PSC M4 mkII Operation Manual Download Page 5

 

5

INPUTS: 

 

A. BALANCED 

INPUTS 

 

The PSC M4mkII Audio Mixer provides four input channels utilizing female XLR 
connectors.  The studio grade input circuitry is transformer balanced for improved 
RF rejection and in-field practicality.  The XLR connectors are wired as follows: 
Pin 1 shield (ground), Pin 2 Audio high (in phase), Pin 3 Audio low (out of phase).  
Balanced wiring enables longer cable runs without the worry of excessive noise 
due to nearby electromagnetic and radio frequency interference.  These 
balanced inputs may be unbalanced if desired.  Either pin 2 or 3 may be tied to 
ground (pin 1) to unbalance the inputs of the M4mkII Mixer.  Note: The AES 
standard for unbalancing an XLR connector is to tie pin 3 to ground (pin 1). 

 
 
 

B. INPUT 

LEVELS 

 

The PSC M4mkII Mixer can accommodate a wide range in input levels.  
Microphone levels of all types can be handled as well as line level signals.  The 
input range of the M4mkII Mixer is –60dBu to +4dBu.  Thus the M4mkII is 
compatible with all forms of consumer and professional audio equipment.  The 
input level switches are located below and to the right of each input XLR 
connector.  These input level switches provide for three level settings:  “D” 
Dynamic Microphone (0dB attenuation), “C” Condenser Microphone (15dB 
attenuation), and “L” Line Level (50dB attenuation) These input level attenuation 
settings are used to correctly interface sources of varying levels to the M4mkII’s 
preamplifiers.  Correct level matching ensures maximum headroom and lowest 
possible noise floor. 
 
 

C. MICROPHONE 

POWERING 

   

The M4mkII Mixer can accommodate the most popular microphones used today.  
The microphone powering switches are located directly below the input XLR 
connectors.  They can be switched to either Dynamic (D) or 48Phantom (48).   
 
In the Dynamic position the mixer provides no microphone powering.  This 
position is used with Dynamic Microphones, Line Level inputs and when using 
Wireless Receivers. 
 
In the 48 Phantom Position the mixer provides 48 volts DC to power 48PH 
microphones or simplex powered microphones with a range of 9 to 52 volts or 12 
to 52 volts.  Pin 1 is shield to ground while pins 2 and 3 carry 48 volts DC.  The 
term “phantom” is derived from the fact that there is no voltage potential 
developed across a dynamic microphone transducer that would interfere with its 
operation.  However, most portable wireless receivers will not operate with 48PH 
turned on.  We strongly recommend setting inputs to dynamic for use with all 
wireless systems. 
 
It should also be noted that the PSC M4mkII Mixer contains special electronics 
that automatically shut off the 48PH DC to DC converter if none of the four 

Summary of Contents for M4 mkII

Page 1: ...M4mkII Portable Audio Mixer Operation Manual for Mixers with PCB V1 5 Copyright 2002 Professional Sound Corporation Printed in the U S A...

Page 2: ...INPUT LEVELS C MICROPHONE POWERING D LOW CUT FILTER E CHANNEL GAIN F CHANNEL PANS H BOOM POLE REMOTE CONTROL OUTPUTS 7 9 A BALANCED OUTPUTS B MULTIPIN BETA CONNECTOR C OUTPUT LIMITERS D TRANSCRIPTION...

Page 3: ...R DITRIBUTION POWERING 12 13 A INTERNAL POWER NP 1 BATTERY B INTERNAL POWER ALKYLINE BATTERIES C EXTERNAL POWER CONSTRUCTION 13 14 A CHASSIS B ELECTRONIC TOPOLOGY C ENVIRONMENTAL OPERATION D PORTA BRA...

Page 4: ...unctions necessary to produce studio quality recordings in the field It s user friendly features rugged design and sonic purity make the M4mkII Mixer perfect for electronic news gathering ENG electron...

Page 5: ...n C Condenser Microphone 15dB attenuation and L Line Level 50dB attenuation These input level attenuation settings are used to correctly interface sources of varying levels to the M4mkII s preamplifie...

Page 6: ...ilter switches are located on the front of the M4mkII Mixer E CHANNEL GAIN In order to limit noise and increase headroom the channel fader controls are located in the feedback path of the pre amplifie...

Page 7: ...h quality custom made audio output transformers These transformers have been designed to provide wide bandwidth low distortion and real world ease of use Transformers have been chosen over a transform...

Page 8: ...RECORDING TO BETACAM TYPE CAMERAS Most video cameras have limited audio track headroom and can easily be overloaded resulting in distortion of the recorded audio Play it safe use the limiters D TRANSC...

Page 9: ...r We designed this meter to be easy to read and camera emulating Because the most common use of this type of mixer is with Betacams we designed the M4mkII s meters to emulate the peak reading attribut...

Page 10: ...M4mkII Mixer This adjustment is factory calibrated and should not be adjusted without proper measurement equipment C BATTERY TEST In addition to the low battery indicator on the LCD meter the M4mkII...

Page 11: ...ffects the headphone feeds not the main XLR outputs More complete descriptions of the M S and X Y stereo recording techniques can be found in the literature of the major microphone manufacturers such...

Page 12: ...own on the latch and pull out the battery B INTERNAL POWER ALKALINE BATTERIES Eight AA alkaline batteries can also power the M4mkII Mixer These batteries are housed in a convenient battery tray design...

Page 13: ...ally coated with an epoxy powder coating This powder coat paint is then baked on in an oven Powder coating chosen for its durability and environmental friendly characteristics All silk screening is pr...

Page 14: ...SC M4mkII Mixer is especially designed for easy interfacing with all popular Betacam type cameras The M4MKII is equipped with a 10 pin Hirose tm connector on the left hand side panel This all inclusiv...

Page 15: ...ze RF interference through the use of output transformers and other RF filtering It is important to note that transmitter placement greatly affects transmit range and clarity For best results transmit...

Page 16: ...l to Noise 128 5dB EIN 150 Ohms Distortion 00 08 THD Low Cut Filter 100Hz 140Hz 12dB Octave Mic Power DYN 48 PH Oscillator 440Hz Limiter 1mS Attack 100 mS Release 2 7 1 Ratio Warranty 1 Year Limited C...

Reviews: