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13

POWERPOD K16

PLUS

45. Stand-by Switch and Indicator

This switch enables and disables a mute of chan-

nels 1 through 12 on the K-16 Plus. This feature 

is handy in live performances, due to the fact that 

the Tape Input is not muted, allowing an audio 

signal from CD players or other input devices to 

be played during performance breaks, while still 

ensuring microphones fail to produce hideously 

sounding  feedback.  Flicking  of 

the  stand-by  switch  is  accompa-

nied by an illuminated LED.

46. Stereo Return Controls

These  controls  are  used  to  adjust 

the  audio  level  that  is  received  by 

the  stereo  return  input  jacks.  They 

consist  of  2  auxiliary  level  controls, 

for  adjusting  the  level  to  be  sent  to 

the  auxiliary  mixing  buses,  and  a 

level control, for adjusting the stereo 

return levels that are sent to the main 

mixing bus. 

The  corresponding  PFL  (Pre-Fader 

Listen) buttons allow you to send the 

audio of the stereo return inputs di-

rectly  to  the  Control  Room/Phones 

control, unaltered by any level controls. Activa-

tion of the PFL is accompanied by an illuminated 

LED.

47. Tape In Controls

This control is used to adjust 

the  level  of  the Tape  Input 

signal that will be sent to the 

main mix. The correspond-

ing PFL (Pre Fader Listen) 

button  allows  you  to  send 

the audio of the Tape In to 

the  Control  Room/Phones 

mix.  Activation of the PFL 

will be accompanied by an 

illuminated LED.

48. Zone 2 Controls

This  control  is  used  to  adjust  the  level  of  the 

Zone 2 feed (duplicated from the MAIN L/R mix) 

that will be sent to the Zone 2 output. The corre-

sponding AFL (After Fader Listen) button allows 

you to send the Zone 2 audio feed to the Control 

Room/Phones mix.  Activation of the AFL is ac-

companied by an illuminated LED.

49. Control Room / Phones Control

This knob controls the level of the audio to be 

sent to the Control Room and Phones outputs, 

located on the top panel of the K-16 Plus mix-

ers.  The  Control  Room/Phones  mix  receives 

signals from PFLs, AFLs, as well as the main mix 

– however not simultaneously. Any PFL that is 

activated has priority over all other signals, and 

is able to run simultaneously with another PFL 

signal (the signal will be mixed together). If no 

PFL buttons are pushed down, then any AFL that 

is activated will be used instead (an AFL can also 

work simultaneously with other AFLs). Likewise, 

if neither a PFL nor an AFL is active, the MAIN 

Left and Right signal will be used.

Priority

Feed

Highest

PFL

Medium

AFL

Lowest

MAIN L/R

Priority of Control Room/Phones Feed

50. Control Room / Zone 2 Switch

The  Control  Room  /  Zone  2  switch  alternates 

the feed of the Control Room 

/ Zone 2 outputs between the 

audio signal from the Control 

Room/Phones mix (which can 

be  used  for  monitoring)  and 

the Zone 2 mix (which can be 

used for side-fill).

51.  Auxiliary  1  and  2  Controls 

(Faders)

These  controls  alter  the  audio 

level  that  will  be  sent  to  the AUX 

outputs, suitable for connecting to 

floor monitors, as well as external 

signal  processing  devices,  if  re-

quired. The corresponding AFL (Af-

ter-Fader Listen) buttons allow you 

to  send  the  audio  of  the  auxiliary 

mixing  bus  to  the  Control  Room/

Phones mix, after being altered by 

the  corresponding  fader  (ie.  after-

fader). Activation of the AFL is ac-

companied by an illuminated LED.

Summary of Contents for POWERPOD K-16 PLUS

Page 1: ...POWERPOD K16 POWERED MIXER PLUS...

Page 2: ...hting storms or when unused for long periods of time 14 Refer all servicing to service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug...

Page 3: ...nnel Setup 5 The Protective Molded Cover 6 MAKING CONNECTIONS 7 Channel Inputs 7 Master Section 7 Rear Panel 8 CONTROLS AND SETTINGS 9 Powering the Unit 9 Digital Effects Panel 11 Master Section 12 AP...

Page 4: ...500W 500W 4 Ohms stereo power amplifier bridgeable and patchable Dual DFX our 32 40 bit digital multi effect pro cessor with 100 programs plus tap control Test tone generator and foot switch on off ja...

Page 5: ...ikely cause damage to the device Also guitar cables should not be used to connect amplifiers to speakers 6 Plug the supplied AC cable into the AC inlet on the back of the device 7 Plug the supplied AC...

Page 6: ...WERPOD K16 Plus PLUS Opening the cover Removing the cover Attaching the cover pull up to open Place the small connecting rods of the molded cover underneath the mixer s hooks The Protective Molded Cov...

Page 7: ...TE Both the stereo 1 4 TRS and stereo RCA inputs are linked and therefore cannot be used simultaneously Master Section 4 Tape Inputs These inputs accom modate RCA connec tions from such devices as tap...

Page 8: ...insert an appropriate 3 pin XLR plug into the connector The second set of outputs are 1 4 phone jacks to use these simply insert an appropriate 1 4 TS plug into them NB Due to the fact that the signal...

Page 9: ...iate to your zone If unsure of local voltage levels contact a knowledgeable source before using this mixer The lamp jack located beside the voltage selector allows users to connect a gooseneck lamp fo...

Page 10: ...nels this control will adjust the level that the left and right should receive where as on a stereo channel adjusting the BAL control will attenuate the left or right audio sig nals accordingly There...

Page 11: ...turn down one or all EFX controls on input channels to ensure the signal level is not too high 36 Program Control This control is used to scroll through the various effect numbers shown on the Digita...

Page 12: ...his stereo 7 band graphic equalizer allows the user to adjust the frequency response of a sig nal with a maximum of 12 dB of signal boost or cut for each of the frequencies The AUX 1 L R switch altern...

Page 13: ...o the Zone 2 output The corre sponding AFL After Fader Listen button allows you to send the Zone 2 audio feed to the Control Room Phones mix Activation of the AFL is ac companied by an illuminated LED...

Page 14: ...ct that any PFL has priority over any AFL see section 52 if both an AFL and PFL are activated only the green PFL indicator will illuminated and processed by the Ctrl Rm Phones control area 56 Power In...

Page 15: ...find the best setup possible for your needs which may depend on what instruments you wish to connect as well as how many external devices you wish to connect and your required monitoring applications...

Page 16: ...16 POWERPOD K16 Plus PLUS Adding External Parallel Devices...

Page 17: ...XLR 1 4 combo jack 2 XLR 2x 1 4 2 1 1 x Mini stereo 2 x RCA jacks 2 x 1 4 TRS Unbal 1 4 TRS Unbal 4 x 1 4 TRS Unbal 1 2 x 1 4 TRS Unbal 1 x Mini stereo 2 x RCA jacks Speaker Output Channel Strips Aux...

Page 18: ...Other Inputs Max 500 Watts 4 ohms 0 5 0 3 80 dB 63 dB 64 dB 0 2 dB 0 2 dB 10 dBu 22 dBu Unbalanced outputs 22 dBu Impedance Mic In 5K ohms Line In 50K ohms All Other Inputs except inserts 10K ohms RCA...

Page 19: ...1 2 53 HEAVY PHASER 2 6 2 8 54 WILD PHASER 1 7 4 0 8 55 WILD PHASER 2 9 6 4 8 NO PROGRAM NAME PARAMETER SETTING PAN SPEED TYPE 56 SLOW PAN 0 1 R L 57 SLOW PAN 1 0 1 R L 58 SLOW PAN 2 0 4 R L 59 MID S...

Page 20: ...20 POWERPOD K16 Plus PLUS APPENDIX B Dimensions All measurements are shown in mm inches...

Page 21: ...21 POWERPOD K16 PLUS APPENDIX C Typical Connecting Leads...

Page 22: ...22 POWERPOD K16 Plus PLUS APPENDIX D Block Diagram...

Page 23: ...original date of purchase against defects in material and workman ship under use as instructed by the user s manual Phonic at its option shall repair or replace the defective unit covered by this war...

Page 24: ......

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