. THIS WILL

SHORT SIGNAL PATH TO GROUND

CAUSING A LOW DISTORTED SIGNAL

DO NOT UNDER ANY CIRCUMSTANCE

UNBALANCED

MONO *

L

R

±4dB

PRE LOOP

R

±8dB

L

UNBALANCED

*

PLUGGING ONLY INTO

LEFT YIELDS L+R

OUTPUT. PLUGGING

INTO BOTH YIELDS

MONO OUTPUTS

STEREO OUTPUT.

RETURN

RETURN

L

R

MONO*

BALANCED

FULLY

SEND

MONO*

SEND

L

R

RETURN

SEND

L

L

WIRELESS

USE FOR

MICS

1.7V

1V

0.6V

2.5V

3.5V

4V

SYSTEMS

LIGHT OUTPUT LEVEL

0

10

2

4

8

6

+15V

DUCKER

BOOTH

ACTIVE
DEFEAT

RING=RETURN

TIP=SEND

PHANTOM

POWER

GROUNDING POST

CASE: CHASSIS

3: NEGATIVE

1: COMMON
2: POSITIVE

USING INTERNAL RIAA DEFEAT JUMPERS

RANE CORP.

MADE IN U.S.A.

N108

BALANCED

UNBALANCED

AND PIN 1 FOR

USE ONLY PIN 2

PIN 3 TO GND!

DO NOT SHORT

CASE: CHASSIS

3: NEGATIVE

2: POSITIVE

1: COMMON

OUTPUT

RETURN

SEND

R

R

LINE 6

R

LINE 5

L

LIGHT CONTROL OUTPUT

TRANSFORMER COUPLED

MONO

LINE 4

R

AUX 3

L

PH 2

R

LINE 3

L

R

L

PH 3

AUX 2

MIC

LINE 2

L

R

LINE 1

PH 1

AUX 1

SWITCHABLE LOOP

TAPE OUT

EQ

RANGE

ZONE OUTPUT

MONO

MAIN OUTPUTS

OUTPUT

BOOTH

MAIN EFFECTS LOOP

SYSTEM

(HI-Z ONLY)

LOOP

MIC

AUX

MIC

MAIN

MIC

R

L

R

CAUTION

L

R

L

MP 24z

POWER

750mA

8

28

26

27

5

3

6

10

20

11

7

4

15

14

13 12

24

23

21

1

2

9

25

18

19 17 16

Summary of Contents for MP 24z

Page 1: ... 0 3 7 10 5 LEFT 20 15 ENGAGE MIXER CUE PGM RIGHT STEREO PAN LINE 6 LINE 3 CUE CUE CUE CUE PH AUX 3 LINE 3 LINE 3 AUX PH 2 AUX PH 1 10 8 6 10 8 6 LINE 2 LINE 1 LINE 1 LINE 2 LINE 4 LINE 5 LINE 4 TREBLE TM 4 2 0 4 2 0 4 3 2 1 ASSIGN 4 3 2 1 ASSIGN ENGAGE MAIN MIC LEVEL OL ENGAGE MIC LINE 5 LINE 6 ACTIVE CROSSFADER BOOTH LEVEL LOOP ZONE LEVEL PROGRAM EQUALIZER PEAK PROGRAM METER POWER HEADPHONE CONT...

Page 2: ...e Service Information on page Manual 9 9 ENGAGE MIC switch Enables the Microphone Inputs to feed the Booth Zone and Main Outputs The adjacent red LED flashes whenever the ENGAGE MIC switch is down and locked This switch also activates a ducker circuit in the Booth Output SeeFront Panel t and Rear Panel p 0 MAIN MIC LEVEL control Sets the Level of the balanced low impedance MAIN MIC Input q AUX MIC...

Page 3: ...L control Adjusts the program and mic level at the Booth Outputs Unity gain is approximately 6 5 This Out put utilizes a ducking circuit reducing the mic level when the MIC ENGAGE switch is pressed See Rear Panel p y ZONE LEVEL control Adjusts the program and mic level of the Zone Outputs Unity gain is approximately 6 5 u PROGRAM EQUALIZER controls Contour the frequency response of the program at ...

Page 4: ...dB 9 LIGHT CONTROL OUTPUT jack Provides a transformer coupled mono program signal for use by a lighting controller s trig ger input This is a balanced output the tip is positive the ring is negative and the sleeve is floating 0 LIGHT OUTPUT LEVEL attenuator Counter clockwise rotation reduces the Output Level at the LIGHT CONTROL OUT PUT jack METER SENSITIVITY ADJUST OFF 5V TO ALL OUTPUTS INSTALL I...

Page 5: ... to convert these into Line level Inputs See Service Information on page Manual 9 AUX PH 1 and AUX PH 2 jumpers are set at the factory for PHONO The PH AUX 3 jumper is set at the factory for a LINE level input When these jumpers are set to PHONO never use these Inputs for any other purpose due to the amount of gain and RIAA equalization present Any unused Phono Input should have the Phono Shorting...

Page 6: ... basic interconnect guidelines Unfortunately even though the system and the primary components such as mixers proces sors and amplifiers are of commercial grade most of the source components i e turntables disc players tape decks and so on are consumer grade with consumer interconnect limitations Therefore on the input side of the MP 24z RCA connectors will prevail with unbalanced lines thereto at...

Page 7: ...is range is reduced to 4 dB The latter is considered safer in situations where taste makes waste in drivers that is THE HEADPHONE CONTROL CUE SYSTEM To use the HEADPHONE CUE System signal must be present at one of the Inputs Well at least you do to make sure it works Depressing the CUE switch for the respective Input channel presents this signal to the Headphone Cue amplifier An LED illuminates ne...

Page 8: ...ive amount None of the LEVEL controls past the Input Channel faders affect this drive level BOOTH AND ZONE OUTPUTS The ZONE OUTPUT is an additional Stereo Output with it s own ZONE LEVEL control that can be routed to an am plifer that feeds the bar another tape recorder etc This output is Post EQ which means also that the mic is heard from the Zone Outputs along with any Program EQ changes This ca...

Page 9: ...e the two 2 outer screws attaching the crossfader as sembly to the front panel 2 Pull the Crossfader Assembly forward and unplug the ribbon from the connector on the bottom board 3 Install the replacement assembly by reversing the above in structions See Fader Cleaning instructions on page Manual 3 MP 24z ASSEMBLY Later in this manual lie a rather large selection of drawings to help with any servi...

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