QSC MH-1063 User Manual Download Page 1

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*TD-000180-00*

Cinema Mid-High Loudspeaker System User Manual

MH-1063 

10” (254mm) mid, 2.5” (63mm) compression driver 

MH-1075 

10” (254mm) mid, 3.0” (75mm) compression driver 

Introduction

The MH-1063 and MH-1075 “mid-high packs” provide the mid and high frequency 
components of three-way screen channel loudspeaker systems for high performance 
cinema applications. They were designed to operate with and be directly mounted on 
QSC’s cinema low frequency enclosures.

Mid frequencies are reproduced with a 10” (254mm) high-efficiency, phase-ring 
loaded driver mounted on a custom designed cinema horn. The high-frequency driver 
is a large format, 2.5” (63mm, MH-1063) or 3.0” (75mm, MH-1075) titanium dia-
phragm compression driver mounted on a custom high-frequency cinema horn. The 
high frequency horn is a low-distortion waveguide providing highly articulate dialogue 
without coloration associated with conventional horn loudspeakers. Both horns fea-
ture broad horizontal and vertical coverage angles to ensure coverage of every seat in 
the auditorium. The driver assemblies are mounted on an adjustable pan and tilt 
bracket that has an integral aiming sight, simplifying installation.  

The MH-1063 and MH-1075 loudspeakers include a driver protection and crossover 
network to assure reliable operation. DC blocking capacitors protect against DC or 
low-frequency signals that could damage an unprotected driver. Power limiter circuitry 
protects the driver from over-powering and an 18dB/octave crossover seamlessly 
blends the high and mid frequency elements. Outboard processing is required to form 
the crossover between the LF and MH loudspeakers.

Bi-amp or tri-amp operation is possible using a selector switch mounted on the con-
nections panel. The bi-amp setting provides a passive crossover network between mid 
and high drivers. Separate amplifiers and an active crossover are required for the low 
frequency channel and the mid-high channel. Tri-amp setting disables the internal 
mid-high crossover and each driver is driven independently by its own amplifier and 
active crossover; one for the low, one for the mid, and one for the high frequencies. 

The MH-1063 and MH-1075 components come pre-assembled to reduce field assem-
bly time. Three bolts are all that are required to secure the mid-high assembly to the 
top of a QSC low frequency enclosure.

Install in accordance with QSC Audio Product’s instructions and a 
licensed, professional engineer. Only use attachments, mounts, 
accessories, or brackets specified by QSC Audio Products, Inc. Refer 
all servicing to qualified personnel. Servicing is required when the 
apparatus has been damaged in any way.

WARNING! Before placing, installing, rigging, or suspending any 
speaker product, inspect all hardware, suspension, cabinets, trans-
ducers, brackets and associated equipment for damage. Any missing, 
corroded, deformed or non-load rated component could significantly 
reduce the strength of the installation, placement, or array. Any such 
condition severely reduces the safety of the installation and should 
be immediately corrected. Use only hardware which is rated for the 
loading conditions of the installation and any possible short-term 
unexpected overloading. Never exceed the rating of the hardware or 
equipment. Consult a licensed, professional engineer when any 
doubt or questions arise regarding a physical equipment installation.

TD-000180-00 rev.C

© Copyright 2004, 2005, QSC Audio Products, Inc.

QSC® is a registered trademark of QSC Audio Products, Inc.

“QSC” and the QSC logo are registered with the U.S. Patent and Trademark Office

1675 MacArthur Blvd., Costa Mesa, CA, 92626 USA
Main Number (714) 754-6175 Sales & Marketing (714) 957-7100 or toll free (USA only) (800) 854-4079
Customer Service(714) 957-7150 or toll free (USA only) (800) 772-2834

Summary of Contents for MH-1063

Page 1: ...ork between mid and high drivers Separate amplifiers and an active crossover are required for the low frequency channel and the mid high channel Tri amp setting disables the internal mid high crossove...

Page 2: ...and easily For typical applications the aim point should be the center seat in the back row of the auditorium If the cinema screen has already been installed a flashlight placed at the desired aiming...

Page 3: ...signal to the MH 1063 MH 1075 There is a mid high passive crossover for bi amp mode only There is no crossover connected when operating in tri amp mode A protection network is always active All requi...

Page 4: ...terminals marked INPUT MID TRI AMP Mode one amplifier channel is used for the low fre quency cabinet one amplifier channel for the mids and one amplifier channel for the high frequencies The MH 1063 M...

Page 5: ...od 8 hrs Sensitivity Tri amp mode Mid Freq 105 dB SPL 1 watt 1 meter Tri amp mode High Freq 107 5 dB SPL 1 watt 1 meter Bi amp mode 135 dB SPL 1 watt 1 meter Crossover Frequency Tri amp mode 250 Hertz...

Page 6: ...od 8 hrs Sensitivity Tri amp mode Mid Freq 105 dB SPL 1 watt 1 meter Tri amp mode High Freq 108 dB SPL 1 watt 1 meter Bi amp mode 135 5 dB SPL 1 watt 1 meter Crossover Frequencies Tri amp mode 250 Her...

Page 7: ...7 MH 1075 SPL and Impedance vs Frequency SPL dB Frequency Hertz Impedance Ohms Impedance SPL MH 1063 SPL and Impedance vs Frequency SPL Impedance SPL dB Frequency Hertz Impedance Ohms...

Page 8: ...ages This warranty gives you specific legal rights This limited warranty is freely transferable during the term of the warranty period Customer may have additional rights which vary from state to stat...

Page 9: ...l ajuste bi amp proporciona una red de cruce pasivo entre los excitadores de frecuencia media y alta Se requieren amplificadores separados y un cruce activo para el canal de frecuencia baja y el canal...

Page 10: ...ente la cobertura deseada Para aplicaciones t picas el punto de orientaci n debe ser el asiento central de la fila posterior del auditorio Si ya se instal la pantalla de la sala de cine es posible ver...

Page 11: ...5 Hay un cruce pasivo de frecuencia media alta s lo para el modo bi amp Cuando se opera en el modo tri amp no hay un cruce conectado Siempre est activa una red de protecci n Todo el procesamiento requ...

Page 12: ...D Modo TRI AMP se usa un canal del amplificador para la caja de baja frecuencia un canal del amplificador para las frecuencias medias y un canal del amplificador para las frecuencias altas El conmutad...

Page 13: ...ri amp Frecuencia media SPL 105 dB 1 vatio 1 metro Modo Tri amp Alta frecuencia SPL 107 5 dB 1 vatio 1 metro Modo Bi amp SPL 135 dB 1 vatio 1 metro Frecuencia de cruce modo Tri amp 250 Hertz o m s 24d...

Page 14: ...amp Frecuencia media SPL 105 dB 1 vatio 1 metro Modo Tri amp Alta frecuencia SPL 108 dB 1 vatio 1 metro Modo Bi amp SPL 135 5 dB 1 vatio 1 metro Frecuencias de cruce modo Tri amp 250 Hertz o m s 24dB...

Page 15: ...ncia del MH 1075 en funci n de la frecuencia SPL dB Frecuencia Hertz Impedancia Ohmios Impedancia SPL SPL e impedancia del MH 1063 en funci n de la frecuencia SPL Impedancia SPL dB Frecuencia Hertz Im...

Page 16: ...arant a le otorga derechos legales espec ficos Esta garant a limitada es libremente transferible durante el per odo de la misma El cliente podr a gozar de derechos adicionales que podr an variar de un...

Page 17: ...onfiguration deux amplificateurs fournit un filtre passif entre les tages d attaque moyenne et haute fr quence Des amplificateurs s par s et un filtre actif sont n cessaires pour le canal basse fr que...

Page 18: ...lement et rapidement la couverture souhait e Pour des applications typiques le point de vis e doit tre le fauteuil central au fond de la salle de cin ma Si l cran de la salle de cin ma a d j t install...

Page 19: ...MH 1063 ou au MH 1075 Il existe un filtre passif moyenne haute fr quence pour le mode deux amplificateurs uniquement Aucun filtre passif n est connect en mode trois amplificateurs Un r seau de protec...

Page 20: ...anal d amplificateur est utilis pour l armoire basse fr quence un deuxi me est utilis pour les moyennes fr quences et un troisi me est utilis pour les hautes fr quences Le s lecteur de mode du MH 1063...

Page 21: ...ilit Mode Tri amp Moyenne fr quence Niveau de pression sonore 105 dB 1 W 1 m Mode Tri amp Haute fr quence niveau de pression sonore 107 5 dB 1 W 1 m Mode Bi amp Niveau de pression sonore 135 dB 1 W 1...

Page 22: ...nsibilit Mode Tri amp Moyenne fr quence Niveau de pression sonore 105 dB 1 W 1 m Mode Tri amp Haute fr quence Niveau de pression sonore 108 dB 1 W 1 m Mode Bi amp Niveau de pression sonore 135 5 dB 1...

Page 23: ...23 SPL et imp dance par rapport la fr quence MH 1075 SPL dB Fr quence Hz Imp dance ohms Imp dance SPL SPL et imp dance par rapport la fr quence MH 1063 SPL Imp dance SPL dB Fr quence Hz Imp dance ohms...

Page 24: ...e pour responsable de dommages accessoires et ou indirects Cette garantie vous accorde des droits sp cifiques Cette garantie limit e est librement cessible durant sa p riode de validit Le client pourr...

Page 25: ...passives Crossover Netzwerk zwischen Mittel und Hochfrequenztreibern F r den Niederfrequenzkanal und den Mittel Hoch Kanal werden separate Verst rker und ein aktives Crossover ben tigt Die Tri Amp Ein...

Page 26: ...sollte mit der Visiereinrichtung auf den mittleren Sitz in der letzten Reihe des Kinosaals gezielt werden Wenn die Kinoleinwand bereits installiert wurde kann eine Taschenlampe an dem anvisierten Pun...

Page 27: ...bereichssignal anlegen Nur f r den Bi Amp Modus ist ein passives Mittel Hoch Crossover Kabel vorgesehen Beim Betrieb im Tri Amp Modus ist kein Crossover Kabel angeschlossen Ein Schutznetzwerk ist jede...

Page 28: ...en anschlie en TRI AMP Modus Ein Verst rkerkanal wird f r das Niederfrequenzgeh use einer f r die Mittelfrequenzen und einer f r die Hochfrequenzen benutzt Der MH 1063 MH 1075 Modusschalter ist auf TR...

Page 29: ...50 W IEC Methode 8 Std Empfindlichkeit Tri Amp Modus Mittelfrequenz 105 dB SPL 1 W 1 m Tri Amp Modus Hochfrequenz 107 5 dB SPL 1 W 1 m Bi Amp Modus 135 dB SPL 1 W 1 m Crossover Frequenz Tri Amp Modus...

Page 30: ...W IEC Methode 8 Std Empfindlichkeit Tri Amp Modus Mittelfrequenz 105 dB SPL 1 W 1 m Tri Amp Modus Hochfrequenz 108 dB SPL 1 W 1 m Bi Amp Modus 135 5 dB SPL 1 W 1 m Crossover Frequenzen Tri Amp Modus...

Page 31: ...31 MH 1075 SPL und Impedanz im Verh zur Frequenz SPL dB Frequenz Hertz Impedanz Ohm Impedanz SPL MH 1063 SPL und Impedanz im Verh zur Frequenz SPL Impedanz SPL dB Frequenz Hertz Impedanz Ohm...

Page 32: ...Datumscode entfernt oder unkenntlich gemacht wurde QSC ist f r keine Neben und oder Folgesch den haftbar Diese Garantie gew hrt Ihnen bestimmte Rechte Diese beschr nkte Garantie ist w hrend der Garant...

Page 33: ...63 3 0 75mm MH 1075 MH 1063 MH 1075 18dB LF MH MH 1063 MH 1075 QSC QSC Audio Product QSC Audio Product TD 000180 00 rev C 2004 2005 QSC Audio Products Inc QSC QSC Audio Products Inc QSC QSC 1675 MacAr...

Page 34: ...34 0 75 5 16 18 QSC MH 1063 MH 1075 200 MH 1063 MH 1075...

Page 35: ...35 MH 1063 MH 1075 10 AWG 5 3mm2 MH 1063 MH 1075 MH 1063 MH 1075 MH 1063 MH 1075...

Page 36: ...36 MH 1063 MH 1075...

Page 37: ...35 5 dB SPL 1m 131 5 dB SPL 1m 135 dB SPL 1m 8 1500 7 9 150 91 275 W AES 2 60 W AES 2 250 W IEC 8 105 dB SPL 1 1 107 5 dB SPL 1 1 135 dB SPL 1 1 250 24dB 1 7 24dB 250 24dB 1 7 18 dB 10 AWG 10 1 5 38mm...

Page 38: ...6K 135 5 dB SPL 1m 133 dB SPL 1m 135 5 dB SPL 1m 8 1500 6 4 150 91 275 W AES 2 80 W AES 2 250 W IEC 8 105 dB SPL 1 1 108 dB SPL 1 1 135 5 dB SPL 1 1 250 24dB 1 7 24dB 250 24dB 1 7 18 dB 10 AWG 10 1 5...

Page 39: ...39 MH 1075 SPL vs SPL dB SPL MH 1063 SPL vs SPL SPL dB Hertz...

Page 40: ...io Products QSC Audio Products Inc 1675 MacArthur Boulevard Costa Mesa CA 92626 1468 USA 714 754 6175 714 957 7100 800 854 4079 714 957 7150 800 772 2834 714 754 6174 714 754 6173 www qscaudio com E m...

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