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4

PREPARATION AND BASICS 

 

Unpacking and Setup: 
 

Unpack all units carefully to remove all parts from the carton(s).  Do 
not discard or destroy the packing material until the equipment has 
been inspected, assembled, and all parts accounted for.  After 
unpacking, all parts should be examined for any damage, which 
may have been caused by rough handling  during shipment.  If any 
damage is detected, contact the delivering carrier at once.  Claim for 
damage should be made to the delivering carrier before destroying 
packing cartons. 
 
To set up the unit, first mount and secure it on a suitable stand.  The 
StudioMax III stand adapter allows the unit to be mounted on a 
stand with a 3/8” to 5/8” post.  Be sure to use a stand that is stable 
and will not tip easily.  
 
The unit may be shipped with the modeling lamp and flashtube not 
installed.  While installing the modeling lamp and flashtube (with 
glove or clean cloth to protect the hand) be sure they are properly 
inserted and tight to avoid arcing and failure of the socket contacts 
during operation. Do not touch the glass tubes with bare hands, as 
normal body oils will shorten the bulb’s life.  Always use a clean 
cloth or wear gloves to protect your hand from glass breakage and 
heat.  If flashtube and modeling lamp are installed when received, 
there will be spacers between the glass to prevent damage during 
shipping.  REMOVE THE SPACERS. 
 
The 7-½ inch reflector is attached by the “quick-change” 
mechanism.  A solid tab and a thumb screw on the unit grip the ring 
on the reflector.  To mount the reflector, loosen the thumbscrew so it 
does not show inside the circle and tilt the reflector past the 
stationary top-tab, then past the thumbscrew.  Tighten the 
thumbscrew, securing the reflector (see illustration below.)  All 
accessory reflectors and soft boxes are designed for use with this 
“quick-change” system or onto this 7-½ inch reflector. 
 
After mounting the light on your stand and with power switch OFF, 
attach the line AC line cord to the power-input connector, located on 
the bottom of the StudioMax III, and then connect the other end of 
the cable to a grounded wall outlet.  Turn the power switch ON. The 
READY light will light only when the unit has charged to the selected 
setting. 

Summary of Contents for AKC160

Page 1: ...Daylight Corrected Constant Color StudioMax III Operator s Manual Studio Max III AKC320 Studio Max III AKC320B Studio Max III AKC160 Studio Max III AKC160B...

Page 2: ...cessories include all Photogenic Quick Change reflectors and their attachments gels grids etc and soft boxes INTRODUCTION The StudioMax III s are self contained light units and power supplies They hav...

Page 3: ...reater rating and has a ground 4 Do not insert a screwdriver or other metal objects into the flashtube socket area or vents Contact with high voltage may result 5 Do not operate this appliance with a...

Page 4: ...contacts during operation Do not touch the glass tubes with bare hands as normal body oils will shorten the bulb s life Always use a clean cloth or wear gloves to protect your hand from glass breakag...

Page 5: ...quick change attachments CONTROL PANEL AND BASIC OPERATION Power Input The power required to operate the StudioMax III is 105 to 125 volts AC 50 60 Hz 4 Amp and or for a B battery model an approved D...

Page 6: ...modeling light If using a battery model B with a battery pack turn ON the AKC unit before turning the battery pack power ON Flash Power All settings and controls of the StudioMax III are extremely sta...

Page 7: ...a daisy chain connection of all SYNC jacks It is best to connect the fill light directly to the camera since it will be positioned furthest back in the studio and will usually provide sufficient illu...

Page 8: ...or over 320 flashes and the ADC320B for over 160 flashes at FULL power QUICK CHANGE ACCESSORIES Reflectors PL3R Shallow Background reflector PL3RV Background veil cutout reflector PL5AR 5 Deep Conical...

Page 9: ...shes Full Continuous 15 Continuous 30 minutes 10 180 1 minutes 4 15 1 4 Continuous 10 Continuous 30 minutes 6 300 3 minutes 4 45 1 32 1 5 Continuous Exposure Information The following charts give the...

Page 10: ...g Light Power 100 Watt 120 VAC ESR Modeling Light Control ON or OFF Triggering Built in Photoslave Push to Test button Synchronization Jack Main Supply 105 125 VAC 50 60 Hz 3 amp Consumption 1 amps id...

Page 11: ...g Light Power 100 Watt 120 VAC S3629 Modeling Light Control ON or OFF Triggering Built in Photoslave Push to Test button Synchronization Jack Main Supply 105 125 VAC 50 60 Hz 3 amp Consumption 1 amps...

Page 12: ...over all power levels Both are necessary to provide the perfect exposure we all strive for The light produced by the new AKC s is consistent constant Every time you set a desired power level you will...

Page 13: ...der low light conditions you may have to extend your exposure times to a point of significant speed loss With black and white films the effect of this speed loss is partially offset by wide exposure l...

Page 14: ...FF for four hours to discharge the main capacitors Never place your fingers or any metal objects into the flash or modeling sockets Contact with high voltage may result Limited StudioMax III Warranty...

Page 15: ...b Bright light falling on photoslave c Poor connection in line cord d Reverse connection on trigger cord connection at camera e Some radio slaves will cause interference Consult slave manufacturer Tri...

Page 16: ...16 Photogenic Professional Lighting 1268 Humbracht Circle Bartlett Illinois 60103 1631 USA Phone 630 830 2500 Fax 630 830 2525 Manual 016338 00 Revision 01 6 2005...

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