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Manual-4

REAR PANEL DESCRIPTION

1. REMOTE MIC/LINE INPUT: This ¼" tip-sleeve INPUT is for wireless mics or other high-impedence sources.

2. MICROPHONE LOOP jacks: These ¼" tip-sleeve connectors are for inserting external signal processing in the micro-

phone circuit only. These jacks do not effect the other INPUTS.

3. PHONO GROUND screw: This GROUND SCREW can facilitate your hum chasing, buzz eliminating experiments. This

provides a place to connect those extra wires coming out of the turntables. See CHASSIS GROUNDING note, next page.

4. PHONO/LINE 1 & 2 INPUTS: These stereo Inputs are switchable from a PHONO (RIAA) stage for magnetic cartridges to

a LINE level INPUT suitable for any line level device such as a CD player. Each INPUT may be adjusted with its TRIM
control for level matching purposes if desired.

5. LINE 3,4,5 & 6 INPUTS: These stereo pairs of RCAs connect LINE level INPUTS only. Each INPUT may be adjusted

with its TRIM control for level matching purposes if desired.

6. MASTER LOOP SEND & RETURN: These stereo pairs of RCA connectors are for inserting external signal processing in

the MASTER, ZONE and HEADPHONE circuits. This feature does not affect the operation of the MIC or AUX INPUTS.
These are switching jacks—always finish the loop when connecting send or return. Only connect to a device that is capable
of returning signal back to the MP 22.

7. AUX LINE INPUT: This stereo pair of RCA connectors is an extra set of LINE level Inputs with an independent front

panel LEVEL control (see #7, Front Panel).

8. TAPE OUTPUT: These RCA connectors are line level Outputs intended for use with a tape recorder, but not necessarily

restricted to that purpose. You may be creative. These Outputs are not affected by the MASTER LEVEL fader.

9. MIC & AUX TO TAPE OUT switch: In the YES position the MIC and AUX signals with all INPUTS are routed to the

TAPE OUTPUT. In the NO position only program material from INPUTS 1 through 6 will appear at the TAPE OUTPUT.

10. MIC & AUX TO ZONE 1 switch: In the YES position the MIC and AUX signals along with all INPUTS are routed to the

ZONE 1 OUTPUT. In the NO position only program material from INPUTS 1 through 6 will appear at the ZONE 1
OUTPUT. Note: MIC and AUX are never routed to the ZONE 2 OUTPUT.

11. ZONE OUTPUTS: These stereo pairs of RCA connectors are LINE level OUTPUTS with an independent front panel

LEVEL control (see #8, Front Panel) and are not affected by the MASTER LEVEL control.

12. MASTER OUTPUTS 1 & 2: This stereo pair of RCA connectors provides two identical stereo LINE level OUTPUTS.

13. Chassis ground point: This screw is provided for connection, if required, to chassis ground. See the CHASSIS GROUND-

ING note on the next page.

14. POWER input connector: This is not a telephone jack! Connect an 18 volt AC center-tapped transformer only. Use only a

Rane model RS 1, shipped with the unit, or other RS 1 compatible power supply approved by Rane.

Summary of Contents for MP 22

Page 1: ...ER OUTPUT jacks There are two places where you can get lost If you bring a phono signal into PH LN 1 or 2 be sure to keep the LINE PHONO switch set to PHONO likewise when using a CD player be sure this switch is set to LINE If you plug into the MASTER LOOP RETURN the signal path thru the unit is broken since these are switching jacks They are looking for the return from an outside device that got ...

Page 2: ...y single or combination of CUE pushbuttons sends any program present at the respective Channel s INPUT SELECT selector to the Headphone and meter cue sections The yellow LEDs adjacent to each CUE select button illuminate when the switch is engaged Not recommended for beat sync lights See OPERATING INSTRUCTIONS 6 INPUT SELECT A B These four position rotary switches provide Input selection between t...

Page 3: ...ER LEVEL fader This control determines the final LEVEL at the MASTER and ZONE OUTPUTS Unity gain is approximately 6 19 HEADPHONE PAN control This control serves two purposes When the Headphone Mode switch see 21 is in STEREO mode this controls the relative levels of the CUE and ProGraM mixed together in Stereo When the Mode is switched to MONO this controls the balance between Mono CUE in the left...

Page 4: ...to the MP 22 7 AUX LINE INPUT This stereo pair of RCA connectors is an extra set of LINE level Inputs with an independent front panel LEVEL control see 7 Front Panel 8 TAPE OUTPUT These RCA connectors are line level Outputs intended for use with a tape recorder but not necessarily restricted to that purpose You may be creative These Outputs are not affected by the MASTER LEVEL fader 9 MIC AUX TO T...

Page 5: ...ignal path thru the unit unless they contain the return from an outside device that got its signal from the MASTER LOOP SEND In other words these are switching jacks only use a stereo effects device that passes signal completely patched through The MIC and AUX can be switched to appear or not appear on the ZONE 1 Output and the MIC and AUX can be switched to appear or not appear on the TAPE Output...

Page 6: ...eo Program in both ears or Stereo Cue in both ears depending on the rotation of the PAN control The overall volume is then controlled by the HEADPHONE LEVEL control All features specifications subject to change without notice SEP96 Rane Corporation 10802 47th Ave W Mukilteo WA 98275 5098 TEL 425 355 6000 FAX 425 347 7757 WEB http www rane com When a CUE is active at either Input Channel and if the...

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