Prism REVEAL Profile Operating Instructions Manual Download Page 6

TrueSource

®

 Technology

After significant research and development efforts, Prism Projection has solved many of 
the problems associated with LED based lighting devices developing the TrueSource

®

 

system. TrueSource assures color consistency by utilizing active live color metering, 
achieves a full spectral response by using carefully selected multiple primary emitters 
and provides a consistent flat field with next generation optics and reflector systems.

Live Color Metering 

At the heart of every TrueSource system is a Tristimulus color sensor. Tristimulus 
sensors, while electronic, actually “see” in a way that mimics the human eye’s response 
to color. Even though every human sees color differently, there are well established 
base lines for normal color response. By taking live measurements and adjusting how 
each LED or group of LEDs is being driven, the problems of color shift during use are 
removed. Tristimulus values are referenced to the well established CIE 1931 2° 
observer color space. By referencing a standard, TrueSource systems are inherently 
calibrated to each other. The problems of using only an initial calibration and predictive 
algorithms are not an issue with TrueSource systems.

Full Spectrum

TrueSource systems use several colors of primary emitters. At the minimum each 
TrueSource system will use 5 primary colors. These primaries are carefully chosen to 
minimize the valleys of the SED curve. When outputting 3200k “white”, TrueSource 
systems have a CRI of 95+. With deep understanding of how to drive each individual 
LED, TrueSource is not locked into only using a fixed number of primary emitters. 
TrueSource is also flexible enough to utilize LEDs from several manufacturers at once. 
With this discreet control, TrueSource systems can pick from the best available LEDs on 
the market. 

Since all TrueSource enabled instruments are structured to provide a full spectral 
response, they have a very wide gamut. 

Interfacing with Color

TrueSource systems allow the designers and operators to ask for and interface with 
color in very specific ways not normally seen in current lighting equipment. 
Instead of asking designers to describe color in a non-standardized way, ie. unknown 
RGB values, RGBW, RGBA, RGBCA, or seven discreet primaries. TrueSource 

Prism Projection Inc. - RevEAL Studio Operating Manual

5

Summary of Contents for REVEAL Profile

Page 1: ...RevEAL Profile with TrueSource Operating Manual www prismprojection com DRAFT SUBJECT TO CHANGE...

Page 2: ...nge The Product s and technologies described herein are protected by multiple issued and pending patents RevEAL and RevEAL Revolutionary Entertainment and Architectural Lighting are trademarks of Pris...

Page 3: ...Shaping 10 Adjusting Focus Using Shutters Rotating the Barrel Pattern Projection 12 Pattern Image Size Pattern Holders Iris and Accessory Slot Changing Beam Angles 14 Standard Lenses High Definition L...

Page 4: ...e Screen 25 RevEAL Profile Assorted Recommended DMX Settings 8 bit control 26 Whites All Colors xy CCT ECO RGB CCT ECO HSI CCT ECO RevEAL Profile CCT Channel Value Lookup Chart Prism Projection Inc Re...

Page 5: ...t locations Due to risk of injury the safety cable MUST be attached while the product is suspended The product MUST be attached to the appropriate power which meets the following conditions 90 264 VAC...

Page 6: ...calibrated to each other The problems of using only an initial calibration and predictive algorithms are not an issue with TrueSource systems Full Spectrum TrueSource systems use several colors of pri...

Page 7: ...t generation of optical design The beams are flat and fully collimated Each unit produces one shadow A shadow that would be expected from a traditional source or natural sunlight Of course diffusion c...

Page 8: ...be the first step before installing the product and the last step after removing the product Mounting the product Step 1 Install a c clamp or other appropriate rated pipe coupling device to the steel...

Page 9: ...he product Any connector you attach to the end of the product must be rated for 15 Amperes and 250VAC and of the grounding type The conductors in the power cable are color coded for ease of assembly W...

Page 10: ...s fashion 1 to 2 2 to 3 and so on Follow best practices for DMX wiring Do not exceed recommended cable lengths or number of receivers on a chain The unit may also be controlled via ArtNet Contact Pris...

Page 11: ...s RevEAL Profiles have a tri plane shutter system The top and bottom shutters are on the same plane while the side shutters are on independent planes The top and bottom shutters may be inserted far en...

Page 12: ...position Use the knob located on the right hand side when looking down on the instrument to front of the yoke Loosen the barrel rotation knob rotate the front of the instrument to desired position an...

Page 13: ...vEAL Profiles ship with a steel holder in the initial gobo slot This holder may be used for steel gobos not glass Without the holder the profile will project a square field Prism recommends the use of...

Page 14: ...e Four Remember that only the middle area of a B sized gobo will be projected The accessory slot is covered by a sliding panel to reduce light leaks To move the panel forward loosen the two philips sc...

Page 15: ...en philips screw and open the door 3 Loosen philips screws on the top retention plate of the lens sled 4 Remove existing lens 5 Place new lens in the desired slot labelled 6 Replace retention plate an...

Page 16: ...n at a glance view of the instrument s configuration and current settings Including if the fan is spinning theDMX start address how many channels the configuration occupies if DMX is being received an...

Page 17: ...or None Cie XY RGB Hue Sat Dynamic White Disabled Enabled Correction Intensity Standard Linear Advanced Settings Energy Full Power Remote Eco Fanless Refresh Rate Medium High Remote Low Algorithm Brig...

Page 18: ...and right arrow buttons to change the value of the selection DMX address may be 1 512 remember to leave enough room for the channels contained in the block as defined by the features enabled When sett...

Page 19: ...ect Color then use the left and right buttons to scroll through the available modes While RevEAL instruments contain 5 base colors of LEDs they are controlled within calibrated color systems This ensu...

Page 20: ...in advanced settings or the color temperature channel is set to remote the default white point is 3200K With all channels at 0 no light will be produced regardless of the intensity channel s state To...

Page 21: ...channels The Dynamic color channel is broken up into 5 zones DMX 0 51 20 sets the color channels into CIE x y DMX 102 40 153 60 set the color channels into RBG DMX 204 80 Full sets the color channels...

Page 22: ...nel will add up to 5 units of green While lowering the Correction channel will add up to 5 units of magenta This feature is important of the user is attempting to balance to sources that may have colo...

Page 23: ...put the fixture in full power mode ECO Fanless ECO mode turns off the fan the instrument will operate virtually silently with diminished output ECO mode will run the instrument with incredibly high ef...

Page 24: ...ptions are at a setting that does not use DMX channels the channel slot will not be occupied The color block may contain no channels or up to 7 if dynamic mode in 16 bit is enabled The white block may...

Page 25: ...alone control Use the up and down arrows to select the parameter to change then use the left right arrows to change the parameter Pressing the X button will return to the previous screen To ensure tha...

Page 26: ...screen allows the user to verify that the TrueSource system is functioning properly Target and Measured x y values are shown A demo loop may also be triggered from this screen Prism Projection Inc Re...

Page 27: ...ote Refresh Rate Medium Algorithm Brightness Chan Control Item Default Range Function 1 n Eco Fan 0 0 255 0 fan at full full brightness 255 fan off limited brightness 60 2 n 1 CCT 0 0 255 2 600K 6 500...

Page 28: ...RGB 255 HSI 3 n 2 n 2 0 x n 2 127 Red n 2 255 Hue 0 0 255 0 000 0 999 0 100 0 360 4 n 3 n 2 0 y n 2 127 Blue n 2 255 Sat 0 0 255 0 000 0 999 0 100 0 100 lower lighter 5 n 4 n 2 0 unused n 2 127 Green...

Page 29: ...0 0 255 0 fan at full full brightness 255 fan off limited brightness 60 2 n 1 x 0 0 255 0 000 0 999 3 n 2 y 0 0 255 0 000 0 999 4 n 3 CCT 0 0 255 2 600K 6 500K See Chart 5 n 4 Correction 127 0 255 5...

Page 30: ...fan at full full brightness 255 fan off limited brightness 60 2 n 1 Red 0 0 255 0 100 3 n 2 Green 0 0 255 0 100 4 n 3 Blue 0 0 255 0 100 5 n 4 CCT 0 0 255 2 600K 6 500K See Chart 6 n 5 Correction 127...

Page 31: ...1 n Eco Fan 0 0 255 0 fan at full full brightness 255 fan off limited brightness 60 2 n 1 Hue 0 0 255 0 360 3 n 2 Saturation 0 0 255 0 100 4 n 3 CCT 0 0 255 2 600K 6 500K See Chart 5 n 4 Correction 1...

Page 32: ...4 3664 9 125 3677 2 126 3689 5 127 3701 9 128 3714 4 129 3727 0 130 3739 7 131 3752 4 132 3765 2 133 3778 2 134 3791 2 135 3804 3 136 3817 5 137 3830 8 138 3844 1 139 3857 6 140 3871 2 141 3884 8 142...

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