quint audio L16 Manual Download Page 27

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EASE Focus 3 - Universal Sound System Modeling in 3D

With Quint Audio’s proprietary EASE Focus 3, system designers can 
simulate the acoustical performance of  the entire sound system to find 
the  optimal  setup  for  a  given  venue  with  multiple  audience  areas, 
curved and inclined seating. ease Focus 3 assists the user with many 
intelligent  features  such  as  auto  splay  functions,  Virtual  EQ,  and 
detailed  analysis  of   sound  coverage,  SPL  and  frequency  response. 
The  software  is  available  as  a  free  download  from  the  quint  audio 
website  and  from  https://focus.afmg.eu/index.php/fc-downloads-
en.html

EASE Focus 3 is the universal tool for the simulation of  loudspeaker 
systems. It is supported by many major loudspeaker manufacturers 
and  offers  a  comprehensive  set  of   features  from  general  design 
functions  for  venues  and  sound  systems  all  the  way  to  specialized 
tuning and optimization features.

You  can  quickly  enter  a  venue  into  EASE  Focus  3  using  differently 
shaped  basic  audience  zones  and  define  multiple  audience  areas 
within these. Areas can be placed at different heights and can have 
inclining  seating.  Geometry  data  can  either  be  entered  from  an 
existing  plan  using  regular  X,  Y,  Z  coordinates  or  by  use  of   polar 
coordinates as derived from laser distance and inclinometers on site. 
Add  additional  vertical  cutting  planes  to  provide  section  views  for 
extended evaluation.

You  can  add  sound  systems  from  the  EASE  Focus'  encompassing 
database.  EASE  Focus  3  suppor ts  line  arrays,  configurable 
loudspeakers  and  columns,  typical  point  sources,  and  subwoofer 
arrays. Each sound source can be tweaked and adjusted in placement, 
orientation,  and  electronic  parameters  such  as  gain,  polarity,  delay, 
and a virtual EQ. Up to 40 sound sources, even from different brands, 
are  supported  within  one  project.  Nifty  functions  for  stacking, 
snapping, moving, and copying make the setup of  larger systems easy.

EASE Focus immediately calculates and shows   the sound coverage 
on  your  audience  zones  and  section  including  the  splay  angles 
between  the  adjacent  cabinets.  You  can  investigate  the  interaction 
between separate sound sources especially in the low and low-mid 
frequency  range  with  the  "Complex  Summation"  feature  introduced 
with EASE Focus 3.

All  mappings  clearly  show  the  influence  of   polarity, 
phase, and propagation delay of  your systems on the 
audience areas. Adjust your settings and recalculate in 
order to maximize SPL and minimize negative effects.

The “Complex Sum” calculation setting allows effective 
simulation and tuning of  basically any arrangement of  
subwoofer arrays. Place and stack your loudspeakers 
freely or insert a pre-configured array. Then tune them 
to deliver the desired radiation pattern. While inserting 
a  new  sound  source  you  may  specifically  add 
subwoofers as a subwoofer array. EASE Focus 3 treats 
such an array as a single sound source, offers different 
parameters  to  convenientl y  configure  it,  and 
automatically  computes  suggested  delays.  EASE 
Focus  provides  high  accuracy  in  the  full  frequency 
range from 20 Hz to 20 kHz due to the high internal data 
resolution  and the GLL data format. Compatible data 
structures  allow  data  exchange  with  EASE  and  other 
AFMG software packages. Fully configured line arrays 
can  be  exported  for  further  use  in  EASE.  Digitally 
steered columns and other configurable loudspeakers 
require an additional proprietary DLL that can provide 
beam steering filters and other manufacturer-specific 
settings.

EASE  Focus  currently  supports  German,  English, 
Spanish, Italian, Portuguese, and French languages.

26

L16  

high performance arrayable loudspeaker

quint audio

Warranty

Quint Audio BV warrants the original purchaser and any subsequent 
owner of  each new Quint Audio BV product, for a period of  5 years 
limited from the date of  the original purchase by the original purchaser 
that the new Quint Audio BV product is free of  defects in materials and 
workmanship. Quint Audio BV warrants the new product regardless of  
the reason for failure, except as excluded in this warranty. In order to 
obtain warranty, you must keep the original sales receipt to establish 
the exact date of  purchase.

Warranty  does  not  cover  any  product  which  has  been  damaged 
because of  any misuse, accident, or negligence. Warranty also does 
not extend to a new Quint Audio BV product if  the serial number has 
been defaced, altered or removed.

Quint Audio BV will replace defective parts and repair malfunctioning 
products, regardless of  the reason for failure (except as excluded). 
Warranty  work  can  only  be  performed  at  our  authorized  service 
centres, or at our factory.

Disclaimer

Quint  Audio  BV  is  not  liable  for  any  damage  to  loudspeakers, 
amplifiers,  or  any  other  equipment  that  is  caused  by  negligence, 
misuse or improper installation.

Quint Audio BV is not liable for any incidental damages resulting from 
any  defect  in  the  new  Quint  Audio  BV  product.  This  includes  any 
damage to another product or products resulting from such a defect.

The information contained in this manual has been carefully checked 
for accuracy, at the time of  going to press, however no guarantee is 
given with respect to the correctness.

Quint  Audio  BV  bv  accepts  no  responsibility  for  any  errors  or 
inaccuracies  that  may  appear  in  this  manual  or  the  products  and 
software described in it.

Technical specifications, dimensions, weights and properties do not 
represent guaranteed qualities.

Quint  Audio  BV  reserves  the  right  to  change  specifications  without 
notice. 

5

years limited warranty

27

quint audio L16 manual 1.0/en

Summary of Contents for L16

Page 1: ...quint audio www quintaudio com L16 manual 2x8 1x4 1x2 5 Line Source Module Operating Rigging Instructions quint audio L16 manual 1 0 en L16 high performance arrayable loudspeaker ...

Page 2: ... product is only possible if the user manual is available Any changes made to the product must be documented in writing and passed on to the buyer in the event of resale As part of a continuous evolution of techniques and standards Quint Audio BV reserves the right to change the specifications of the product and the content of this manual without prior notice Please check the Quint Audio BV websit...

Page 3: ...e dynamic stress to the rigging components and suspension points If the wind force exceeds 6 Beaufort scale lower down and or secure the loudspeaker array Be cautious when flying a loudspeaker array Always verify that no one is standing underneath the loudspeaker array when it is being raised or lowered As the array is being raised check each individual element to make sure that it is securely fas...

Page 4: ...Audio s WLL calculator Verify that the WLL of the suspension points chain hoists and all additional hardware rigging accessories are respected The system should only be installed or fitted in accordance with the manufacturers recommendations Installation should only be carried out by qualified personnel who are familiar with and have knowledge of the rigging techniques used and with the safety rec...

Page 5: ...r housings and accessories for visible signs of wear and tear and replace them when necessary Keep the loudspeakers away from heat producing sources such as heaters stoves fireworks etc Keep the loudspeakers away from water prevent the possibility of water and moisture entering it Even if the product is weather resistant it should not be exposed to moisture rain sea spray shower steam for a long p...

Page 6: ...tivity horn with a precise opening angle of 110 degrees horizontally The L16 is built of birch plywood and equipped with a wear tear and impact resistant hybrid coating Various internal bracings and metal supports are applied in order to increase the rigidity of the design The front is finished by a coated steel grille with an acoustically transparent layer The L16 features an array able rigging s...

Page 7: ... in live setups By its ultra compact and smart design the L16 is user friendly in handling and rigging and very forgiving in setting up The system can easily be adapted to a desired coverage and to a desired SPL demand L16 cabinets can be flown in vertical columns up to 24 cabinets depending on the shape of the column please use EASE Focus software to determine the size and form of the array and t...

Page 8: ...in 3 3 MF mid frequency and to NL4 pin 1 1 NL8 pin 4 4 HF high frequency and to NL4 pin 2 2 Pin assignments are stated on the back panel layouts on the right The same connection panels are fitted on all other L series tops They offer a maximum flexibility in connection conversion looping and twisting without the need of cables and connectors that would otherwise need to be customized for a specifi...

Page 9: ...ss cabinet interlink E3 top cabinet interlink L pin C1 cradle can be used in 4 different ways 1 stacking frame for tops 2 flying frame for tops 3 flying frame for subs 4 flying frame for a combination of subs and tops C1 as a flying frame splay hook cradle splay hook 9 FlyingL16 with the C3 T bar C3 can be used in one way 1 flying L series tops quint audio L16 manual 1 0 en ...

Page 10: ...le while lowering them into their trolley more about this further on in this manual Attach the front of the L16 to the C1 cradle by inserting an L pin through the E1 on both sides The E1 s on their turn have previously been attached to the C1 using the same pins as well as the C2 T bar At the rear place the first pin in the hole with the desired angle at which the L16 should hang from the cradle o...

Page 11: ...ark it with a locking pin Again place the L pin at the desired angle and lower the speaker into the splay hook Again place the L pin in the first hole under the corner pin to secure the splay hook Follow the same procedure for each subsequent L16 Start with the front attachment 11 quint audio L16 manual 1 0 en ...

Page 12: ...which they then are secured so the hook stays in place For transport the hooks are unsecured so the speakers will gradually collapse at their maximum angle while lowering them into their trolley more about this further on in this manual Attach the front of the L16 to the C3 cradle by inserting an L pin through the L16 fitting on left and right front side of the L16 At the rear place the first pin ...

Page 13: ...the L pin in the first hole under the corner pin to secure the splay hook Follow the same procedure for each subsequent L16 Start with the front attachment 13 To make sure the splay hook of the bottom speaker is out of sight you can rotate it upwards and park it with a locking pin quint audio L16 manual 1 0 en ...

Page 14: ...pin through the E1 on both sides The E1 s on their turn have previously been attached to the C1 using the same pins as well as the C2 T bar At the rear for each loudspeaker place the first pin in the hole with the desired angle at which the L16 should hang from the cradle or the loudspeaker hanging directly above it Note that the first hook is the one that is attached to the C1 cradle itself L16 h...

Page 15: ...Hoist the rig from its trolley and move the next trolley if more than 4 L16 s are desired directly underneath Follow the interconnecting procedure for each subsequent L16 Start with the front attachment 18 degrees downwards looking of the lowest hanging cabinet is the maximum angle to pick up a next fully lowered rig underneath CAUTION 1 8 max ...

Page 16: ...nt of cabinets within the safety calculations Calculating the desired angles the number of speakers required for the venue and determining the point of contact on the T bar is explained in the chapter EASE Focus 3 Hook up the front first with the L pins and lower the rig again onto the loudspeakers that are on the trolley Then follow the same procedure as for the first 4 speakers as shown on the l...

Page 17: ...ass cabinet while a subsequent C1 cradle is mounted under the bass cabinet onto which the L16 s can be flown If necessary more bass cabinets can be mounted underneath each other first without the need for an extra C1 cradle The bass cabinets have extendable couplers which are retracted by a spring when not in use The C1 cradle or a subsequent bass cabinet can be attached to these extendable couple...

Page 18: ...ch side The drawing below shows a cross section of the middle bar of the C1 cradle Clearly visible here is the splay hook of an L16 fitting into the cradle in a detented receiver which makes setting and adjusting the desired angle of the L16 very easy After placing under the correct angle only a locking pin has to be placed and the L16 is secured to the C1 StackingL16 withthe C1 combiframe 18 L16 ...

Page 19: ... 1 per channel L16 554000 5 Ohms recommended 2 per dual channel bi amped NL8 TWIST CABLE NL8 CABLE NL4 CABLE NL4 TWIST CABLE A42 604100 4x2000W 8Ohms SMPS Power Amplifier 19 1U quint audio ordercode model description 554000 L16 L 2x8 4 2 5 Biamped arrayable system symmetrical 550102 L10 C1 L Coupler 550202 L10 C2 C2 T bar for C1 550302 L10 C3 C3 T bar for L16 tops 550103 L10 E1 Bass cabinet interli...

Page 20: ... per channel This setup represents an example of a basic L16 PA system consisting of 2x8 pcs of L16 making use of 4 pcs of A42 amplifiers The amplifiers are driven into 2 5 Ohms per channel Example L16 setups 20 L16 high performance arrayable loudspeaker HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF ...

Page 21: ...quint audio Cabling NL8 NL8 NL8 21 quint audio L16 manual 1 0 en NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 ...

Page 22: ...cked music PA system consisting of 16x L16 and 4x L bass making use of four 4 channel A42 amplifiers www quintaudio com Example L16 setups 22 L16 high performance arrayable loudspeaker HF MF HF MF HF MF HF MF HF MF HF MF LF LF LF LF HF MF HF MF HF MF HF MF HF MF HF MF ...

Page 23: ...quint audio Cabling 23 quint audio L16 manual 1 0 en NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL4 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL4 NL8 NL8 NL8 NL8 NL8 ...

Page 24: ...and 6x L sub making use of 4 pcs of A42 amplifiers The L low s are flown next to the L16 array in order to support a phase coherent well defined mid low area in the sound image and to further raise the efficiency of the L16 s 24 L16 high performance arrayable loudspeaker HF MF HF MF HF MF HF MF HF MF HF MF HF MF HF MF SUB SUB SUB SUB SUB SUB LOW LOW Example L16 setups ...

Page 25: ...quint audio Cabling 25 quint audio L16 manual 1 0 en TWIST CABLE NL4 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 TWIST CABLE NL4 TWIST CABLE NL4 TWIST CABLE NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 NL8 ...

Page 26: ... delay and a virtual EQ Up to 40 sound sources even from different brands are supported within one project Nifty functions for stacking snapping moving and copying make the setup of larger systems easy EASE Focus immediately calculates and shows the sound coverage on your audience zones and section including the splay angles between the adjacent cabinets You can investigate the interaction between...

Page 27: ...the reason for failure except as excluded Warranty work can only be performed at our authorized service centres or at our factory Disclaimer Quint Audio BV is not liable for any damage to loudspeakers amplifiers or any other equipment that is caused by negligence misuse or improper installation Quint Audio BV is not liable for any incidental damages resulting from any defect in the new Quint Audio...

Page 28: ...ely from normal waste at the end of its operational lifetime Please dispose of this product according to the respective national regulations or contractual agreements If there are any further questions concerning the disposal of this product please contact Quint Audio BV INDEX 2 Unpacking 3 5 Safety instructions 6 Design 7 Applications 8 Connectors Internal wiring 9 Rigging accessories 10 11 Riggi...

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